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The Kandinsky painting that revolves above the stage has two sides, one “geometric and somber” and the other “wild and vivid” (3). How does this reflect Paul’s character and Ouisa’s development throughout the play?
Paul claims to have completed a thesis on J.D. Salinger’s novel The Catcher in the Rye. Why is this symbolically significant to the events of the play?
How does Geoffrey’s discussion of race in South Africa relate to the wider treatment of racism in the play?
At the start of the play, Ouisa is shallow and sheltered. How does she change as the play progresses, and what causes these developments?
Why is Trent Conway an important character, despite only making a brief appearance?
Many of the play’s characters present themselves as liberal and tolerant. To what extent is this a false impression?
To what extent do Paul’s theories about the imagination explain his actions and choices throughout the play?