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76 pages 2 hours read

Ned Vizzini

It's Kind of a Funny Story

Fiction | Novel | YA | Published in 2006

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Parts 3-4Chapter Summaries & Analyses

Part 3: “Badoom”-Part 4: “The Hospital”

Part 3, Chapter 14 Summary

This chapter jumps back to where section one ended, with Craig on the floor of the bathroom, throwing up after dinner. He tells his parents that he feels better. He doesn’t tell them that he plans to end his life that night. He realizes that now even his parents and family have become Tentacles rather than Anchors. While he feels bad knowing that this will be the most significant event in their lives, he thinks “it’s time for me to stop putting other people’s emotions ahead of my own” (126). He asks if he can sleep in his parent’s bed, and his Dad agrees to spend the night on the couch. Craig sits with Sarah, who can tell that he isn’t doing well. As Craig lays in bed, he texts Nia, who mentions that her father died when she was young. Craig thinks that she has a “reason” for being on antidepressants compared to him. He finally asks her if she would have been “into him” if he had initiated something with her before Aaron. She says that she would’ve been into him but that it’s good that they are friends. She calls him, worried that he might “do something stupid” (134). Craig says he won’t, thinking, “what I’m doing makes a lot of sense” (134).

Part 3, Chapter 15 Summary

Craig lies awake, knowing he won’t sleep. He keeps Cycling about his bad luck with girls, his struggles in school, and his overwhelming desire to feel like he is “winning.” When his mother realizes that he is awake, she offers him some cheerios, which he accepts. When he goes back to bed, he plans what to do with his bike, which he will use to get to the Brooklyn Bridge. He decides to chain it to the fence to give his parents closure. As Craig waits, his Cycling intensifies. He can hear his heart beating, making the sound “Badoom.” The rhythm is soothing and cleansing. Craig realizes, “I want my heart, but my brain is acting up” (140). He remembers a book on his Mom’s shelf called How to Survive the Loss of Love. He goes downstairs and begins reading it. The book directs him to the suicide hotline in the yellow pages. Craig finds the number and calls.

Part 3, Chapter 16 Summary

Someone named Keith with the Brooklyn Anxiety Management Center picks up Craig’s call. He explains that the suicide hotline is so busy on Friday nights that they need an overflow. Craig thinks, “I’m common even in suicide” (143). Keith walks him through a five-step exercise to manage anxiety, telling him that there are no “shoulds” or “woulds” in the universe, only other ways that things could have turned out. When this doesn’t really do much, Keith recommends that Craig call the National Suicide Hotline. That call is picked up by Marissa, who tells Craig it was courageous of him to reach out for help. She convinces him to check himself into the hospital down the street.

Part 4, Chapter 17 Summary

Craig arrives at the hospital and begins filling in paperwork which makes him feel like he’s getting into a “special academy.” The nurse writes down “suicidal ideation” which Craig thinks would make a great band name. She applauds Craig for coming to the hospital, reassuring him that he did the right thing. She brings him back to Room 22 where he waits to see the doctor. Outside the room, a man on a stretcher cries out for the nurses. Army Guy begins talking to Craig, saying “Life’s not about feeling better; it’s about getting the job done” (16). A police officer sits outside the room and Craig thinks that maybe the man on the stretcher is a heroin addict hoping to get painkillers. The physician, Dr. Data, arrives and Craig tells her about everything except the voice in his head. She assures him that the best psychologist, Dr. Mahmoud, will arrive soon. Craig imagines Dr. Mahmoud will immediately treat him, give him fast-acting Zoloft, “and I’ll be on my way” (164). When Craig goes to call his parents, the police officer tells him not to go anywhere without asking. Craig realizes the officer is there to watch him.

Part 4, Chapter 18 Summary

Craig calls his Mom, who is relieved to hear that he is okay. She tells Craig this is the “bravest” and “most-life affirming thing you’ve ever done” (169). Craig muses that she seems happier to hear he’s in the hospital than when he got into high school. An old, thin, and bald Black man is checked into Room 21. Craig returns to Room 22, contemplating whether drugs would have helped his depression. The police officer, Chris, brings Craig breakfast. As Craig eats, he overhears the doctor talking with the man in Room 21, named Jimmy, who says he woke up and his room was on fire. A nurse takes Craig’s heartbeat. As he listens, he thinks “That’s you. That’s your heart” (174). Dr. Mahmoud, a large man in a dark suit, with gray hair and bushy eyebrows, arrives at the same moment as Craig’s mother, who has her dog, Jordan, tucked into her purse. Craig agrees to be admitted into the adult ward, since the area for teenagers is being renovated. Dr. Mahmoud promises that Craig will feel a lot better soon. A “hippie-looking guy” (179) named Smitty walks Craig to “Six North,” the adult psychiatric floor. When they arrive, it hits Craig: “I’m in the mental ward” (181).

Parts 3-4 Analysis

These sections continue to build on The Importance of Human Connection. Craig is stuck in a frightening situation; while Craig’s parents and sister don’t make this problem go away—their love is clearly a force for good in his life. Small things, like having his mother model self-reflection during times of loss, as evidenced through the self-help book, make an impact on Craig. This is what reminds him to check the book How to Survive the Loss of Love, which drives him to call the hotline. While having a supportive family doesn’t fix Craig’s problems, it is still a stabilizing force in his journey. What initially helps Craig in Part 3 is being able to talk to someone. While Keith and Melissa don’t fix the situation, they are able to bring kindness and encouragement to a horrible moment. Because of Keith, Craig calls the national hotline. Because of Melissa, Craig goes to the hospital and gets the help he needs. While these aren’t perfect solutions, the experience of hearing someone else’s voice and feeling their encouragement and affirmation is ultimately what leads Craig away from the Brooklyn Bridge.

Part 3 is titled “Badoom” after the moment when Craig feels his heart beating. Understanding that he is being pulled in opposite directions is an important step in Craig’s character development. Craig feels his heart beating and thinks “I want my heart, but my brain is acting up. I want to live but I want to die” (140). This is one of many forms of tension and paradox that Craig faces. For example, he feels that he should both fit in and stand out at the same time, which drives his social isolation. He wants to eat like everyone else, but he doesn’t want to eat. Trying to make sense of these tensions is part of what is so overwhelming to Craig. For a moment, Craig is able to pause and be present with himself as the nurse tests his heart rate. Just like when he was at home, he finds some peace listening to his heart. Later in the novel, he will discover the need to accept tensions and paradoxes as a part of life.

Parts 3 and 4 continue to expand on the Impact of Mental Illness. Craig is emotionally detached in these chapters. He can walk himself through each step of finding the book, calling the help lines, walking to the hospital, and checking himself in. However, he seems automated. He has gone from anxiety and panic, to shutting down and hoping for a quick fix from Dr. Mahmoud: “We’ll have some emergency therapy; he’ll give me the kind of trick that Dr. Minerva has been unable to give me, effect the Shift, re-prescribe me Zoloft (maybe that fast-acting Zoloft!), and I’ll be on my way” (164). Because Craig doesn’t quite trust people and is still thinking in all-or-nothing terms, he withholds information about the Army Guy from Dr. Data. Craig desperately wants a quick recovery but that itself keeps him from embracing the treatment he needs.

Throughout the novel, Craig’s humor serves as a coping mechanism for his anxiety and depression. This isn’t inherently negative. In some ways, it seems to help him from crumbling in stressful situations. For example, when he is redirected to the national suicide hotline, he thinks, “1-800-SUICIDE! Of course! I should’ve known. This is America. Everyone has a 1-800 number” (147). He then jokes to himself that it’s “convenient” that the word suicide has seven digits. In times like this, humor helps Craig get through the moment.

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By Ned Vizzini