81 pages • 2 hours read
Sarah J. MaasA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Prologue and Part 1, Chapters 1-7
Part 1, Chapters 8-14
Part 1, Chapters 15-21
Part 1, Chapters 22-24 and Part 2, Chapters 25-28
Part 2, Chapters 29-35
Part 2, Chapters 36-42
Part 2, Chapters 43-47 and Part 3, Chapters 48-49
Part 3, Chapters 50-56
Part 3, Chapters 57-63
Part 3, Chapters 64-70
Part 3, Chapters 71-78 and Epilogue
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Book Club Questions
Red-haired and stunningly beautiful, self-described “party girl” Bryce is half-human and half-Fae in origin. Her father is the Autumn King, the head of the Avallar Fae people, which makes her a Fae Princess. Bryce is also a Starborn princess, possessing the power of stars, a rare and powerful identity. Additionally, she has a magical artefact, the Horn of Luna, infused in her back as a tattoo, which gives her the ability to travel across worlds. Despite all these special abilities, Bryce maintains a casual and irreverent front. Many people tend to mistake her flippancy and vanity for a lack of purpose, mocking her for her love of nail polish and pleasure. However, as the narrative progresses, it becomes abundantly clear that Bryce is brave, empathetic, kindhearted, and loyal to a fault. She immerses herself in finding Emile because she cannot bear the thought of the orphaned human boy left alone in Midgard.
Bryce’s complex characterization embodies the novel's theme of appearance versus reality, and that heroes come in all forms. Bryce’s femininity and sexuality are an assertion of her rights as a woman in a world dominated by men. Bryce has a toxic relationship with her tyrannical, sexist father and often emphasizes that her stepfather is her parent, the Autumn King only being the man who provided her his genes. Therefore, she prioritizes bonds of love and friendship over bloodlines.
Bryce’s relationship with Hunt shows her evolution as a character. Though she is attracted to Hunt’s power, she does not let it subsume her. When Hunt tends to rescue her from situations, Bryce makes it known that she will ask for help if she needs it. Bryce’s decision arises from the fact that men and men-dominated systems can often use the guise of protecting women to curtail their freedom. Bryce’s relationship with Hunt seeks to redefine this paradigm. Bryce often comes to Hunt’s aid, reversing the trope of the man rescuing the woman. She is also very protective of her half-brother Ruhn, whom she suspects has far greater nuance than he lets on. Driven by her love for her family and friends, Bryce is spurred to make great sacrifices, such as in the novel’s last section when she decides to travel to Hel to seek help for Hunt and Ruhn.
Hunt is a fallen angel who is at least 200 years old, though he looks like a man in his twenties. Dark-haired, dark-winged, and very good-looking, Hunt is a soldier in the 33rd battalion, the army of the governor of Crescent City. Hunt is quiet, brooding, and possesses a sharp sense of right and wrong. Though at the start of the novel, he wants to focus on himself and Bryce, he reverses his detached stance and decides to help the larger cause of the Ophion rebels. Hunt’s reluctance to join a battle stems from his past trauma. Hunt and his love Shahar rebelled against the Asteri many years ago, for which he was mutilated and enslaved, and Shahar was killed. The horrific violence he has witnessed makes Hunt loathe to participate in any kind of war.
Hunt experiences several effects of trauma, including an initial unwillingness to trust people. Yet as the narrative proceeds, he forms a bond with Celestina, Baxian, and Ruhn, softening and warming to them. Hunt also doesn’t let the past define him and make him bitter. As he tells Bryce, having seen much death, Hunt prefers “to see people enjoying their lives” (48). Because of the immense power he wields and his hot-tempered nature, Hunt tends to be overbearing. He also tends to be overprotective of Bryce but keeps this in check out of respect for her autonomy. In Bryce’s worldview, this transformation takes Hunt from aggressive man to “approachable asshole” (53). Thus, Hunt’s character shows a willingness to learn and evolve. When Pollux insults Bryce, he does not jump in to defend her honor in the manner of the classic saving knight; instead, he knows Bryce can defend herself.
Ruhn is Bryce’s older half-brother and Crown Prince of the Avallen Fae people. He possesses the power to wield shadows and the gift of telepathy. Although he is 75 years old, he looks to be in his twenties because he is a Vanir. Ruhn is good-looking, covered in tattoos, and appears to be a privileged, hedonistic prince. In keeping with the theme that appearances are deceptive, the narrative shows there is far more to Ruhn than the spoiled prince. Ruhn has been emotionally and physically abused by his father through his life; his tattoos hide the burns the Autumn King inflicted on him as punishment when Ruhn was a boy. Yet, Ruhn does not let the abuse turn him into an abuser. Ruhn is a generous friend, a true ally to his beloved sister Bryce, and can be very perceptive of his own faults. Unusually for a Fae man, Ruhn does not feel threatened by powerful women, as he shows multiple times through his pride and support for Bryce. He doesn’t resent Bryce’s superior powers and even wants her to succeed their father as leader of the Fae.
Ruhn’s character arc becomes more pronounced in his conversations with Agent Daybright, which have him questioning and reconsidering his privilege. When Day reminds him that Ruhn can tend to be superficial because he can afford it, Ruhn stops to examine his entitlement. Though he falls deeply in love with Day, he is rattled by the reveal that she is the Hind, someone who has blood on her hands.
Described as stunningly beautiful with her golden hair and slim form, Lidia is a deer-shifter who works for the Asteri. Covertly, she is a spy for the Ophion rebellion. Lidia is a woman of multiple identities whose beauty is often described as statue-like, thus hinting at the fact that she is always playing a part. Her true self remains hidden and shows itself only in her conversations with Ruhn and at the novel’s end. In her conversations with Ruhn, she is revealed as an idealist who is ready to make any sacrifice for a larger cause. She is pensive; she believes she has lost touch with her inner self because she has pretended to be cruel for so long. She is a morally grey character because she has committed many murders in her role as the Hind, even though the role itself is played for a larger cause.
There is hint of significant trauma in Lidia’s past; she was discarded by her mother’s coven for not possessing the powers of a witch and raised by her father’s people. She lives with the sexually sadistic Pollux who treats her like a possession so that she can keep feeding intel to the rebellion. Her interactions with Ruhn help her reconnect with her lost self. Lidia symbolizes the cost of idealism and the sacrifices that people make to improve the world for others.
By Sarah J. Maas