62 pages • 2 hours read
Aldous HuxleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Denis stands at the top of one of Crome’s towers, looking over the colorful Charity Fair, which has just begun. Canvas tents fill Crome’s park and garden like a miniature village. Denis watches the rides and listens to music coming from several different places, imagining that if he threw himself from the parapet, the melodies would be powerful enough to buoy him in the air. He writes a few lines of poetry in his head, including one that he especially likes: “My soul is a pale, tenuous membrane” (145).
Now looking out from the morning room, Denis sees Anne talking to some distinguished guests on the terrace. One is old Lord Moleyn, a cartoonish lord who, to Denis’s surprise, has not been banished from England; the other is Mr. Callamay, a conservative statesman known for making young women uncomfortable. He also sees old Mrs. Budge, a short, round woman whom he compares to a balloon, standing with Priscilla, who is dressed in purple with black plumes. Denis finds it inconceivable that such strange, fantastic people exist outside his own mind and are, in fact, complete human beings.
Denis goes down to the park and into the crowd, constantly aware that each person he sees is unique and alive outside his own imagination. He watches a child’s lost balloon float into the sky and wishes his soul could go with it.
Mr. Scogan is working as a fortune teller at the fair. His tent is labeled “Sesostris, the Sorceress of Ecbatana,” and his costume includes a wig, bandana, and horned spectacles (147). He uses the spectacles and a magnifying glass to read visitors’ palms and uses suggestive questions to convince them that something terrible is about to happen, although he refuses to add any detail about the impending event.
On the pretext of tying a Union Jack to Mr. Scogan’s tent, Denis spies on him through an opening in the canvas. He hears Mr. Scogan tell an old woman that there will be another war very soon. Mr. Scogan then tells an attractive young woman to meet a man matching his own description on a nearby footpath the following Sunday. Denis wishes he could do what Mr. Scogan is doing.
Denis finds Anne in the tea tent, where she is selling copies of his poem. She tells him she has sold only three but has started giving a copy to everyone who purchased tea. He leaves, rereading the poem as he walks away. Written in rhyming couplets, it describes the joy of holidays throughout history and praises freedom from the drudgery of daily labor. Denis notices how bad the crowd smells and walks toward the swimming pool, where Henry is overseeing a women’s swimming competition. As the next race starts, Mrs. Budge appears and begins talking to Denis. During the war, Mrs. Budge had read that the government needed peach stones, although she did not know why. However, she had 36 peach trees and a number of greenhouses in which more could grow, so she ate thousands of peaches over the next several years and sent the stones to the government.
She tells Denis that it is nice to see young people enjoying themselves, and they watch Lord Moleyn and Mr. Callamay talking to the winner of the race, who is clearly uncomfortable with their attention. Mrs. Budge says that she never learned to swim but could float. Tired of the conversation, Denis leaves, and as he walks away, he hears someone say, “Disgusting!” from atop the terrace (153). It is Mrs. Bodiham, watching the swimmers along with her husband. Mr. Bodiham looks at the sky and asks, “How long?” (153).
Denis finds Mary directing the children’s sports; her face is red and sweaty, but she is smiling. He tells her she is wonderful. She says that she met a woman who had three children in 31 months and that Mary told the woman about the Malthusian League, but a group of children interrupt her before she can finish the story. Denis wants to go back to the tea tent, but it is full of people. Unsure what to do, he suddenly decides to simply go back to Crome and drink gin in the library.
As night descends, lamps illuminate the fair, and dancing begins. Denis stands near the entrance to the enclosure, watching the crowd: Priscilla and Mary dance with local farmers, Mr. Scogan and Lord Moleyn dance with uncomfortable young women from the village, and Anne dances with Gombauld. Watching Jenny play drums in the background, Denis sadly remembers the drawings in her notebook and feels like an outsider.
Henry takes Denis to see the oaken drainpipes he recently unearthed, and the two walk away into the darkness. Denis is fairly uninterested in the drainpipes, but the two sit on the grass and continue talking. Henry says he will be happy when the fair is over and admits that being around large groups of people is more exhausting than exciting for him. He would rather be around books or artifacts, arguing that it is too difficult to truly know anything about other people. He says it is the same with current events, as they are constantly evolving: The past is knowable because it cannot change. Henry says that if machines ever become perfect in the future, perhaps people like him will be able to live the truly solitary lives they desire. Denis asks if Henry does not find friendship and love beautiful as well, and Henry claims that in the past, human contact was so highly praised because few people could read. He believes that as reading becomes a more widespread habit, more people will realize that it is more pleasurable than socializing.
As they return to the fair, Henry says that in his youth, he engaged in a series of “phantasmagorical amorous intrigues,” but as these events were unfolding, they seemed as quotidian as any other activity (152). He argues that romance and adventure feel romantic and adventurous only when looked back on or experienced secondhand. Denis sees that Anne and Gombauld are still dancing together.
Later that night, the fair is over, and the lamps are being put out. Anne and Gombauld stand by the pool, and Gombauld tries repeatedly to kiss Anne. She says no, telling him he is taking advantage of her as she is exhausted after two hours of dancing. Gombauld sarcastically tells her to call him a “White Slaver,” and Anne says if he tries to kiss her again, she will box his ears (161). They continue walking around the pool and Anne tries to make conversation about Degas’s paintings, but Gombauld responds with anger and frustration.
Denis, watching from the terrace, mistakenly believes they are engaged in a consensual romantic embrace. Devastated, he runs into the house and encounters Mr. Scogan, who tells him there is ultimately no point in being depressed about anything. Denis runs away as Mr. Scogan shouts after him that life is always the same under any circumstances.
Denis lies in bed, unable to sleep. He finally climbs up to the parapet of the western tower, which rises 70 feet over the terrace. Looking over the darkened landscape, he wonders why he climbed up there. He thinks about death, and tears come to his eyes; he says something out loud and makes a gesture with his hand, but later cannot remember what he said or did. Suddenly, a voice from behind him asks what he is doing, startling him. He finds Mary, who had been sleeping on the eastern tower and saw him talking to himself and waving his arms. Denis laughs, knowing that if she had not spoken to him, he would have jumped.
An hour later, Denis has told Mary everything—his unrequited love for Anne, his jealousy of Gombauld, his despairing thoughts of suicide—and feels sadly peaceful. In turn, Mary tells Denis that Ivor broke her heart. Denis asks her if she really thinks that Anne and Gombauld are together, and she says yes, telling Denis that his only option is to leave Crome. She comes up with a plan for him. The clock strikes three and she tells him he must go back to his room. When he gets back in bed, he falls asleep immediately.
The next morning, Mary wakes Denis, who is sleeping soundly. She tells him with some urgency he must go send the telegram. Panicked, he jumps out of bed and runs to the village post office, where he sends a telegram to Crome ordering him to return to London on urgent business. Happy with his decisive action, he returns to Crome. At breakfast, Mr. Scogan asks him if he feels better and reminds him that he had been worried about the cosmos the previous night. Denis says that one is happy only in action. Looking out the window, he admires the beauty of the landscape and feels momentarily sad at the prospect of leaving.
After breakfast, Denis sits on the terrace, using the newspaper to hide from Mr. Scogan’s attempts to talk about the nature of the universe. He starts wondering if he was mistaken about Anne and Gombauld and thinks he might be strong enough to stay at Crome. Mary appears, asking when he thinks the telegram will arrive and informing him that he should catch the 3:27 train. Denis feels increasingly sad and regretful. The next time he lowers the paper, Anne is standing in front of him with her usual malicious smile. Mr. Scogan appears, insisting on continuing their conversation about the cosmos.
The group is having coffee after lunch when the telegram arrives. Denis mumbles that he has to return to London because of urgent family business. Anne protests, saying Denis has only been there a short time. Priscilla claims to have had a presentiment about something happening that day, and Mary reminds Denis about the 3:27 train. Henry orders a car to take Denis to the station. Denis regrets putting the entire plan into motion and tells himself he will never do anything decisive again. Dreading the journey and his eventual arrival in London, he feels like he might as well climb into his coffin. When the car arrives in the courtyard, he compares it to a hearse.
The rest of the group comes outside to say goodbye. Denis taps the barometer on the porch and quotes a line from poet Walter Savage Landor, feeling proud of his cleverness. However, no one else notices. Denis gets into the car and leaves.
Throughout the final section of the novel, Denis’s inner world continues expanding, prompted by his discovery of Jenny’s drawings in Chapter 24. He carries this new sense of self-awareness to the Crome Charity Fair, repeatedly reminding himself that not only does he exist in the minds of other people, but that they exist in a whole, complete way outside of his vision of them. However, rather than use this epiphany to take decisive action about any of the things that are making him miserable, he wanders around helplessly, simply watching other people and feeling increasingly envious and frustrated. By depicting self-realization as harmful, the narrative is simultaneously mocking coming-of-age novels that connect greater self-awareness to personal growth and suggesting that in the modern world, an essential part of personal growth might actually include self-doubt, self-loathing, and alienation.
Denis nevertheless has two meaningful interactions: one with Henry and another with Mary. Henry is also perpetually alienated—although it does not bother him, as their conversation makes clear—and thus recognizes that Denis is experiencing some kind of personal crisis. His speech about the distinction between history and the present, which he sees as parallel to the distinction between literature and human company, is one of the novel’s final engagements with concepts like reality, expression, and personal fulfillment. Elaborating on the theme of The Gulf Between Ideas and Reality, Henry suggests that the events of his life feel real only once he can perceive them as something either historical or literary; for him, actual reality as it unfolds in the present moment is not meaningful. This could be read as a foreshadowing of Denis’s own life: Like Henry, he associates himself so closely with literature that he cannot see himself outside of it, and it is his inability to merge his aesthetic identity with his everyday identity that leads him to consider suicide.
For Denis, the novel’s final chapters include a series of unsuccessful actions, resulting in what should have been a climactic scene on Crome’s rooftop actually being rather anticlimactic. He mistakes Anne’s rejection of Gombauld for a passionate embrace; he runs from Mr. Scogan, who tries to tell him that nothing really matters; Mary inadvertently prevents him from jumping but then manipulates him into leaving Crome; he himself even ignores his own deep desire to stay moments before the telegram arrives. The humiliation happens as he walks to the car when he makes a joke that no one notices. The joke is predicated on a reference to an obscure poem and mirrors an earlier scene in which Anne tells Denis that she cannot follow his literary references. The fact that Denis does not incorporate that remark into his communication style speaks to his lack of growth throughout the narrative.
The novel’s ending is generally ambiguous, with no indication of what any of the characters intends to do in the future. It is almost as though the future does not exist for these characters, and despite the fact that Denis is the protagonist, his departure feels no more significant than those of Mr. Barbecue-Smith or Ivor. The unusual ending—nothing is resolved, and nothing seems to exist on the horizon—is another indication that Crome Yellow is fundamentally a modernist novel interested in subverting the traditional elements of storytelling even as it retains them.
By Aldous Huxley