44 pages • 1 hour read
Anne Morrow LindberghA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Gift from the Sea can, in several ways, be understood as an example of nonfiction inspirational literature. Inspirational literature differs from standard nonfiction in that it does not attempt to merely describe or analyze certain phenomena. Rather, it also aims to inspire the reader to effect positive change in their lives. This can be seen in the goal of Gift from the Sea. While analyzing and criticizing the superficiality of modern life, it seeks to provoke in the reader a desire to pursue something different. As such, it appeals to the reader’s emotions as well as trying to convince them on a rational level through arguments. Thus, in a related way, inspirational literature differs from “self-help” or “self-improvement” literature. Self-help works typically outline rational precepts that, when followed, purport to help generate improvements in aspects of the reader’s life. In contrast, inspirational literature like Gift from the Sea does not straightforwardly offer any “rules” for achieving change in one’s life. Instead, it appeals to one's affect, or emotional response, to elicit a more general desire for change while leaving the precise methods for and goals of this change open-ended.
Due to this emphasis on the emotions, inspirational literature also often uses language in a different way from standard nonfiction or self-help. The latter generally employs language in an objective prose style, attempting to convey ideas directly and soberly. In contrast, inspirational literature uses language in a more poetic and indirect manner, employing rhythm and metaphor to affect the reader on a more immediate and personal level. Such methods are clearly present in Gift from the Sea. The poetic cadences of the writing and the use of shells and the beach as metaphors are intended to evoke in the reader the sense of tranquility that might be achieved through a new way of life.
The same is true of the authorial voice and the presence of the author herself. Standard nonfiction is usually written from a third-person perspective, with the author’s life and personality in the background. Contrastingly, with inspirational literature, the author’s personality and story are foregrounded. Written from a first-person perspective, Gift from the Sea foregrounds both the contours of Lindbergh’s life and the journey of self-discover that she undergoes in her time by the sea. In this way, she hopes to inspire readers to reflect on their own lives. By showing how such a change is possible and connecting emotionally with them, Lindbergh aims to inspire readers to pursue their own journeys of self-transformation and discovery.
Gift from the Sea, a book aimed at helping women achieve self-realization, was written during a time when women in America were particularly conflicted. In the mid-1950s, a new generation of women was enjoying a significant expansion of the opportunities available to them. Due to the Second World War and the postwar economic boom, women were entering the workforce in greater numbers than ever to meet the demand for labor. Thus, jobs and careers were opening to women in a new way. Along with gradually changing attitudes regarding women's roles, these changes meant that women no longer had to define themselves solely as wives or as mothers. Similarly, the postwar boom changed what it meant to be a “housewife.” Prosperity not only brought higher standards of living; it also meant that multiple labor-saving devices, such as refrigerators, dishwashers, and vacuum cleaners, were incorporated into many homes. These machines reduced the labor involved in traditional household tasks and, as a result, created leisure time for many women.
Such changes are reflected in the nature and the popularity in its era of Gift from the Sea. Lindbergh grapples with the question of how women are to spend their newfound leisure and the emerging idea that meaning and value for women can be found outside the traditional home. Her answer is that women can use this new leisure to look inward and rediscover an independent sense of self. At the same time, however, Gift from the Sea reflects an anxiety regarding the technology and prosperity that allowed women's newfound leisure to be created. Lindbergh criticizes the increasing mechanization of life and, specifically, the automation of many household tasks. She worries that the elimination or automation of activities like cooking, sewing, and even dishwashing may dehumanize and trivialize existence. Lindbergh also worries that this new leisure time will simply be expended in new forms of superficial distraction and busyness. Thus, Gift from the Sea speaks to and from the transitional status of women in 1950s America. On the one hand, the text evinces hope for women’s futures and what they can achieve; on the other, it illustrates a concern that, due to an emerging consumer society, this hope might be squandered.
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