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95 pages 3 hours read

John Knowles

A Separate Peace

Fiction | Novel | YA | Published in 1959

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Symbols & Motifs

The Tree

When Gene returns to campus after fifteen years, he marvels at the fact that the tree, which is a central site of his boyhood trauma, looks so much like every other tree. The tree looms in his memory. Throughout his time at the Devon School, Gene’s perception of the tree shifts. At first, the tree is a challenge. Jumping from it is a way to play at adulthood. The second time that Gene and Finny jump from the tree, Gene nearly falls but Finny catches him. Each time he jumps, Gene feels the acute danger, resenting Finny for continuing to subject him to something that will likely become routine during his senior year. After Finny’s accident, Gene begins to see sports as a rehearsal for war. Although jumping from a tree into a river calls up images of summer boyhood fun, the act is also ultimately a rehearsal for war.

Even the name of the club centered around the tree, “The Super Suicide Society of the Summer Session” (25), jokes about the potential seriousness of the danger that the tree represents. Jumping out of the tree is a form of playacting suicide and death. But the tree becomes a symbol of danger when Finny falls to the ground. After Finny’s injury, Gene recognizes that the exercise of jumping from the tree, which “stood for abandoning a torpedoed ship” (82), represents a danger that he and his classmates might actually face. As an adult revisiting the Devon School, Gene has a memory of the tree’s significance that far surpasses the tree’s physical presence. As with the marble staircase, Gene recognizes that he has changed. He is older and more successful, and his perspective has shifted. 

Finny’s Pink Shirt

When Finny puts on a bright pink shirt, Gene warns him that other boys might call him a “fairy” (20). Finny, however, is unconcerned. He concocts a ridiculous story in which the shirt represents his patriotism in honor of the bombing of Central Europe. But as Gene points out, only Finny could wear such a shirt “without some risk of having it torn from his back” (20). The shirt represents Finny’s mischievousness, his challenge not only to authority but to the social conventions that dictate US/American masculinity during World War II. He attaches patriotism to the shirt in a way that is clearly ironic. Finny is a star athlete and very popular at school. He is a born leader. Although, as Gene points out, he would make a terrible soldier because his nature is oriented toward peace, these qualities are highly prized in a militarized society. His masculinity is difficult to impeach.

Many critics have raised the question of encoded homoeroticism between the two boys. The pink shirt would certainly seem to point toward this idea. However, Finny’s determined preservation of childhood innocence precludes sexual exploration. Associating the pink shirt with the bombing of Central Europe dares Finny’s classmates to call him feminine, since this would also mean associating femininity with the war. This sort of prank and daring requires the level of social cachet that Finny has achieved. Were Gene or Leper to wear the shirt, they would undoubtedly be bullied. But Finny rises above those who might consider bullying him. He is unaffected by suggestions that his sexuality might be questioned because he doesn’t care what others think about him. Finny’s lack of insecurity bolsters his ultimate security.

Summer and Winter Sessions

The novel begins during the Summer Session at the Devon School. It is the first time that the school has held a summer semester, and it came into being as a way to incorporate more military training into the curriculum. Being robbed of summer vacation pushes those who have begun training across the bridge between childhood and adulthood. But for Gene, Finny, and their classmates, the summer semester occurs in a liminal space. They are not yet in training, but they are still at school. Certain elements of their experience share qualities with a boyhood summer. The atmosphere and presiding faculty are more relaxed than during the rest of the year. The boys invent games, play sports, and go swimming. But the Summer Session ends in spirit when Finny falls out of the tree.

The Winter Session has a very different pace from the Summer Session. With a different faculty and administration, the winter semester is much stricter. Mr. Ludsbury, who presides over their dorm, complains that the summer administrators allowed the boys to do whatever they wanted. In the winter semester, physical activities become training, and sports for the sake of fun are considered frivolous. For Finny, when he returns to campus on crutches, the winter presents danger, as every step is precarious in the ice and snow. For Gene and his class, the Winter Session is a bullet train to graduation and induction into the military. It is preparation for the war. 

The Winter Carnival

Finny’s impulsive decision to plan a secret Winter Carnival represents a return to the ethos of summer. Finny reestablishes his leadership, and even Brinker falls in line to make preparations happen. The boys play noncompetitive games, break the rules, and win illicit prizes such as Finny’s forbidden icebox and the money that Brinker somehow appropriated from the Headmaster’s Discretionary Benevolent Fund. Their revelry, which would likely be punished much more severely in the Winter Session than during the summer, is a bold risk with potentially serious ramifications, much like Finny’s decision to jump out of the tree. It is also the first time that Finny acts like the version of himself from before his injury. It marks a resurgence of his happy-go-lucky spirit, and he behaves as if his disability has not changed his life. The event shows that Finny’s essence is not tied to his athletic ability.

For Gene, the carnival also represents a final gasp of childhood fun. The carnival ends when Brownie delivers a telegram from Leper. Gene’s subsequent visit to Leper in Vermont and his relaying of the events of the visit to Finny results in Finny declaring that he can no longer say that the war is fake. Although Gene didn’t actually believe Finny’s ridiculous claims, he admits that the fantasy was preferable to facing reality. This final concession by Finny allows the threat of the war to fully enter their lives. Stories of Leper’s mental incapacitation lead Brinker to accuse Gene of causing Finny’s physical incapacitation. This not only indirectly causes Finny’s death, but it prompts Finny to acknowledge that his friendship with Gene is not entirely innocent. Although Finny forgives Gene, he must face his recognition that a good friend had the capacity to seriously hurt him due to a momentary flash of rage. These realizations and Finny’s forgiveness are adult acts. 

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