85 pages • 2 hours read
Chimamanda Ngozi AdichieA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
“Things [begin] to fall apart at home” (3) when Papa throws his heavy missal across the family room, breaking Mama’s treasured ballerina figurines, after Jaja refuses to attend church on Palm Sunday, declaring he will never take communion again and will die first.
Papa gives Kambili a “love sip” of his tea, a gesture she cherishes. She recalls a time when they spoke more “with their spirits than with their lips” (16)—until Nsukka. The change started there in Aunty Ifeoma’s little garden.
The first pages of the novel expose an explosive scene in which gods are “broken,” revealing a significant spiritual rift between domineering Papa and defiant Jaja. Papa literally throws the word of God at him after Jaja refuses to follow Papa’s religious demands. Papa’s “heavy missal” (3), representing his heavy-handed enforcement of its contents, instead demolishes Mama’s only true possessions (delicate homages to feminine grace), representing both the loss of her sanity and self-worth and male dominance over feminine beauty.
Papa’s piety and powerful position in the community compels him to go to extremes to be the model Christian, based on the white colonial British idea of Catholicism he adopted when young. In carrying out his uncompromising mission, Papa frequently abuses his family, a recurring cycle throughout the story. Even though the gesture of Papa’s “love sip” to Kambili appears affectionate, the tea is scalding, showing Papa’s seemingly benevolent actions hide the hot temper he displays when she disobeys orders.
The hibiscus flowers introduced here are red, not purple, indicating heat, fear, and passion. The purple hibiscus later transplanted to their garden represents a combination of the colors red and blue—one hot color and one cool color—blending to create balance and harmony.
Silence is heavy and palpable in the house after the violent incident, as the characters repress emotions and problems instead of openly discussing them. As Kambili sits in her room, her sanctuary where she looks out the window to the wider world, she recalls the catalyst for the significant change in her and Jaja’s lives—Aunty Ifeoma’s house in Nsukka, where they found true spirituality.
By Chimamanda Ngozi Adichie