61 pages • 2 hours read
Boris PasternakA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Yuri, Lara, and Yusup are sent away from the front line. The trio goes to the small town of Meliuzeevo, where an old, stately home has been converted into a field hospital. With the Russian Revolution now in motion, travel is difficult. All three would prefer to return home, but their movement is restricted, as Yuri writes to Tonya to explain. He mentions to Tonya that Lara is with him, and in her response, Tonya warns him to stay away from Moscow. She recommends that he go to Yuriatin with “that wonderful nurse” (110). Yuri is surprised by Tonya's implication that he is romantically attracted to Lara. He resolves to clarify their relationship when he next sees Lara: They live in separate rooms, and he has never seen her quarters. He gradually begins to make plans to depart the hospital. He visits the commandant and meets the commissar of the region, Gint, who has been tasked with boosting the morale of the Russian military. In his discussions with the commandant, Gint talks disapprovingly of the revolution. He sees the revolutionaries as children who can be manipulated through emotional appeals (114). The commandant and Yusuf do not believe that such an approach will work. They do not like Gint, however, so they say nothing about his plan, hoping he will fail.
Later, Yuri goes to Lara's room. Too nervous to knock on her door, he stares out the window. He hears Gint talking loudly in the distance, criticizing the local people for falling under the influence of the Bolsheviks. The crowd turns on Gint and yells back at him. In several weeks’ time, Gint will be attacked by both the revolutionaries and the Cossack soldiers he has sent to control them. Yuri speaks to Lara the next day as she is ironing. He tries to tell her that he has no romantic feelings for her, but instead, he finds himself confessing that he has a deep affection for her. Lara has been fearful that this may be the case. She instructs Yuri to fetch a glass of water and to forget his “fateful error” (120). A week later, Lara leaves.
Several weeks after Lara's departure, Yuri leaves the hospital amid “an immense crowd of people” (126). He takes a series of crowded, cramped trains until he arrives in Sukhinichi. Finding himself alone in an empty carriage, he reflects on his life. The only people with him seem to be a “fair-haired” (128) hunter and the hunter's “growling dog” (130). Studying them closely, Yuri realizes that the hunter is a deaf man named Pogorevshikh, “the nephew of a well-known revolutionary” from Zybushino, who, despite having been deaf since birth, was supposedly given the gift of speech by God (131). In fact, he learned to speak by studying the muscle movements in people's throats. Yuri and Pogorevshikh discuss the country as they travel together to Moscow. Yuri believes that the country needs to calm the revolutionary fervor and come to its senses. Pogorevshikh believes that the only way forward is for the Russian state to “fall apart completely” so that it can be rebuilt in a new image (132). Yuri is unsettled by this notion. As they are about to part, Pogorevshikh presents Yuri with “a wild drake wrapped in a scrap of some printed proclamation” (133).
Yuri returns to Moscow to find that the city has drastically changed. The bustling market which was near his house is now a “flighty square” (134). He returns to his house, where Tonya notices that he has lost weight. Tonya has leased part of the first floor of the house to the Agricultural Academy. Since money is short, she has released most of the servants. Only the nanny, Nyusha, has been retained. Yuri finds that his friends have become “strangely dull and colorless” (140); their loss of money, power, and privilege has taken a great toll. Even his old friend Misha seems desperate and devoid of his once-frequent witticisms. However, Yuri is pleased to be back with his family. His uncle Nikolai passes through Moscow and reveals that he is now a Bolshevik, having made use of his old connections with revolutionaries. Tonya is displeased with Nikolai's foray into politics, but Yuri still loves his uncle. They spend hours talking about history, politics, and art, delighting in their mutual understanding of the world.
Yuri and Tonya try to throw a dinner party. They roast the duck given to Yuri by Pogorevshikh, but Yuri struggles to enjoy the delicious food when he knows that his neighbors may be hungry. The guests seem out of sorts and unwilling to converse. Misha acts strangely, while Shura Schlesinger is now an ardent Bolshevik. As the evening draws to an unsatisfying close, Yuri stands up to give a speech. He talks about the war and the revolution, speculating about socialism's future in Russia. The topic makes him sad, but the guests applaud, mistakenly believing that his sadness is a joke. In the following days, Yuri returns to work at his old hospital and starts writing again. The “unavoidable” (146) winter is imminent, and he needs to work, as resources are so scarce that people are taking “fences apart for fuel” (149). He also saves a politician who has collapsed on the street. In the future, this unnamed politician becomes “a protector for long years to come” (149). The hospital has also been changed by the revolution.
As the civil war between the revolutionary Reds and the conservative Whites continues to rage in other parts of Russia, people pick sides. Yuri seems to satisfy no one's expectations, appearing Red to White supporters and White to Red supporters. He worries that people such as himself—from the wealthy middle class bourgeoise—are under threat. His family and his job provide him with comfort and motivation.
As October approaches, Yuri struggles on. Nikolai and Misha tell him news about “fighting in the streets” (150). The fighting reaches Moscow and gunfire can be heard in the streets. Yuri braves a snowstorm to walk the streets and buy a newspaper that contains “an official communiqué from Petersburg about the forming of the Soviet of People's Commissars, the establishment of soviet power in Russia, and the introduction of the dictatorship of the proletariat” (153). Slipping into a building to read more of the article, he notices that a young man is watching him. Yuri shouts at the youngster and forces him away. Yuri does not know that the young man is his half-brother, Evgraf. The winter is “dark, hungry, and cold” and Yuri's family struggles to get by (155). They sell the wardrobe given to Tonya's mother in exchange for firewood. Yuri is one of the few doctors remaining at the hospital. During a house call, he treats a woman with typhus. Trying to arrange transport for her to the hospital, he talks to the woman taking care of the house. The building once belonged to Tiverzin, and Yuri discovers that the “loud and fat-bloated” (159) caretaker is actually Yusup's mother, Marfa Galiullina. She complains that her son has lost himself and “gone bad” (161). Yuri then meets Olya Demina, an old friend of Lara, and he is surprised to be inside a building where Lara spent so much time. Olya informs Yuri that Lara only married Pasha “with her head, not her heart” (162). A week later, while walking along the street, Yuri collapses from typhus. He spends two weeks with a terrible fever and experiences intense dreams about composing a poem. His dreams also feature a boy with narrow eyes and a reindeer coat, whom he believes to represent death. The boy is actually Evgraf, who has come to visit his half-brother during the fever. He brings them food to survive. Evgraf urges Tonya to flee the city “for a year or two” with her family (164). He suggests that they could live near Yuriatin, on the Varykino estate that once belonged to Tonya's grandfather.
The Zhivago family plans to move to the Varykino estate. The nanny, Nyusha, and Tonya’s father, Alexander Gromeko, will accompany them. Yuri is unsure about the plan, but Tonya has made up her mind. Navigating “the flow of departing people,” they leave Moscow in April in a packed train carriage (166). The army recruits take the first carriages of the train, the middle carriages are for the regular people, and the final carriages are filled with people “mobilized by labor conscription” (171). Yuri boards his family on a freight car, which they share with lawyers and laborers. He speaks to the men as they travel. He meets Kostoed-Amursky, who has been released from a labor camp and now runs camps of his own; Prokhor Pritulyev, who is travelling with two women who argue about how much they love him; and a 16-year-old named Vasya whose aunt and uncle tricked him into becoming a conscripted laborer. The train moves slowly, and one day it comes to a complete stop in a badly destroyed station. The station was damaged by an armored train which was attacking a nearby village whose inhabitants had refused to supply horses to the Red Army. The notorious Bolshevik commissar, Strelnikov, ordered the attack, and very few people survived. There are so few survivors that a massive snowbank has built up on the train tracks, as there are no locals to clear it. The whole train must disembark and shovel snow, though the military conscripts are spared the effort. Clearing the tracks takes three days.
Once the train is moving again, Yuri is exhausted. He drifts in and out of sleep for days and, by the time he wakes up completely, spring seems to have arrived. Tonya tells him that many of the passengers slipped out of the train during the night. Yuri is more interested in rumors about the civil war. Apparently, the Whites—led by Yusup—are now winning against the Reds in the area around Yuriatin. According to rumors, Strelnikov himself is heading toward Yuriatin to deal with Yusup and to capture the town for the Bolsheviks. A few days later, the train stops in a large station, and Yuri goes for a walk. A Bolshevik guard accosts him, insisting that he is a criminal on the run. The guards drag Yuri in front of their commissar, bringing Yuri face-to-face with Strelnikov. Strelnikov immediately knows that Yuri is not the criminal, but, on hearing that Yuri's surname is Zhivago, he asks for a private discussion. The two men talk, with Strelnikov accusing Yuri of being a deserter. He believes that Yuri’s sympathies lie with the Whites. Yuri cannot disagree but tells Strelnikov that he has spent his whole life wrestling with the ideas which now occupy the two rival armies. He struggles to explain his lifetime of reflection and asks to be released. Strelnikov tells his men to escort Yuri back to the train. As Yuri walks away, Strelnikov thinks about the wife and daughter that he left behind in Yuriatin many years before.
The Russian Revolution of 1917 becomes the central event in Doctor Zhivago, transforming every element of life and setting each character on an unpredictable trajectory that will transform them all. The protagonist declaims the intrusion of political ideas into his life, but he cannot ignore them any longer. Though Yuri wants to while away his days writing poetry and thinking about love, revolution and politics force their way into his life. Throughout this time, however, Yuri continues to reject politics. He is a member of the bourgeoisie, a wealthy individual and a doctor who stands to lose a great deal in the uprising. The Collapse of the Social Order in the revolution means that everything Yuri once took for granted about his future is now uncertain. The loss of material wealth never particularly worries Yuri, however. When he returns to Moscow, for example, he is not concerned that his old home has been given over to the government. When he leaves Moscow, he is not concerned that he must give away his possessions for a fraction of their value. Even when he is selling his possessions to buy firewood, he is more attached to the sentimental value of the items than he is to their material worth. Yuri is not concerned by material loss, but he is concerned by emotional loss. The revolution takes from him the opportunity to write, to reflect on love, and to live what he considers a good life. Yuri's distaste for the revolution is not particularly political, especially as he was raised by an uncle with a revolutionary ideology. Instead, he resents the revolution for intruding into his life and forcing him to follow a path set out for him by others. Yuri dislikes the way the revolution deprives him of control over his life.
When he returns to Moscow in the wake of the initial uprising, Yuri is disappointed to discover that many of his old friends are shadows of their former selves. Yuri interrogates this thought, wondering whether the revolution has made them fearful of independent thought or whether his nostalgia has misled him. Maybe they were always this way. The reality of the revolution, for people of Yuri's social class, is that everything changes. The privileges and luxuries of the past are wiped away, meaning that Yuri's friends have less time and money to indulge their independent thought. At the same time, the independent thought which might lead them to criticize this loss of privilege will make them a target for the new authorities. They are withdrawn, certainly, but Yuri is also a changed man. The long journeys and the complications of Yuri's love life have shown him that not everything is as clear cut and as simple as he might like it to be. He returns to Moscow a different person, someone who has suffered and endured. Meanwhile, the people who stayed behind have become caught in a moment of fear. It’s not that his friends have become dull and disappointing but that Yuri himself has changed. His new understanding of the world, informed by his experiences, has shown the shallowness of his old life in comparison to the brutal reality of his present.
The emergence of Strelnikov as an important character emphasizes the Tension Between Opposing Values. Just as Yuri has been changed by his experiences, Pasha has undergone a transformation. In a figurative sense, the old Pasha is dead. Many people incorrectly believe he was killed during a military operation. In a sense, this is correct. The person who emerged from the forge of the revolution is not the man he once was, but the man he has decided that he must become. Strelnikov is an alternative identity; Pasha has created a person he believes can love and protect Lara in the cynical, cold world. His shocking realization that Lara was not the pure, innocent woman of his dreams has forced him to confront the brutality of the world. After confronting this reality, he has decided to master it as though it were a lesson from a textbook. With the same calculating mind he once applied to numbers and mathematics, Pasha learns to master the chaos and violence of the revolution. The irony is that, in seeking to protect Lara, he becomes an avatar of the very brutality he means to protect her from. His initial motivation is a feeling of love and tenderness, emblematic of the innocent and good-natured Pasha. Under the pressure of the revolution, though, that tenderness becomes armored in brutality. In seeking to protect himself from grief, he brings grief into countless other lives. His meeting with Yuri is important because both men have been changed by the revolution and by Lara. While Yuri continues to reject the political reality of the moment in favor of art and poetry, Pasha has embraced the revolution. He is not a Bolshevik, but he is feared and respected. He has put the idealism of his youth behind him on his journey to becoming a man who can love Lara in a fashion befitting the cynicism of their era.
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