59 pages • 1 hour read
Susan MeissnerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
On the train ride to Moreton-in-Marsh, Emmy remembers when she went by train to Brighton Beach with Julia, their mother, and Neville. Though she tries to hold on to her anger, Emmy enjoys the train ride and the food their mother sent with them, and she finds herself sad, rather than angry. On the train ride, she becomes acquainted with the group’s leader, Mrs. Braughton, who allows Emmy to call her Alice. When they arrive at Moreton-in-Marsh, they walk with the group to the building. The sisters each eat a meringue, and then they are called with the other children to meet the adults who wish to take them in during the war. A middle-aged couple approaches the sisters first: Howard and Margaret Trimble. Margaret is immediately fond of Julia, but both she and Howard are troubled by Julia’s candid admission that she and Emmy have different fathers who are both away. When they ask to take Julia, both Emmy and Alice say that the sisters will stay together. Before they walk away, Howard expresses displeasure with Emmy’s attitude, but Emmy remains steadfast about her role as her sister’s caretaker.
Emmy hopes that this will cause her to have to go back to London, and she gets into a dispute with Alice, feeling judged because of her background. A woman approaches and introduces herself as Charlotte Havelock; she wishes to give Emmy and Julia a comfortable life at her home, Thistle House. She appears warm to Emmy and Julia, and Julia takes a quick liking to her. Realizing she cannot go back to London just yet, Emmy agrees to go with Charlotte to Thistle House in Stow-on-the-Wold. Charlotte quickly completes the paperwork, and the sisters leave with her.
Charlotte drives Emmy and Julia to Thistle House and tells them about her life, including her marriage to Oliver “Ollie” Havelock before his death and her disabled sister Rose, for whom she cares. As she shows them the Cotswolds, Julie is amazed, and even Emmy begins to marvel at her new surroundings. Julia then tells Charlotte about her interests and Emmy’s bridal dress sketches. Charlotte is interested and inquires further. Emmy shares that she plans to become a designer and had worked at a bridal shop in London before the evacuation. Emmy silently appreciates Charlotte’s sympathy. When they arrive at the house, Julia admires it. Before they enter, Charlotte informs the sisters that Rose is only a year younger than her, but mentally, she is only five years old due to an injury. Charlotte introduces them to her, and they start to settle in. Emmy decides that this is the perfect place for Julia and writes the address of Thistle House down for Mrs. Crofton, planning to return to London as soon as Graham Dabney does.
Charlotte and Emmy have tea outside while Julia plays near the pond. After Charlotte notices that Emmy is largely responsible for Julia, Emmy explains that their mother had her out of wedlock when she was 16, and that her grandmother always judged her for it. Charlotte says that the father is also responsible for conceiving a child. When Emmy reveals that her mother was drinking, and that her father might have been older, Charlotte is surprised that the man was never held accountable. Emmy realizes this and wonders if her mother is protecting him, or if she never found out his name. She also tells Charlotte about Neville.
Julia and Rose show them the turtles in the pond, and then they go inside to unpack. Julia wants to look at the bride sketches, but Emmy refuses to let her because she is tired. She instead has Julia write to their mother while she writes to Mrs. Crofton to give her the new address and inform her that she still has the back door key. Before dinner with Charlotte and Rose, they pray, and they decide to send the letters in town the following morning. After dinner, they look at Charlotte’s family photos and prepare for bed.
That night, Emmy and Julia struggle to fall asleep. Julia worries about their mother, as she realizes that London is not safe anymore. Emmy thinks about her mother’s likely transactions with her father. The following morning, the four establish their chores around the house and in the garden. Charlotte also encourages the girls to read during their free time. They go to the library in town to pick out books and run other errands. At the variety store, Charlotte buys Emmy paper and specialized pencils for her sketches, for which Emmy thanks her. Charlotte then promises Julia something when they return home.
Back at the house, Charlotte goes upstairs with Julia, and Rose expresses concern that they are in her room. Emmy goes up to find them in another room, where Charlotte has Julia go into a crawl space and pull out two boxes, one with the tea set she had as a child and another with two dolls. Charlotte shows Emmy her wedding dress, which she permits Emmy to use for inspiration and take apart to study in her sewing and dressmaking practice. Emmy is delighted and shows Charlotte her sketches, which she loves.
Over the summer, Emmy and Julia settle into a routine of gardening, reading, and visiting places, including church, with Charlotte and Rose. Julia plays with her toys during her free time, and Emmy deconstructs Charlotte’s wedding dress, using her sketches to help her learn its components and how to sew it again. Their mother sends a few letters saying she is safe and misses them, and the sisters write that they miss her, too. Mrs. Crofton also writes, telling Emmy that Graham will return to London around August. In August, the Luftwaffe drop bombs over London, destroying many houses and killing multiple civilians. The girls and Charlotte also hear about the dogfights over the English Channel, Churchill’s speech, and the RAF’s retaliatory attack on Berlin, leading to another calm period in London.
In early September, Mrs. Crofton writes to Emmy that Graham Dabney is settling his father-in-law’s affairs in London and moving into his house. He likes her work and is interested in becoming her foster parent along with his wife during the war, with her mother’s permission. Mrs. Crofton tells Emmy to meet her, Graham, and Graham’s wife in Knightsbridge on September 7. Emmy is happy to hear this, and though there is a war going on and she fears hurting Charlotte and making Julia sad, she decides she will quietly and discretely make her way back to London.
Emmy begins making plans to get from Stow-on-the-Wold to London in time for her appointment. That Friday, she goes off by herself to write letters to Julia and Charlotte, which she will leave before departing early in the morning. In her letter to Julia, she tells her to stay with Charlotte and be good, noting that this will be an opportunity for Emmy to make her dream a reality. In her letter to Charlotte, Emmy apologizes for leaving, saying she has gotten an opportunity to make dresses in London and thanking her for being so kind and generous to her and Julia. She feels sad after writing and leaving these letters and has trouble concentrating for the rest of the day. Charlotte asks her what is wrong, and Emmy blames her abnormal behavior on menstrual cramps. Charlotte gives her tea and allows Emmy to go to her room.
Julia is on the bed in her room with the brides box, having already read the letter. Emmy initially scolds her for looking at the bride box without her supervision, but then Julia says Emmy cannot leave her. Emmy tries to reason with Julia, but she threatens to tell Charlotte if Emmy does not let her go to London with her. Emmy seemingly relents, but she plans to wake up before her and leave without her. She packs the necessary items that will fit in her satchel and has Julia do the same. At dinner, they do not speak about it. They prepare for bed, and Emmy gives Julia some water before they sleep. At two in the morning, Emmy wakes up and is about to leave Julia behind, but an owl wakes Julia up, and she does not go back to sleep. Emmy considers the possibility that the owl woke Julia to keep her from leaving Thistle House. However, Emmy chooses to have Julia quietly get dressed and leave the house with her to go to their flat in London.
In the present day, the door opens and Beryl offers Isabel and Kendra more tea. They both decline, and Isabel tells Beryl to continue arranging the birthday party. Beryl then closes the door, leaving the two alone again. Kendra looks at the Umbrella Girls painting again, knowing its significance now. She also knows that Isabel is connected somehow with the story, noting that the Cotswold house Isabel is living in is Thistle House. After Isabel hints at this, Kendra realizes that September 7, 1940, was when the Blitz started. She finds it funny that Emmy was proud of getting herself and Julia to London so discretely, in part by making up a story about their mother being terminally ill and wanting to see them again before she dies. Isabel details the RAF’s discovery of the German pilots and the beginning of the Blitz. The Blitz started after Emmy’s appointment with Graham. Emmy thought the world was ending and wished it had ended for years after it.
The second section of Part 1 explores the experiences of the children evacuated from London in World War II. Many novels set in England during this time period depict children who live in London evacuating and starting new lives temporarily in the English countryside, or even in another country like America. Emmy and Julia evacuate to Thistle House with Charlotte and Rose. They enjoy the beauty and safety of the countryside, but they also miss their mother and worry about her. Emmy’s determination to return to London and start her life intensifies the conflict between Emmy and Julia, as Julia does not want to be separated from her older sister.
In these chapters, Emmy settles in Thistle House and even warms up to Charlotte, who supports her dreams and gives her items to help her sketch and sew dresses. However, Emmy also becomes more determined to make her dreams a reality and secretly reaches out to Mrs. Crofton to set up an appointment. This section also develops Julia’s character. She is revealed to have a largely innocent mind, with little internalization of society’s stigmas. For example, she openly admits to the Trimbles that she and Emmy have different fathers. The novel shows that she is as determined to keep Emmy with her, even as Emmy wishes to establish her independence and career.
After Julia reads Emmy’s letter, she becomes upset and insists that she be allowed to go with Emmy, or else she will tell Charlotte. This highlights Julia’s intelligence; she knows how to manipulate her sister into doing what she wants. It also foreshadows Julia’s switching of the bride sketches and her fairy-tale book, since Emmy finds her with the box shortly after Julia reads the letter. Along with the development of Emmy and Julia in this section, Charlotte is introduced; she becomes an important motherly figure to both of them. As she also becomes a confidant for Emmy, the section sets the foundation for their relationship, which only strengthens throughout the novel.
The Conflict Between Personal Ambition and Responsibility increases dramatically in this section. Emmy writes to Mrs. Crofton and sets up an appointment with Graham without Charlotte’s knowledge and approval, and she plans to leave Julia behind. When Julia discovers this, she confronts her. Not wanting to face Charlotte and unable to reason with or trick Julia, Emmy decides to take her with her. Since Emmy is unable to choose between her ambition to become a dressmaker and her responsibility to care for Julia, she attempts to choose both. The section also explores The Impact of War on Personal Destinies. The war forces Emmy and Julia to evacuate and start a new life with Charlotte as their foster mother. They also listen to the news about the war and steadily realize that London is becoming more dangerous, which makes them worry about their mother. In the present day, Isabel reveals to Kendra that her decision to take Julia with her back to London was catastrophic for them, as the Blitz began the day they returned.
The bride sketches reappear as a symbol of Emmy’s dream to be a bridal shop owner and dressmaker, and as a motif supporting The Conflict Between Personal Ambition and Responsibility. Emmy plans to bring her sketches to London for Mrs. Crofton and Graham. However, Julia holds the brides box before she confronts Emmy, showing that she is willing to withhold Emmy’s sketches to keep the two of them together—even if it means putting off Emmy’s dream. This later leads her to hide the sketches from Emmy and replace them with her fairy-tale book; this demonstrates her desire to replace Emmy’s dream with more dedication to her. All of this occurs in Thistle House, which is introduced in this section as a symbol of both safety and responsibility. The house provides Emmy and Julia with safety from the destruction of the air raids and the growing war, but it also requires Emmy to put her dreams on hold and focus on helping Charlotte, Rose, and Julia during her time there.
Meissner uses flashbacks throughout as Isabel explores her past as “Emmy,” remembering events such as her visit to Brighton Beach. The section also uses foreshadowing with Isabel hinting that Emmy’s decision to go back to London with Julia was catastrophic, explaining that “it was as if the end of the world had begun” and that “for a long time, Emmy wished it had been the end of the world” (148). This suggests to Kendra and the reader that Emmy and Julia’s return to London would lead to great tragedy and hardship.
By Susan Meissner
British Literature
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Brothers & Sisters
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Childhood & Youth
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Forgiveness
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Memorial Day Reads
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Military Reads
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Mortality & Death
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Popular Book Club Picks
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Safety & Danger
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War
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World War II
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