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45 pages 1 hour read

Kirby Larson

Dash

Fiction | Novel | Middle Grade | Published in 2014

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Chapter 14-Author’s NoteChapter Summaries & Analyses

Chapter 14 Summary: “Vitamin D”

As Minidoka is at a high altitude, Mitsi’s ears ring. She also hears the family, the Sudas, on the other side of her (there are nine of them). Altogether, 20 people fill six small “apartments” in a narrow building—noise is the status quo. The camp is smaller than Camp Harmony, but there’s no running water, nor is there coal for the stove.

Debbie and Mitsi make a tiny hole in the wall to pass notes. Debbie’s mom is unwell, and Mrs. Suda complains about school not starting till October 1st.

Debbie and Mitsi help Mr. Hirari make a “beautiful” garden-like design from rocks and tumbleweed. Mrs. Tokuda then stops them and asks them to babysit Davy. She pays them, though the girls say it’s not necessary. They go to the post office and then get ice cream for them and a grape drink for Mr. Hirai.

Ted, Pudge, and Lefty show up, and Lefty bullies them. Neither Mitsi nor Debbie fathom why Ted hangs out with Pudge and Lefty. Mitsi thinks she sees Ted put a candy bar in his pocket. Mitsi feels sick and blames General DeWitt for corrupting her family.

Chapter 15 Summary: “Stealing Home”

Mitsi tries to spy on her brother, but he and his friends are hard to follow. One night, Pop and Mom are at a meeting, and Obaachan knits socks for the Red Cross with other older women. Ted comes back smelling of cigarettes, but he says it’s from the older men. Ted asks about Thimble Summer, the book she borrowed from Debbie, and Mitsi, twisting the story somewhat, tells Ted it’s about a girl who steals. Ted asks if the girl gets in trouble before he falls asleep.

In the morning, Pop shows Mitsi a desk he and Mr. Suda made for her––they’ll build one for Debbie, too. Debbie and Mitsi go to the post office, and Debbie kisses her letter before mailing it. She tells Mitsi that her dad is also at Fort Missoula. He was the president of the Japanese Chamber of Commerce, and authorities apprehended him in his pajamas. Her mom has a lawyer, so they’re working to move him. Debbie keeps a photo of him under her pillow.

Debbie and Mitsi babysit Davy again, and they pretend he’s a dog. He barks, rolls over, and lifts his leg to pee on Mr. Hirai’s tumbleweed. The girls can’t stop giggling. They go to the canteen, where the manager shouts at camp security about a robbery. There’s not much cash missing, but the thieves stole around $50 worth of candy, cigarettes, and cards.

With the canteen closed, the girls go back to their spaces and bump into Ted. Mitsi asks him where he’s been, and he says he was playing baseball. Mitsi tries to convince herself that her brother is telling the truth.

Chapter 16 Summary: “A Silver Lining”

The camp superintendent says they’ve made progress on the canteen robbery, and they don’t anticipate further problems. Mitsi looks at Ted, but Ted acts nonchalantly. At the camp store, Mom buys Mitsi some back-to-school clothes before they go to the post office—Mitsi’s locket is here, and there’s a photo of Dash and Mitsi already in it.

A note accompanies the locket—it’s not from Dash or Mrs. Bowker but Mags. She’s sorry for following Patty and being mean to her. Now, Judy and Patty are best friends. Just so Mitsi knows, Mags never put racist notes in her desk: It was Patty, and Mags tried to remove some of the notes. She and Mrs. Bowker picked out the locket together, but Mags understands if Mitsi doesn’t want to be her friend anymore. However, Mags will always be Mitsi’s friend.

Mitsi wants to show Debbie her locket, but Debbie isn’t in the mood. Her letter didn’t work: Her dad isn’t coming. With Debbie too sad to watch Davy with her, Mitsi tries to enlist Ted, but Ted has something involving his presumed crush, Karen Suda. Mitsi manages to occupy Davy by drawing pictures and then letting him draw. Obaachan says her grandpa was a famous painter in Japan. Obaachan’s grandpa believed admirable art derives from “seeing with heart.”

To make Debbie feel better, Mitsi gives her a tiny blue box—the locket is inside. As she’s about to go to bed, Debbie passes Mitsi a thank-you note.

Chapter 17 Summary: “My Brother’s Keeper”

The sixth grade starts, and after two teachers quit, a third teacher, Miss Pellegrino, sticks around. She uses butcher paper for a blackboard and leads a field trip to collect stones, tumbleweed, and greasewood for a “natural sciences” spot. Finding a box of donated books, she starts a library. There are 27 students in her class, and all 27 stay after class—they don’t want to miss anything.

Mitsi writes a report on owls, and she practices drawing one when Ted returns with a black eye. He claims he got it from baseball, and he and Mitsi fight. Mitsi wishes she was a magician and could turn Ted back into her “real” brother. Chuckling, Ted tells her everything will be fine.

In the dining hall, everyone talks about the news: Lefty and the other boys confessed to the thefts. Lefty has a black eye, and Mitsi thinks the black eyes relate to the confession. For punishment, the boys have “latrine detail” for two months.

Miss Pellegrino puts Mitsi’s owl drawing on the wall, and the other students ask her to draw their pictures. Mitsi sends Mags a drawing of their dusty “apartment” and, inspired by Eddie, adds a funny caption about Vitamin D (D is for Dust).

Chapter 18 Summary: “Special Deliveries”

As the sixth graders help the first graders make turkey pinecones for Thanksgiving, Debbie’s dad arrives, and Mitsi meets him. He thanks Mitsi for being such a good friend to Debbie. Mitsi tells Dash the great news in a letter. She also tells him the other wonderful news: General DeWitt now allows pets. December arrives, and Mrs. Bowker brings Dash. Mitsi squeezes him tight and inhales his familiar scent. Alan, Mrs. Bowker’s son, is with her. Mitsi shows them around, and they have tea and cookies.

Author’s Note Summary

Kirby Larson details the historical context of her story. Two months after Japan assaulted Pearl Harbor on December 7, 1941, President Franklin D. Roosevelt signed Executive Order 9066, making it legal for the United States to displace Germans, Italians, and the Japanese. The Japanese became the main focus, and the government forced around 120,000 Japanese people into concentration camps.

Mitsi Kashino comes from a real-life story. Mitsue “Mitsi” Shiraishi adored her dog, Chubby, and wrote to General DeWitt. Her neighbor, Mrs. Charles Bovee, cared for the dog when General DeWitt denied her request. Mrs. Bovee wrote letters to Mitsue from Chubby. Larson also has a dog, Winston, and she can “barely stand” to spend one day away from him. After hearing Mitsue’s story, she wondered about the other Japanese kids forced to leave their pets. The thought became the “heart hook” that inspired her to write the story.

Chapter 14-Author’s Note Analysis

Art and creativity continue to symbolize resistance, with Mr. Hirari countering the crass concentration camp by turning the tumbleweeds and stones into a delightful garden-like design. Mr. Hirai tells Mitsi, “[I]f you look with your heart, you can find beauty anywhere” (165). Obaachan’s grandpa says something similar about art, with Obaachan telling Mitsi, “He said good art comes from seeing with heart” (186). The concentration camps are dispiriting and dehumanizing, being a reflection of both Racism and Adversity. The American government treats the Japanese people like objects—they give them numbers—and they move them around and store them like products. Through art and creativity, the people in the concentration camp resist the inhumanity and showcase their feelings and sensibilities.

Friendship and Integrity continue to play a key role. Mitsi gives Debbie her locket so she can put a picture of her dad in it. Displaying sacrifice and integrity, Mitsi gives up something important to help her best friend. Mags secures her connection to friendship and integrity when she writes a letter to Mitsi, explaining how she took the racist notes out of Mitsi’s desk. Mags says, “I wouldn’t blame you for not wanting to be my friend anymore. But, no matter what, I will always be yours” (183). Mitsi reinforces her decency by accepting Mags’s contrition and sending her a drawing of their dusty living area.

With Ted, friendship and integrity keep moving in the negative direction. Mitsi catches him stealing, and then Ted gets a black eye. The motif of objective violence versus subjective violence bolsters the theme, as Mitsi holds people accountable. The narrator explains, “It was all General DeWitt’s fault! He had ruined their family. And Lefty had ruined Ted” (169). The symbolism behind books also supports the theme. Mitsi twists a scene in Thimble Summer to help guide Ted in the honorable direction.

Rejoining integrity, Ted presumably compels Lefty and the other boys to confess. The narrator says, “[Mitsi] couldn’t help but wonder if those black eyes meant that Ted had something to do with Lefty’s confession” (194). Mitsi doesn’t know the exact details—it remains a mystery to her and the reader––but the implication is that Ted did the right thing.

Miss Pellegrino’s character relates to Racism and Adversity and Resilience and Hope. The racism makes the government not care about the education of the Japanese children, and the first two teachers lack the resilience to fight the prejudice. Through creativity, Miss Pellegrino counters the lack of proper education materials. She turns butcher paper into a blackboard and donated books in the beginnings of a library. She gives the kids hope and something to look forward to: school. The narrator says, “There were twenty-seven kids in the sixth grade and twenty-seven kids hung around at the end of the school day, afraid they might miss something” (191).

Larson uses juxtaposition when she pairs the arrival of Debbie’s dad with the return of Dash. Though Debbie’s dad is a human and Dash is an animal, they both are extraordinarily meaningful to the girls, so the story has a somewhat happy ending—somewhat as they’re still in a concentration camp. No matter how much they resist the disheartening conditions, they don’t belong there.

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By Kirby Larson