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42 pages 1 hour read

Beverly Cleary

Ramona and Her Mother

Fiction | Novel | Middle Grade | Published in 1979

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Symbols & Motifs

Language and Writing

Throughout the series, Ramona demonstrates a love of books and reading and enjoys repeating words that she finds phonetically pleasing. Now, in second grade, Ramona’s language studies focus less on fostering a love of story and more on learning language mechanics. Correctly spelling words is far less fun, and she finds spelling tedious and confusing. Preferring to engage with language creatively, Ramona decorates her letters, “filling all the double oo’s she could find with crossed eyes and frowns” on a worksheet, which does not go over well with her teacher, Mrs. Rudge (64). Ramona desires others to see her as competent, and her challenges with spelling become a source of frustration and embarrassment. Because she is so deeply invested in words, Ramona worries that Mrs. Rudge doesn’t like her because she can’t spell well. When she overhears portions of her parents’ conversations, she hears the word “school” and assumes they are worried about her lack of spelling ability. Ramona’s frustrations with language and spelling point to the novel’s broader exploration of communication. The third-person narrative provides detailed insight into the way that Ramona’s mind works, while also demonstrating the difficulties of making that process clear to other people, who, in turn, often find her behavior perplexing.

Ramona’s spelling challenges, moreover, parallel her struggle to understand the world around her. She often feels confused and uncertain, as she does when trying to make sense of complex spelling rules. She is confused by a commercial whose tagline is “Rolaids spells relief”—a slogan still used by the company as of 2024—and feels as though the adult world is setting her up for failure. “Spelling,” she reflects, “was full of traps—blends and silent letters and letters that sounded one way in one word and a different way in another—and having a man stand there on television fooling children was no help” (105). Having to learn rules is one thing, but having to memorize all the exceptions feels impossible, even without the added confusion of advertising wordplay. Though the precise spelling of words remains troublesome for Ramona, learning to write in cursive redeems her love of language and endears her to Mrs. Rudge. Learning to write in cursive symbolizes her coming of age as the text marks her milestone: “No more babyish printing for Ramona” (175). Writing in script appeals to Ramona’s creative nature and desire for independence and autonomy, as cursive allows her to customize her signature to fit her identity. She can’t bend spelling rules, but she can use her signature as an act of nonconformity.

Imaginative Play

For Ramona, imaginative play is a vital form of self-expression and exploration and helps her navigate her sense of not fitting in. Ramona’s imaginative play is a central aspect of her character, reflecting her vibrant inner world and her desire to assert her autonomy in the face of adult expectations. On the cusp of entering an older phase of childhood, Ramona recognizes that time is fleeting—“She was seven and a half right now. She would not be seven and a half forever” (19)—and uses imagination to create a life for herself. Ramona wants adults to view her as a big kid, but secretly, she still clutches at the remnants of her blissful early childhood. She longs to cuddle Willa Jean’s teddy bear and fondly remembers her mother’s bedtime stories. However, Ramona begins to understand that her imagination makes her perceive the world differently from other people—a tension that the novel frequently dramatizes.

Ramona and Howie channel their creative energy into making a boat with scrap wood in the basement. Desiring to make their nautical fantasies come alive, they attempt to “sail” the ship in a tub full of blue water. Instantly realizing her mistake, Ramona’s maturing sense of self regrets her flight of fancy and fears the consequences of her actions. Gradually, Ramona’s imaginative play becomes more of a solitary adventure. Although the thought process that led her to think about firefighters as a pretext for wearing her new pajamas under her clothes makes perfect sense to Ramona, she feels ashamed trying to explain this to Mrs. Rudge: “a second-grader pretending to be a fireman—it was the dumbest thing she’d ever imagined” (170). Ramona’s pajama debacle highlights her transition from younger childhood and her growing sense of self and reveals how a child’s imaginative play can help them learn important lessons as they mature. Through Ramona’s imaginative games and stories, Beverly Cleary portrays the richness of a child’s inner life and the importance of imagination in navigating the complexities of growing up.

Roller Skates

As an energetic child, Ramona enjoys being outside. Much of the story occurs during a dreary, wet winter that keeps Ramona trapped inside, and she must find other ways to expend her energy. Ramona dreams of a Saturday free of responsibilities and bad weather, where she can lace up her skates and spend the day zipping across the sidewalks. However, since her mother took a job outside the home, Saturday must now be spent catching up on chores and driving Mr. Quimby to and from work. The gloomy weather mimics the moodiness inside the Quimby home, which only adds to Ramona’s anxiety. Roller skates represent freedom, and when Ramona puts on her skates, she escapes into a world of adventure. The mundane streets transform into exciting pathways, and her worries momentarily fade away. The skates allow her to break free from the ordinary, temporarily escaping school, chores, and sibling squabbles. They symbolize the yearning for something beyond the everyday routine.

By the end of the story, signs of spring appear, and Ramona finally has a Saturday with good weather and an empty schedule: “The sun was shining, the sidewalk dry, and her father could watch her skate” (180). More than her freedom, Ramona longs for her family to be happy, and having everyone home on a Saturday feels right to her. However, the idyllic day takes a turn when Ramona remembers she left her pajamas at school, and Mrs. Rudge calls her house. Convinced that Mrs. Rudge has broken her trust, Ramona throws a tantrum and decides to run away from home. As she packs her suitcase, her sense of alienation is absolute, confirmed by the “cheerful ching-chong, ching-chong of roller skates on cement” (194)—noises made by happier, more carefree children. Mrs. Quimby helps her pack a suitcase and is sure to include Ramona’s beloved roller skates. The skates make the suitcase too heavy, and when Ramona realizes that her mother intentionally sabotaged her attempt to run away, she knows that her mom truly loves her. Now secure in her identity as a beloved daughter, Ramona unpacks and joins the other happy children skating outside. Ramona’s roller skates represent her desire to enjoy the freedom and carefree adventure that childhood offers a while longer before fully embracing grown-up responsibilities.

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