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44 pages 1 hour read

Jennifer L. Holm

Full of Beans

Fiction | Novel | Middle Grade | Published in 2016

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Chapters 6-10Chapter Summaries & Analyses

Chapter 6 Summary: “The Criminal Life”

Beans and Kermit arrive at Johnny Cakes factory building in the cigar industry district of Key West, empty now as most businesses folded due to the tough economic times. Johnny Cakes swears the two to secrecy, then reveals dozens of coffins. Beans is horrified when Johnny opens one, but he shows them that liquor bottles fill the coffins. He wants the boys to deliver his alcohol (illegal because he refused to pay tax on it) to the bars of Key West in their wagon under a blanket, telling anyone who asks that it is their baby brother sleeping. Beans agrees, negotiating a dime each for the day’s work. It goes so successfully that he wonders why he did not turn criminal long ago.

Chapter 7 Summary: “Invasion”

Beans enjoys the new Shirley Temple movie very much; he dreams of getting a screen test for an acting role with Warner Brothers, thinking, “Acting didn’t even look that hard. All you had to do was pretend” (53). He sees a curious man in a fedora wearing gloves in the balcony; after the picture, Beans realizes the man left a glass-topped walking stick. He takes it to the ticket seller, Bring Back My Hammer (because he often says this to those who borrow his hammer), who tells Beans it may have been a “haint;” he sold no ticket to someone matching that description.

Back at home, Beans and his mother see men with trucks scooping up the street trash. When Beans is out later with friends, they see “New Dealers” everywhere; these men now work with Mr. Stone to clean and spruce up Key West. They organize volunteers, give away paint, and help the buildings to look friendlier. Mr. Stone himself attempts to open shutters on a home to cast a friendlier image; a scorpion nesting in the shutters surprises him. Beans sees a man with an easel painting a picture of a house, but the painter uses bright colors instead of the house’s actual gray. He tells Beans he used to paint titles for silent movies and that his current job “wasn’t exactly in the plan” (59). Beans determines he will be rich rather than painting houses, even when the man, Avery, tells Beans he has an artist’s eye.

Chapter 8 Summary: “Bad Baby”

Beans and Kermit use their wagon to deliver Ma’s clean laundry to the town. Ma takes in the firefighters’ laundry from Station No. 3 for free because, unlike the other fire houses, they work when unpaid. Beans is especially fond of the woman who lives at their next stop, Mrs. Albury; she reminds him of a movie star. Her baby, Little Dizzy, is terribly fussy. Mrs. Albury says he has a bad diaper rash. Beans mixes up cornstarch and water like Poppy does for Ma’s hands; Mrs. Albury indicates she is desperate enough to try anything. Beans and Kermit next go to Nana Philly’s house, a mean older lady who is also their grandmother. She is furious they do not return her girdle (which Beans uses to confine Buddy to his crib). A few days later, Mrs. Albury brings a whole tin of chocolate divinity (a simple candy made with egg whites, sugar, and corn syrup) for Beans because the baby’s diaper rash is gone, saying, “You’ve got a real way with babies!” (66). Ma promptly gives Beans charge of Buddy for the afternoon.

Chapter 9 Summary: “Good Help”

The New Dealers not only fix up Key West’s houses but also paint them in a rainbow of pastel colors. A pink one shocks Beans and his friends. Johnny Cakes approaches Beans with a new secret job offer: He wants Beans to ring the fire alarm so that he can get his cargo (the coffins) loaded onto his boat without New Dealers or anyone else seeing. He gives details on time and place and leaves Beans to figure out how to get into the fire alarm box. Beans knows just how to procure a key. He tells Too Bad that he will practice marbles with him so that Too Bad might join the gang. Beans allows Too Bad to beat him three times, then goes for a drink of water. In the kitchen, Beans takes the key from the hook. Too Bad’s mother comes homes and comments on how nicely they are playing marbles, causing Beans some guilt.

Chapter 10 Summary: “Academy Award”

Beans pretends to be tired and goes to bed early. After dark, he slips out as if to use the outhouse, then puts on street clothes and goes to the fire alarm at White and Catherine. The “resident writer and another fella” (76) almost see him, but he hides in the shadows until they pass. He uses the key and triggers the alarm, then runs home. Beans pretends to come in from the outhouse as the others look to see where the fire is by the fire card. Beans replaces the key at Too Bad’s the next morning during a marbles game, then goes for his pay from Johnny Cakes, who pays him double. Beans is elated; he goes directly to Gardner’s Pharmacy and buys five-dollar hand cream for his mother. She is suspicious and asks Beans where the money came from for such an extravagant purchase; he says it came from finding cans. She believes and thanks him.

Chapters 6-10 Analysis

Two plotlines emerge in this second section of Full of Beans. The more personal, character-driven plot follows Beans’s new life of crime. He is at first trepidatious about working for Johnny Cakes, then momentarily horrified when he faces rows of coffins and a potential corpse in the haunting setting of an abandoned cigar-rolling factory. Once he realizes that the job entails liquor delivery, his fears dissipate to manageable nerves. The deliveries go smoothly, the brothers make it home safely, and the taste of free and clear cash motivates Beans to accept Johnny Cakes’s next job.

Several factors symbolize the increased seriousness of Beans’s next offence: He operates alone, without the more innocent Kermit by his side; he takes advantage of what he knows is Too Bad’s sincere desire to join the gang; he commits the misbehavior under cover of darkness. He also fools his family into thinking he is simply in the outhouse. Changing his clothing from that of a sleeping boy to someone sneaking on the streets at night, lurking in the shadows to avoid passersby, also represents a change in Beans’s character. He hides from Key West’s “resident writer;” this allusion to Ernest Hemingway symbolizes Beans’s step away from childhood as well, as this writer composed works with adult themes.

Beans remains so focused on the task and the payment that he does not realize the extent to which each move he makes reshapes his identity. He thinks of his misdeeds simply as a series of Academy Award-winning acting stunts when, in fact, the false ringing of the fire alarm has notable consequences: fear and disruption in the town along with wasted energy expended by the firefighting crew. Beans may not recognize it yet, but he enters into a battle with his conscience by taking on this crime; Termite symbolizes Beans’s conscience here, as the dog attempts to get his attention and turn him from the task. Beans ignores the dog and shoos it away, just as he quells any mutterings from his conscience about taking the key and ringing the false alarm. Significantly, Beans’s first expenditure of the payment goes to expensive hand cream for Ma’s hands, chapped to rawness from the strength of the detergent for the laundry she takes in; despite his willingness to commit the deed for Johnny Cakes, the hand cream shows how Beans’s conscience steers him toward altruism and a way to put his “bad” money to “good” use.

The second storyline follows the development of Key West as a vacation destination. As an outer framing plot, this conflict is less personal to Beans in that it affects everyone in Key West to a similar degree. Mr. Julius Strong succeeds in bringing an “invasion” of “New Dealers” to Key West to spur on the renovations and refurbishments to the town. His vision of a bright and cheerful tourist destination begins to evolve with free paint distribution and volunteer sign-ups. The first of Mr. Strong’s victories in winning the Key West battle is clearing the streets of the trash piles; subsequent moves see pink, yellow, and sky-blue houses replacing the drab and weathered-wood gray. The author demonstrates that Mr. Strong’s occupation of Key West is not entirely without challenge when she shows his ignorance of scorpions and his fear when unearthing one behind a homeowner’s shutters. No matter his power vested by the federal government and his authority over locals in the town, Mr. Strong is a fish-out-of-water, not privy to the same knowledge and experience gained from living in the climate and conditions of Key West. This brings conflict to the storyline and adds humor to its atmosphere.

As she did with early mentions of the key at Too Bad’s house and the dog Termite, the author plants a mention of the mysterious figure in the movie theater balcony, a man who shields his face. The ticket seller, Bring Back My Hammer, insists this “haint” does not exist, adding some suspense and mystery to Beans’s narrative

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