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43 pages 1 hour read

Jojo Moyes

Me Before You

Fiction | Novel | Adult | Published in 2012

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Chapters 12-17Chapter Summaries & Analyses

Chapter 12 Summary

Louisa recalls a specific day seven years ago, “the day [she] stopped being fearless” (154). The adventurous 20-year-old Louisa was saving up for a solo trip to Australia. While partying with friends, she was left behind and discovered by Treena in a castle maze. In the present, Will encourages her to attend a concert at the local symphony. They argue over Louisa’s fear of trying new experiences. As a compromise, she agrees to attend if Will accompanies her. They attend the concert, and the music evokes an emotional response from Louisa. They return home and stare at the castle of Louisa’s memory at Will’s insistence. He comments on how the evening allowed him to escape his reality.

The chapter returns to Louisa’s night at the castle maze. Treena helps her find her clothes in the aftermath of her sexual assault. Louisa cancelled her solo trip and began wearing bold, odd clothing that could not “be construed as suggestive” (166). Since that night, she has never returned to the castle maze.

Chapter 13 Summary

Louisa briefly meets with Patrick to inform him that she will be working late and won’t be able to attend his triathlon meeting. He remarks on how little time they spend together. Working overtime, Louisa saves money and goes to the library to use the computers. After Will mentions his embarrassment over needing someone to write for him, she researches a voice recognition device that he can use to write. He sends her a letter in the mail thanking her.

Over the following weeks, Louisa takes a more relaxed approach to her plan to save Will. On days where Will seems up to it, the pair picnic outside in the warm weather. Louisa also invites him to her birthday dinner at her family home. At the dinner, Patrick becomes upset over the intimacy between Louisa and Will as she feeds him. The tension between Louisa and Patrick grows when she scolds him for advising Will to exercise to improve his physical condition. Louisa then opens her presents: She receives a photo album from her parents, a necklace that does not match her unique style from Patrick, and a pair of yellow-and-black striped tights like her childhood pair from Will.

After Will leaves for the evening, Patrick confronts Louisa about the intimacy of her work with Will. He alludes to her early struggle to be intimate with him; they then have sex for hours. While Patrick sleeps, Louisa opens Will’s birthday card and discovers a stack of money.

Chapter 14 Summary

Louisa and Will continue their outings. The news features various stories of others like Will who seek the help of Dignitas to die by assisted suicide, including a young football player named Leo. Louisa’s father loses his job and struggles to find a new one. Louisa and Treena’s nephew, Thomas, returns from university for a visit. On one of their outings, Louisa asks Will about his favorite places in the world; he shares his love for Paris. When Louisa suggests going to Paris, Will clarifies that he does not want to ruin past memories with the reality of his current condition. He suggests they go to the castle maze and notes Louisa’s refusal.

As the end of her six months with Will approaches, Louisa grows more anxious. Camilla encourages her to take Will abroad. Louisa wonders if her time with Will has helped him. The chapter ends with reports of football player Leo’s assisted suicide at Dignitas. Although Leo’s family faces criticism, Leo’s mother remarks on how peaceful Leo was in the end.

Chapter 15 Summary

When Will jokes with Nathan about how boring Louisa’s life is, she becomes upset. She and Will again argue over her unwillingness to challenge herself and explore. A few days later, Will is hospitalized with an infection. During her time off, Louisa discovers a chatroom for those with spinal cord injuries and their caregivers. In a post, she asks for advice on how to convince Will to live. One reply makes her consider Will’s reasons for wanting to die.

After Will returns from the hospital, Louisa initiates her series of adventures; most of these outings prove unsuccessful. Some, like a wine tasting, prove more successful. As they return home from a wine shop, Louisa comments on a local tattoo shop and her curiosity about getting a tattoo of a bumblebee. At Will’s urging, they both get tattoos. Louisa gets a bee tattoo on her lower hip while Will chooses a small rectangle with the words “Best before: 19 March 2007”—the date of his accident (214).

Chapter 16 Summary

On the weekends, Louisa struggles to sleep due to the shift in sleeping arrangements needed to appease her nephew, Thomas. While she attempts to sleep at Patrick’s house, she feels uncomfortable as he continues to spend all his spare time training for his triathlon. When Will confronts her about her fatigue, he offers her his guest bedroom on the weekends.

Louisa continues to compile a list of activities to do with Will. She becomes increasingly disillusioned by how many places have limited accessibility. Louisa’s father informs her that he has been hired by Will’s father to be head of maintenance at the local castle. Confused, Louisa calls Will to thank him for recommending her father. Will wishes for Louisa to leave her hometown and explore now that her father’s income is stabilized. Uncomfortable, she finds Patrick at the local pub and attempts to escape her anxiety over Will’s death. After Louisa shares Will’s offer for her to move in on the weekends, Patrick asks her to move in with him instead.

Chapter 17 Summary

Louisa shares her plan to move in with Patrick, and Will begins to act distant. A man from London visits Will and speaks with him for an hour. Curious, Louisa looks up his name at the library and discovers he is an estate attorney. Later that evening, she moves her belongings into Patrick’s apartment.

In the weeks that follow, Louisa and Will keep their distance while continuing to be cordial. Concerned, Louisa calls Camilla and asks to meet at the local café. At the café, she updates Camilla on Will’s meeting with the attorney. Camilla urges her to find a destination to take Will and promises to fund the trip. Louisa shares that she moved in with Patrick, and Camilla disapproves of her telling Will about the move. Irritated, Louisa confronts Camilla, who abruptly leaves the café.

The next day, Will suggests he and Louisa take a walk around the castle after hours. As they walk around the castle and chat, Will implores Louisa to go into the maze. Reminded of her sexual assault in the maze, Louisa refuses but changes her mind after Will mocks her resistance. She enters the maze but soon becomes triggered. Distressed, she calls out to Will, who finds her and guides her out of the maze. Louisa struggles to tell Will what triggered her. To help her feel more comfortable, Will shares his fears about his condition worsening and the effect it will have on his family. Louisa finally details her assault, and Will assures her that it was not her fault.

Chapters 12-17 Analysis

While Louisa attempts to convince Will that life is worth living, Will attempts to convince Louisa that there is more to life than her hometown. Louisa believes her actions are helping Will connect to the outside world—however, Will is not the only one being changed by their interactions. Through her relationship with Will, Louisa demonstrates the themes of Personal Growth Through Challenges and Navigating Love in the Face of Adversity. Will exposes Louisa to new music, books, and movies with the hope of expanding her worldview. On their outing to the local symphony, Louisa becomes overcome by classical music, which leads to her “thinking of things [she] hadn’t thought of for years, old emotions washing over [her], new thoughts and ideas being pulled from [her] as if [her] perception itself were being stretched out of shape” (163). As Will guides her through these new experiences, she feels her perspective changing.

In this section, Moyes reveals the origins of Louisa’s strict adherence to a simple life in her hometown. As a survivor of sexual assault, Louisa avoids the trigger of her trauma—the castle maze—and shields herself from new experiences that threaten to upend her sense of safety. It is only after she begins to feel more comfortable around Will that she opens up about her trauma. The yellow-and-black striped tights Will buys for Louisa’s birthday signal his care for her and her individuality—with her unique style partially stemming from her desire to protect herself. By the end of this section, Will guides Louisa to the place of her sexual assault and encourages her to reclaim the castle maze; however, this method of facing trauma should be considered within its fictional context rather than as a go-to approach for real-life instances of trauma, as trauma is a nuanced topic. When Louisa is triggered, Will comforts and validates her, an act that empowers her to speak. This act of empathy releases Louisa from the fear and self-blame that paralyzed her from pursuing life outside of her hometown.

As Will begins to affect Louisa, she, too, offers Will an escape from his reality. After the classical concert, Will asks Louisa to sit in their car for a little longer as he wants to “be a man who has been to a concert with a girl in a red dress. Just for a few minutes more” (166). Their physical intimacy continues to grow as Louisa grows even more attuned to Will’s physical needs. Her comfort with Will’s body aggravates Patrick, who is obsessed with physicality; while Will validates Louisa’s emotional pain, Patrick weaponizes it by guilting Louisa into sex after her birthday. Louisa and Will’s connection is solidified by their getting tattoos together on one of their outings; Louisa chooses a bumblebee tattoo to reflect her beloved yellow-and-black tights (her style) from childhood, as well as the pair gifted to her by Will. As permanent markers of their connection, the tattoos signify Will and Louisa’s impact on each other.

Although Louisa feels closer to Will, she recognizes the unspoken tension between them as her time with him runs out. The news reports on people like Will who seek euthanasia to escape the pains of life through death. Despite their growing connection, Louisa senses “a vast internal hinterland” within Will that “he [won’t] give [her] even a glimpse of” (198). Though she has an “uncomfortable feeling that hinterland [is] growing,” she does not confront Will about his intentions (198). Moyes includes the stories of individuals like Leo, a young football player who dies by euthanasia, to draw parallels to Will’s story and highlight the theme of The Right to Die.

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