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48 pages 1 hour read

Mary Pope Osborne

Christmas In Camelot

Fiction | Novel | Middle Grade | Published in 1995

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Themes

The Journey From Innocence to Heroism

Jack and Annie’s quest takes them on a journey from innocence to heroism consistent with the book’s genre as a fantasy novel and an adventure story that draws on Arthurian legend. Initially, the adult inhabitants of Camelot try to dissuade the main characters from accepting the Christmas Knight’s challenge. King Arthur finds the idea of sending children on a mission that bested his three bravest knights both dangerous and absurd: “‘YES!’ thundered the Christmas Knight. He pointed his red-gloved hand at Annie and Jack. ‘The youngest of all—these two—they will go.’ ‘You are mocking us!’ King Arthur shouted” (31). From the perspective of the adults in the story, Jack and Annie appear unlikely heroes compared to the legendary figures they’re trying to save. They don’t possess the magic of Morgan Le Fay, the regal power of King Arthur and Queen Guinevere, or the brawn of the Knights of the Round Table. However, through Merlin’s perspective, Osborne positions the main characters’ youthful innocence as an asset because it makes them creative and idealistic. Morgan explains:

Merlin has often heard my tales of your adventures in the tree house [...] He knows you both have a great desire to fight for the good. And he knows you use the gift of imagination very well. Those are two special qualities needed to succeed in any quest (105).

The children vindicate Merlin’s—and by extension, Osborne’s––faith in and endorsement of their capabilities by fighting tirelessly for their friends and by finding imaginative solutions to the trials they face on their journey. Osborne’s narrative suggests that Jack and Annie’s innocence makes them worthy heroes to come to Camelot’s aid.

Osborne contrasts Jack and Annie’s personalities throughout the story, further cementing the idea that many types of people are capable of heroism. Heroics come more naturally to the impetuous Annie, but Jack gradually finds his courage over the course of their adventure. Annie sets the theme into motion when she accepts the quest, much to her brother’s alarm. Annie may be a young child, but she refuses to sit idly by while her friends suffer and the magical kingdom of Camelot remains in danger. One of Jack’s earliest moments of heroism occurs when he crosses the bridge despite his fear of heights and the disorientation he feels under the invisibility cloak: “Jack took a deep breath and looked straight ahead. Then he started walking again. He went slowly—step by step—toward the pale light beyond the bars of the gate” (51). Jack’s slow steps across the bridge reflect his slow but steady progress toward heroism. In a display of great selflessness and courage, he proposes that he and his sister rejoin the fairies’ circle even though he nearly lost himself to the dance once already: “What about this? We get back in the dance—and we take places between the dancers and the knights” (62).

The children’s success in rescuing the legendary Sir Lancelot, Sir Galahad, and Sir Percival and restoring Camelot’s joy provides narrative proof of their heroism. The ultimate example of Jack’s character arc from innocence to heroism comes during the climactic battle against the Keepers of the Cauldron. Filled with sudden “strength and fury” (80), the eight-year-old and his younger sister fend off four dragons, a feat worthy of the most formidable of King Arthur’s Knights. Having emphatically proven their courage, the children have earned the right to claim the Keepers’ closely guarded prize and save Camelot. The journey from innocence to heroism impacts the story’s genre, plot, and character development.

The Magic of Christmas and its Values

Osborne’s story celebrates the magic of Christmas through its values, suggesting that, as a broader cultural celebration, Christmas provides meaning and value beyond its specific religious significance. The author emphasizes the magic of Christmas by setting the story in Camelot and the Otherworld, legendary places full of magic and possibility. Osborne supports the idea that even those who don’t observe Christmas still relate to the values associated with the holiday, such as joy, togetherness, and generosity, by positioning Christmas as symbolic of its broader values within the narrative. The curse takes away the kingdom’s joy: “For months, Camelot has been without music, without celebration, and without laughter” (13). Thus, the curse’s consequences offer an apophatic definition of the values associated with the celebration of Christmas. The malicious spell also deprives the kingdom of togetherness, as demonstrated by the absence of the three of the bravest Knights of the Round Table, separated from their friends and fellows in their attempt to lift the curse. Osborne provides an additional threat to togetherness when Morgan tells Jack and Annie that they won’t be able to see each other ever again because Arthur blames magic for his kingdom’s problems. The children also fight to be reunited with their friend after the Christmas Knight freezes her like a statue: “If you fail, Camelot will never come back to life. Never” (34). Jack and Annie journey to the Underworld to restore the values of togetherness and joy.

The value of generosity, which Osborne closely associates with Christmas, allows Jack and Annie to succeed on their quest. The children give of themselves by accepting the perilous quest. In addition, the Christmas Knight’s second rhyme is all about generosity: “Four gifts you will need— / The first from me. / Then a cup, a compass, / And, finally, a key” (34). The Christmas Knight’s cloak and the gifts from the three lost knights each play a critical role in the quest for The Water of Memory and Imagination, evoking the essential role of gift giving during Christmas festivities for those who celebrate. When the children return to Camelot near the end of the story, Annie practices the value of generosity by giving the Christmas Knight’s cloak to the white stag. After the Water of Memory and Imagination restores Camelot, the main characters reunite with their friend Morgan, a happy ending that underscores the value of togetherness. The author vividly captures the magic of Christmas with a grand celebration that directly contrasts the Camelot the children encounter upon their initial arrival: “The musicians were playing. Everyone was singing. The room glowed with warm firelight and rosy faces [....] The great hall was filled with beauty and love and joy and light” (105). Everything about Osborne’s description of the narrative’s final celebration directly contrasts the doom and gloom of a Camelot robbed of its magic and joy, emphasizing its restoration and the significance of the values she ascribes to Christmas.

The Significance of Hope and Imagination

Osborne highlights the significance of hope and imagination through Jack’s character arc and the growth he experiences over the course of the story. While saving Camelot with the power of hope and imagination alongside Annie, Jack discovers these significant qualities within himself. While the children ultimately restore hope to a kingdom lost in despair, Jack begins the narrative struggling with low spirits due to the months-long absence of Morgan and the magic tree house. He rejects Annie’s suggestion that the dove is a messenger from their friend because he is “afraid to get his hopes up” (4). Annie’s optimism counterbalances Jack’s skepticism at several other key moments in the story. Her hopeful suggestions about riding the stag and concealing themselves with the cloak allow her and her brother to reach the Otherworld so that they can complete their quest. By modeling these qualities for Jack, Annie supports the progression of his character arc.

The optimistic tone of Osborne’s plot suggests that even in moments of deep despair, hope can never be lost, especially when paired with imagination. The author provides a final test to this idea when Jack accidentally spills the Water of Memory and Imagination in the great hall: “‘I dropped the cup,’ said Jack, ‘and spilled all the water!’ ‘But the water made a gold cloud,’ said Annie. ‘And everyone came back to life!’” (99). The golden cloud formed by the magical water demonstrates the enduring power of hope.

Osborne’s narrative makes clear that imagination plays an equally vital role in saving Camelot by connecting imagination the endurance of Arthurian legend. As Morgan explains, imagination is critical to the legendary setting because “different people in different times tell the story. They use their imaginations to add new parts. That is how a legend is kept alive” (15). Because Camelot is a legend rather than historical fact, only the Water of Memory and Imagination can restore the kingdom to its former glory. Just as Annie tends to be more hopeful, she is also the more imaginative of the two main characters for much of the story. She uses a game of make-believe to sneak past the iron gate’s guards and enter the Otherworld: “Had Annie lost her mind? ‘What are you doing?’ he whispered. ‘I’m the wind!’ Annie whispered back. ‘WHOOOSSSHHH!’” (51). Jack commends his sister for the success of her creative plan, demonstrating his own developing appreciation of imagination. Annie models hope and imagination for her brother as he learns to embrace them himself.

In the story’s climax, Jack joins Annie in exercising his imagination, leading to the success of their quest. Up until that point, Jack cautiously trails after Annie, reluctant to get his hopes up or face perilous obstacles, and remains largely skeptical of his sister’s creative ideas. However, confronted by the Keepers of the Cauldron, he drinks from the Water of Memory and Imagination and joins his sister in envisioning a solution to their predicament: “‘I imagined us fighting the Keepers with flaming swords,’ said Annie. ‘What did you imagine?’ Jack shrugged. ‘I—I just imagined the Keepers going back in their holes,’ he said. ‘Good,’ said Annie. ‘We both got what we imagined’” (84). The magical water fills Jack with strength and courage and helps him unleash the power of his imagination. After experiencing the strength of imagination first hand during his quest, Jack exercises it again when he returns home by writing down his and Annie’s adventures: “Jack kept writing, doing his part to keep the legend of King Arthur, the Knights of the Round Table, Merlin, and Morgan le Fay alive” (111). Over the course of the story, Jack transforms himself as well as Camelot; he becomes braver, more hopeful, and more creative. Osborne illustrates the significance of hope and imagination through Camelot’s restoration and the protagonist’s personal growth.

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