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52 pages 1 hour read

Lisa Jewell

Invisible Girl: A Novel

Fiction | Novel | Adult | Published in 2010

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Background

Cultural Context: Incel Culture

Invisible Girl explores the growing issues surrounding incel culture and their dedicated online forums and social media presence. Incels, or “involuntary celibates,” whom the Anti-Defamation League describes as “heterosexual men who blame women and society for their lack of romantic success”—an ideology “rooted in the belief that women have too much power in the sexual/romantic sphere and ruin incels’ lives by rejecting them” (“Incels (Involuntary celibates).” ADL.org, 2020). Incel forums reflect deeply misogynistic, racist, and homophobic language and ideas, centering on violence, resentment, hatred, and the extreme objectification of women. Incel forums have also been utilized as a means to incite young men to commit violent acts, such as rape, physical assault and mass shootings. Incel culture deliberately reifies its community’s sense of victimhood in society and encourages them to act out violently against women and political agendas they believe the government has instated to subdue them. In Invisible Girl, Lisa Jewell demonstrates the threat of incel culture in society, and the attraction of it, particularly for white men who feel isolated and lonely. Through Owen’s interaction with Bryn, Jewell highlights the dark underbelly of incel culture on social media, connecting people with violent intentions, such as Bryn, with more vulnerable individuals like Owen. Bryn preys on Owen’s isolation and anger, hoping to convince him to join the incel cause against society. Although Owen recognizes the danger of Bryn’s beliefs, the interaction emphasizes how incel forums prey on the insecurities of isolated men to recruit them, which reveals the threat of incel culture, particularly through social media, by providing a sense of community, connection, and shared (albeit deeply problematic) purpose.

Genre Context: Domestic Noir

Invisible Girl, like many of Jewell’s novels, exists within the genre of psychological thriller—a thriller subgenre that centers elements of mystery, paranoia, and suspense. The genre often employs literary devices such as an unreliable narrator, and key structural elements such as surprising plot twists, cliffhangers, and the progressive building of suspense. In Invisible Girl, Jewell utilizes multiple narrative points of view, shifting between the perspectives of Saffyre, Owen, and Cate to build suspense and gradually reveal the mystery of her plot. Invisible Girl also falls under the subgenre of domestic noir. Domestic noir typically follows female protagonists, highlighting the sinister double nature of the domestic sphere. Domestic noir plays on the supposition that suburban life is safe from violence, flipping it on its head to reveal the hidden dangers of suburban and domestic life. For example, in Invisible Girl, Cate feels uneasy about the violent sexual attacks outside of her home, however, as the plot progresses, she starts to suspect the men in her own family of committing these acts themselves. This literary device plays on the fear of never finding safety, even in the supposed calm of domesticity. Domestic noir explores themes of infidelity, domestic secrets, and issues between parents and children. Critics sometimes refer to domestic noir as “chick noir,” a phrase that many criticize as both derogatory and misogynistic, framing experiences of domesticity as solely the realm of women and therefore, inherently trite or less important than the experiences of men. Domestic noir focuses on issues of sexism, racism, and misanthropy while simultaneously revealing the complexity of female protagonists and their experiences.

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