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Jasmine WargaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The story is peppered with symbols that represent control or the lack of control. Viewed collectively, these symbols create a motif that supports the theme of “Control Versus Independence.” For example, on the day of the protest, Jude is under strict instructions to stay in their apartment while Issa participates actively in the event. Through the window, Jude observes a mint plant growing out of control: “No one knows how the mint got there; / someone should do something about that” (28). The plant represents the protest, the growing rebellion in Syria, and her brother’s involvement in both—all things Jude cannot control.
Another symbol is Jude’s collection of letters to Fatima. Jude tries to maintain a sense of control over her friendship with Fatima by consistently writing letters to her from America. Fatima does not write back, but Jude is not surprised by this, as Fatima is “more of a talker than a writer” (178). However, Jude later discovers that Mama never sent Jude’s letters to Fatima; Fatima and Aunt Amal’s whereabouts are unknown, and Mama did not tell Jude to prevent her worrying. Jude is frustrated and angry over her powerlessness.
Character actions can serve as symbols as well. Sarah feels a lack of control when her parents speak in Arabic and when her father takes Jude out to dinner; these moments highlight her distance from her father and his heritage. On both occasions she confronts Jude by calling Jude to come to her (Sarah’s) bedroom. Jude acquiesces both times, and their conversations take place firmly within Sarah’s territory. This symbolizes Sarah’s desire for control over situations in which she feels left out.
Symbols of hope support the theme “Courage and Hope” in the story. Mama’s unborn baby is the surest sign of hope for Jude’s family’s future; when she is born, Mama names her Amal (“hope”), further clarifying her symbolic role in the story. The computer that serves as a communication device is another symbol of hope for Jude, since it gives her a way to connect with Baba and later Issa, which lets her know they are alive and well. Finally, Fatima’s letter to Jude is a symbol of hope; after months of no communication with her best friend, Jude knows that hearing from Fatima would help her to believe that the situation in Syria is not as bad as she fears:
If [Fatima] tells me something happy,
I will be able to believe that
somehow Issa is happy too.
That he is safe (178-79).
When Fatima’s letter comes, Jude is relieved that she and Aunt Amal are safe, and her hope grows for Issa.
A steady stream of symbols representing individual and cultural identity creates a motif that supports the theme “Self-Identity and the Desire for Acceptance.” For example, once Jude arrives in America, certain food items and aromas immediately recall her home and family; when she walks into Ali Baba for the first time, “[she] feel[s] at home, / greeted by old friends” (136). Additionally, when Mama insists on cooking dinner for Uncle Mazin, Aunt Michelle, and Sarah, she prepares fried cauliflower and toasted pita. These distinctly traditional and familiar dishes represent their family and background, prompting Uncle Mazin to say he is reminded of home.
Jude’s choice to begin wearing a headscarf symbolizes change and growth in one’s identity. It is notable that she packed the headscarves for America, anticipating that she would want and need them. Others around Jude have a variety of reactions to her choice to wear the hijab, symbolizing the stages of acceptance from others one experiences as one changes and grows.
Finally, Miles’s t-shirts represent his individualism and identity. Jude notices his shirts right away when school begins; Miles’s fascination with and interest in space set him apart from others, and his tendency to associate facts about space with deeper life lessons shows his intelligence and empathy.
By Jasmine Warga
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