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71 pages 2 hours read

Holly Jackson

Five Survive

Fiction | Novel | YA | Published in 2022

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Themes

Secrets, Betrayal, and Corruption

In Five Survive, Jackson explores the theme of secrets, betrayals, and corruption through the characters and their actions. Almost every character is hiding a secret and betraying someone, even the more compassionate ones, casting the novel’s world in moral ambiguity. Simon lies about the RV and his life, creating a false image of himself for his friends. Reyna lies to Oliver about cheating on him with Jack, and she and Oliver lie to everyone else about Jack’s death. Arthur lies about his motivation for joining Red’s friend group. Maddy lies to Red about knowing her mother killed Red’s mom, and Catherine lies and says Frank Gotti killed Grace. Finally, Red lies about her involvement in the Frank Gotti case, casting herself as an honest witness. On top of these initial lies, character loyalties are tested throughout the novel, and Oliver is especially quick to throw others in harm’s way.

Red is the victim of almost everyone else’s secrets, and the Lavoys in particular drastically change the course of her life. Maddy and Catherine are Red’s closest confidantes and keep secrets from her to benefit themselves. Catherine first betrays Red by killing Grace to protect her own career, characterizing her as a corrupt villain who elevates herself above others. As her mother’s best friend, Red views Catherine as a maternal figure; however, Catherine shatters Red’s sense of safety and security, then manipulates her into providing false testimony to cover up the crime and become the DA. The Lavoy family views lower-income people as disposable—a fact especially visible in Oliver’s actions in the RV—and Catherine treats Red and her family, who are working class, as disposable. This class divide deepens after Grace’s death as Red struggles to make ends meet, and Red’s poverty gives Catherine another way to manipulate her as she can bribe Red for false testimony. Her classism becomes explicit in the text in the climax when Catherine’s double betrayal is revealed; she orchestrates Red’s death by sharing her identity with the mafia. Red’s disposability sits at the forefront of her scheme; Catherine has what she wants and views Red as a liability, someone who can damage her ill-gotten career. Her betrayal—amplified by Oliver’s violent sexism and classism, like when he presumes Red is guilty and forces her to strip in front of everyone else—highlights how looking down on others can become literal dehumanization. Additionally, Catherine’s actions highlight corruption in the judicial system as she contorts facts, bribes, and lies to achieve her career ambition.

Catherine’s actions also force Maddy to betray Red’s trust. Torn between protecting Catherine and being honest with Red, she chooses her mother, lying to Red for five years about her mother’s fate. Like her family members, Maddy prioritizes her family, though she is more empathetic toward others than Oliver and Catherine. While they betray others without remorse and never apologize for their actions, Maddy can be seen struggling with her guilt, though the text uses ambiguity to disguise these actions. For example, Maddy avoids talking about Grace with Red, and Red assumes she doesn’t want to make her upset. However, Maddy does so to suppress her own guilt, an action she can maintain until she is shot at the end of the novel. Just as she is bleeding uncontrollably, the truth spills out of her, leaving an opportunity for the friends to make amends.

Catherine’s scheme also forces Red to betray her friends. She hides her secret until the very end when she fears for Arthur and Maddy’s life. Catherine manipulates Red with two of the things Red wants the most: economic security and revenge for her mother’s death. However, faced with choosing between her own needs and her friends’ survival, Red saves others, unlike Oliver and Catherine, who focus on their own survival and gain first. Red is not influenced by class divides the way the Lavoys are, and while she initially agreed to falsely testify, she did so to help her and her father survive rather than out of ambition. Ultimately, she chooses the truth over corruption, even putting herself at risk to protect a police officer. Jackson elevates Red’s values when she survives but Oliver does not; Red’s morality wins out in the end. At the same time, traces of lies and corruption remain at the end of the novel when the group protects Arthur and he kills Catherine in pursuit of justice. With this, Jackson insinuates that these issues are deep-rooted and not easily overcome.

Truth is also situated as the antidote to the harm created by betrayal and lies. The atmosphere inside the RV becomes increasingly claustrophobic because there is a lack of honesty among the group, ensuring that the friends cannot fully trust each other. Due to their secrets, everyone initially thinks about protecting themselves before thinking about the collective good. As the secrets revealed get more and more serious—with Catherine and Maddy’s betrayal being the biggest secret and betrayal of all—the relationships between characters also get increasingly strained. Alongside Oliver’s toxic masculinity, this contributes toward a hostile atmosphere. If the characters were not keeping secrets from each other, the sniper and Arthur could not have created so much conflict with their actions. Things change when secrets are confessed; most notably, Red can achieve peace after Maddy confesses and she realizes Catherine killed Grace. This is represented by the clarity of her mother’s voice. Knowing and telling the truth allows Red to acknowledge her love for her mother instead of just shame, guilt, and anger, highlighting the empowering effect of truth-telling.

The Enduring Nature of Trauma

From the first page of the novel, Jackson highlights the long-lasting trauma of losing a loved one, especially, as in Red’s case, a parental figure. Grace died five years ago after a heated phone call with Red, and Red deals with her trauma through denial, intentionally burying memories of her mother. Since Red spoke harshly with Grace before her death, Red has internalized the pain of her loss and blames herself for her mother’s death. Therefore, negative emotions such as anger, guilt, shame, and pain accompany Red’s memories of Grace. Unable to deal with such intense emotions, Red numbs herself by repressing her feelings. However, this negatively affects Red’s everyday life, showing how trauma traps people in the past.

One way this manifests is through Red’s memory and focus. She constantly loses her train of thought, for example, when she repeatedly forgets to ask Maddy about which side of the bed she wants to sleep on. Alongside her forgetfulness, Red has constant flashbacks about her mother and continuously imagines how her mother must have died. Later in the novel, confronted by the sound and sight of bullets firing, Red becomes immobilized by fear. This preoccupation with the way her mother died rather than positive and loving memories shows that Red has not coped with her mother’s passing, especially not the violent nature of her death.

Her refusal to face these memories head-on also prevents her from bonding with others; those who know her well walk on eggshells and avoid certain topics. At the same time, she changes the subject when Arthur tries to talk about her mother. She continues to feel like an outsider because she is constantly hiding from herself and them. Her lack of emotional authenticity means that she rarely speaks her mind and shares her vulnerabilities with those around her. Even when she is with Maddy, her closest friend, Red rarely shares her thoughts and feelings. Because of this alienation, Red also feels inadequate and socially inept, often looking down on herself because she cannot relate to others emotionally or economically. She second-guesses her contributions to the group, even though she is usually right, and she defers to Oliver’s judgment even though he keeps getting others hurt.

The narrative arc traces Red’s healing journey, beginning with her cutting apart her mother’s suitcase to protect the RV from the shooter. Red has kept this suitcase intact as a memory of her mother, and destroying it symbolizes a willingness to dissect her trauma—and that doing so will be necessary for her to survive. Over the course of the novel, Red faces danger and survives, making her feel more self-assured and capable. She first defers to Oliver, then becomes louder when she disagrees with his leadership. Still, she suppresses her true feelings, screaming into a pillow when Don and Joyce are killed when Oliver pursues a dangerous plan. She has an epiphany when she finally learns that Catherine killed her mother. Acknowledging the truth rather than dwelling on her worst fears breaks the trauma cycle—she screams openly, then feels assured in the knowledge that she and her mother loved each other. Because of this, she is able to defy Oliver and run out of the RV, saving the police officer from the sniper. The epilogue confirms that the officer has a 12-year-old daughter, and preventing that child from losing her mother represents Red’s healing.

The Dangers of Toxic Masculinity

Jackson explores toxic masculinity through the characters of Oliver and Mike, and their roles as “inside” and “outside” antagonists represent how misogynistic violence can manifest in both intimate settings and among strangers.

Oliver displays problematic behavior from the beginning of the novel; he creates unnecessary pressure on Reyna, tries to dominate conversations, constantly highlights his own importance, and exhibits violent behavior when things don’t go his way. However, these habits keep getting worse and worse with Oliver being verbally and emotionally violent toward Reyna and physically violent toward Red and Arthur. His violent tendencies turn him into an antagonist as the novel progresses. After Reyna confesses to betraying him, Red notes that the environment inside the RV becomes dangerous: “There was danger outside the RV, and now there was danger inside it” (246), with Oliver being the violent element in the RV. Especially with his treatment of Reyna, this points to the way misogyny can create violent dynamics among friends and romantic partners. Oliver’s misogyny blends with his classism, and he treats Red worse than his sister. This manifests most clearly when he forces Red to strip in front of the group while he allows Maddy to change privately. For him, Red is automatically a suspect due to her class position, and she doesn’t deserve the respect his sister does.

Oliver’s violent tendencies culminate in his attempt to murder Arthur at the end of the novel. Unlike the other characters who try to deal with their traumatic situation by working together, Oliver assumes the role of leader. However, he is a terrible leader because he imposes his vision onto everyone else, suppressing everyone else’s voices. His leadership style is patriarchal and archaic; he expects everyone to follow him blindly and yells when they don’t listen. Rather than being chosen as leader democratically, Oliver forcefully assumes the role. Jackson repeatedly shows that toxic masculinity is harmful by Oliver’s plans failing, first resulting in Don and Joyce’s deaths, then in Maddy being shot, and finally, in his own death when he can’t control his desire to murder Arthur.

The other antagonistic figure in the novel, Mike, also exposes issues with toxic masculinity. Once everyone knows the truth about the sniper, Arthur repeatedly refers to Mike as a soldier for their father and mentions that this role is a burden: “Maybe Mike will be better off in prison than out here. His whole life has been a war that does something to your head” (384). Being a soldier is a traditionally masculine role with a lot of pressure, and soldiers frequently deal with trauma from wartime violence. While Mike acts as Frank’s protector, he also kills innocent people while carrying out his orders, firing his gun whenever he thinks the group might be defying him. While Oliver loses his empathy and humanity during the novel, Mike has already surpassed these boundaries and acts as a force of violence from the very beginning. Mike’s role shows how patriarchal violence is a widespread issue, not just a character flaw for Oliver, and how this type of violence is self-perpetuating, motivating others to be violent as well.

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