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52 pages 1 hour read

Scarlett St. Clair

A Touch of Ruin

Fiction | Novel | Adult | Published in 2020

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Part 1, Chapters 6-11Chapter Summaries & Analyses

Part 1, Chapter 6 Summary: “Lovers’ Quarrel”

Persephone and Lexa help Sybil move out of Apollo’s apartment, which is upscale but empty of color. Hermes confides that Apollo takes pride in his regimen and the things he can control. After they’ve moved Sybil to their apartment, Lexa drops Persephone off at Nevernight, Hades’ nightclub, where she encounters Leuce, a pale, lovely nymph who says she is Hades’ lover. Furious, Persephone confronts Hades, who is in the midst of bargaining with a mortal. He explains that he was Leuce’s lover millennia ago, but he turned her into a tree when she betrayed him. Persephone is upset by the thought of Hades having lovers before her and is “starting to feel like she truly kn[ows] nothing about him” (109). She guesses that he left her the other night because of Leuce, and she refuses intimacy with him, hurt that he didn’t communicate with her.

Part 1, Chapter 7 Summary: “Truce”

Leuce visits Persephone at work. She apologizes and asks Persephone to intercede with Hades to get Leuce a home and a job. Leuce remarks, “[I]n ancient times, the gods were feared and revered. Their worshippers were serious about honoring their gods. It wasn’t this…false obsession” (117). At her apartment, Persephone enjoys a girls’ night, drinking wine with Sybil and Lexa as they rail against Apollo. Emboldened by wine, Persephone rationalizes away her promise to Hades, reminding herself that he kept secrets from her. She writes an article denouncing Apollo and sends it to Demetri for publication.

Part 1, Chapter 8 Summary: “Abduction”

The crowd waiting for Persephone outside her office building now includes people who are angry with her for accusing Apollo. She is frustrated that people defend him. On her lunch break, she teleports to the rooftop and admires the city of New Athens, which held so much hope for her when she moved there: “She’d fallen in love with everything it promised—endless possibilities, adventure, and freedom” (129). Pirithous is there and tells her how he lost his relationship by gambling. Later, Hades appears in her bedroom and accuses Persephone of wanting to hurt him by ignoring his request. He insists on taking her to the Underworld to protect her, and when Persephone’s anger manifests in black thorns, he turns them into ash.

Part 1, Chapter 9 Summary: “A Touch of Poison”

Persephone is ashamed that she broke her word. She talks with Hecate, who wonders if Demeter turned Leuce back into a nymph. Hecate helps Persephone practice controlling her magic. Persephone creates several ripe, red pomegranates, but then they explode, creating what looks like a bloodbath. Hecate suggests that there is darkness inside Persephone. When Persephone takes a walk, flowers bloom in her path, leaving a trail, and when she is angry, roses sprout from her arm. She meditates by the sea and then, exhausted, falls asleep. Hades comes to bring her to bed.

Part 1, Chapter 10 Summary: “God of Music”

Persephone wakes up to find Hermes in Hades’ bedroom, keeping an eye on her. She rushes to join the meeting between Hades and Apollo. The two gods are a contrast of shadow and light. Hades says they have struck a deal—a favor to be collected at a future time. Apollo agrees to return Sybil’s powers, but when Hades threatens to burn all Apollo loves if he hurts Persephone, Apollo answers, “Nothing I love exists anymore” (158). Persephone goes outside to meditate, and Hades appears. He coaches her on how to use her magic, suggesting that it is “passionate, expressive. It reacts to emotions, no matter your level of expertise” (161). He teaches her how to create flowers and then asks her forgiveness. They reconcile and make love.

Part 1, Chapter 11 Summary: “Unraveling”

Persephone asks Hades to provide Leuce with a home and a job. She understands how it feels to have one’s whole world suddenly change. Hades is touched that Persephone wants to help the nymph. Persephone approaches Hecate and asks her for help in summoning Demeter. She brings her mother to her bedroom, and they have a stiff conversation. Persephone sees that her mother still disapproves of her, especially of her being with Hades. Demeter says that Persephone’s name means “destroyer”—“a destroyer of dreams, of happiness, of lives” (174).

Persephone returns to the Upperworld, and when she goes to work in the morning, someone in the crowd throws a bottle at her. Lexa’s boyfriend, Jaison, calls to say that Lexa is in the hospital, seriously hurt.

Part 1, Chapters 6-11 Analysis

The pairing of the older, experienced man and the ingenue has a long history as a narrative theme and has conventionally been called the December-May romance. Historically, it was most often used to comic effect to suggest that the older man was a fool; in more modern renditions, the trope is referred to as an age-gap romance, and either partner may be older. Much of the trope’s popularity in contemporary romance lies in the erotic charge of the older man instructing and educating the younger woman—imparting his knowledge, part of which is sexual experience—while being, despite his jadedness, unquestionably devoted to her. In the version that appears here, Hades’ attractiveness is enhanced by his supernatural status and magical abilities, but there’s a suggestion that the match may become more balanced in power and knowledge as Persephone matures and learns how to manage her own abilities.

The modern setting allows St. Clair to introduce her Olympians as modern-day “playboys,” CEOS, entertainers, and power brokers, exploring the opportunities available to those with seemingly limitless resources. She studies Celebrity and Its Costs in the way Persephone begins to experience public scrutiny and the discomfort and danger of the crowds outside her workplace. St. Clair casts Apollo as a domestic abuser who, instead of being held accountable for his actions, is protected by devoted admirers who, instead, blame Persephone for slandering him. Through her characters, St. Clair critiques how devoted fans not only defend or make excuses for celebrity entertainers—athletes, actors, comics, and so on—but also attack anyone who raises legitimate allegations.

When Hades and Apollo meet, Persephone sees the contrast of light and dark and understands the irony and nuance: Apollo’s light hides a cruel streak, while Hades’ darkness (a theme introduced in the first book and continued here) veils the great good he does in terms of charitable acts and other ways he tries to help mortals. Persephone’s desire to help mortals gives the two more shared ground.

The age gap and difference in life experience provide tension and conflict, but they also provide a moment of bonding when Hades coaches Persephone on her magic, which has continued to manifest in ways that she can’t control. He makes explicit the connection between her magic and her emotions, so the vines and flowers that sprout from her in intense moments symbolize that Persephone is still relatively immature, grappling with and ruled by her strong emotions, even when they hurt her. An example is publishing the article against Apollo even when Hades asked her not to. In breaking her word, when the promises of a god are supposed to be unbreakable, Persephone proves that she is not yet an Olympian; she is making mistakes.

She further shows that she is unlike the typical god in that, instead of punishing mortals, she tries to help them—even Leuce, her rival. Suggestions that Persephone, too, has a dark side generate suspense, while her argument with Hades, though they reconcile in this section, shows that the relationship is still on uncertain ground, adding further conflict and suspense.

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