78 pages • 2 hours read
Thornton WilderA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The people of Our Town lead conventional and simple lives. Although they have time to stop and smell the flowers or gaze at the moonlight, they seem not to realize how precious their lives’ repetitive and insignificant moments truly are. They go about their day, repeating the same motions and rarely stopping to talk about more than the weather or the daily gossip. These moments never amount to anything beyond the usual pattern of human life, but they are meaningful, nonetheless. When Emily dies, she realizes that she and her loved ones spent life “shut up in little boxes” (96), failing to understand the triviality of the troubles they faced. There is irony in the comment because the dead, who themselves are “shut up in little boxes”—coffins—come to understand the meaning of life’s small moments and everyday rhythms.
The central character arc of the story is Emily’s, and it comes to a climax when she has this realization. Upon her death, she comes to the cemetery, confused and feeling like life was “thousands and thousands” (95) of years ago. Time means nothing anymore. Desperate to relive the memories of her life and experience those people and emotions, she implores the Stage Manager to take her back to her twelfth birthday. While she is there, she witnesses her parents straining over the simple matter of her birthday and wishes they would stop and pay attention to her for a moment. It upsets her deeply, and she begs to be taken back to the present. Upon her return, she remarks, “Oh earth, you’re too beautiful for anyone to realize you” (108). She now knows that every single moment and detail of life is precious, no matter how dull, painful, or ordinary. Emily grieves for the tragic flaw of humankind: to suffer eternally over needless problems.
Wilder deliberately chooses to depict a series of seemingly inconsequential and mundane moments in the lives of the people of Grover’s Corners. Rather than focusing on significant events like most plays and other narratives, his entire first act portrays the everyday lives of the townspeople. Even the wedding in Act II is described by the Stage Manager as quite ordinary. It is only significant to those experiencing it, but it is just another wedding to everyone else. Death is also described as bringing peace and freedom rather than something to fear or something out of the ordinary. It is just a part of life. The Stage Manager explains that “nobody very remarkable has ever come out” (6) of Grover’s Corners, and such will probably always continue to be the case. This was “the way we were in the provinces north” (33), and these were the everyday existences of people who led simple lives.
Each act in Our Town shares a different lesson about the importance and sacredness of love and family for human beings. In the first act, “Daily Life,” the people of Grover’s Corners go about their everyday routines. The focus is placed on two families: the Gibbses and the Webbs. They live next door to each other and live parallel, juxtaposed lives. The wives are best friends, and George and Emily begin to fall in love with one another, although they do not realize it yet. Their lives are still heavily centered on growing up and family life. The Gibbs family is close-knit, strong, and stable. Doc Gibbs provides for the family, while Mrs Gibbs takes care of the house and children, and both George and Rebecca are healthy. The moments showcased in Act I are ordinary, such as having breakfast, being scolded for failing to do chores, and going for a romantic walk in the moonlight. However, these ordinary moments unite the characters as members of the same town, the same human species, and the same earth. “Blessed Be the Tie that Binds,” the hymn sung at church, repeats throughout the play. This hymn is written about the sacredness of love and marriage, which is also the title of the second act.
In the second act, George and Emily get married. The first half of the act depicts the morning before the wedding. George and Emily handle their nerves differently, with George eager to see his future bride and Emily sleeping in. When George tries to visit her, he is met instead by Mr Webb. He tries to ask his future father-in-law for some marriage advice, but he is shut down and told “never to ask for advice on personal matters” (65). Instead, George is left to navigate his unknown future without any help or guidance other than what he has observed in his parents growing up. Emily is also ignorant of adult life and marriage difficulties, and her mother knows this about her: “There’s something downright cruel about sending our girls out into marriage this way” (76). She does nothing to stop her daughter, though, knowing full well that there is nothing she can truly say to prepare her. The same hymn is sung at the wedding, and even though both George and Emily have a moment of hesitation, they follow through and get married. They are driven by some inner sense of obligation and continuity that they do not fully understand. The second act also includes a flashback scene when George and Emily realize they love each other. In that scene, Emily initially rebuffs George for being too arrogant and standoffish. George swears to change his ways, stating, “Once you’ve found a person that you’re fond of…and who’s fond of you, too” (71), that it is probably the most important thing in life. Emily agrees with him.
In the third act, Emily dies and immediately begins to slip away from her attachment to George and her family. George remains bound to her through the ties of love, grieving at her grave after the funeral. She looks down on him with pity and mild indifference, saying to Mrs Gibbs, “They don’t understand, do they?” (111). She refers here to the observation that living people do not realize death is a freeing and peaceful process, and there is no need to sob for the dead. The people in the graveyard all seem to be drifting further away from their lives and the people and things they loved, no longer bound to the tradition of love and marriage.
The cycle of life, love, and death is present throughout Our Town. The Stage Manager begins by noting the sun coming up and how the “morning star always gets wonderful bright before it has to go” (4). There is a cycle and repetition to life that seems to be eternal. In the exposition, the town is introduced as being settled in the 1600s by the same families who currently live there. Professor Willard’s town history reaches back 10 million years, as he explains that the town lies on a fossil bed. The idea of continuity and eternity is present from the start. The Stage Manager describes the town time capsule and his plans to include a copy of Our Town inside. He wants people 1,000 years in the future to understand how daily life was for people in early 1900s America, arguing that legal documents and other such things do not exhibit this vital aspect of history and that people can learn more from everyday life than they can from anything else.
Act I is titled “Daily Life” and portrays the everyday existence of the people of Grover’s Corners. In this act, the townspeople are full of life, fully settled into their routines, and for the most part, happy. They stop to smell the heliotropes, stare at the moonlight, and discuss local happenings. The townspeople exhibit what it means to be a human being, alive and “straining away” (111) until death. In Act II, “Love and Marriage” become the focal point. George and Emily are married, and although it seems extraordinary to them, it is just an ordinary wedding like any other. They are upholding the traditions that their parents and grandparents, and ancestors upheld before them. They do this without thinking too deeply about it until the moment before their vows. Both George and Emily panic, wanting to return to the previous phase of their lives that was filled with comfort and security. They are denied this, however, because love and marriage are the natural next step in their lives. In the final act, “Death and Eternity,” Emily and many other townspeople have died. They are not upset about being dead; instead, they feel at peace with it. They are waiting for some unknown and are no longer attached to the troubles and relationships of earth. Emily begins feeling the same way from the moment she returns from her flashback—when she sees George kneeling at her feet, she does not miss him. Instead, she pities him for mourning her when she is fine. Death is just another part of the cycle that all human beings go through. The sun continues coming up, summers “have cracked the mountains a little bit more” (47), but life, love, and death remain constant.
By Thornton Wilder