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58 pages 1 hour read

D. H. Lawrence

Sons and Lovers

Fiction | Novel | Adult | Published in 1913

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Part 2, Chapters 7-9Chapter Summaries & Analyses

Part 2, Chapter 7 Summary: “Lad-and-Girl Love”

Paul pays occasional visits to Miriam at Willey Farm. Miriam is a “romantic in her soul” (134), who sees echoes of her favorite literature in the world around her. She wishes that he would pay more attention to her, and when Paul was sick, she wanted to care for him as a demonstration of her love. Paul enjoys his visits to the pastoral Willey Farm. Similar to Miriam, he sees her as a figure from “some dreamy tale” (137). Miriam has three brothers who treat her harshly. They are ill-mannered and cruel, mocking her in front of Paul when she burns potatoes. Mrs. Leivers does nothing to stop the boys who Miriam calls “low” (138). Paul and Miriam both love nature. They explore the countryside, and while picking flowers and examining a bird’s nest, they begin to fall in love. As he recovers, Paul makes drawings. He shows these drawings to the Leivers family, who seem more responsive to the drawings than Gertrude. Paul befriends Miriam’s brother Edgar, who is kinder to him than to her. Miriam shows Paul a swing in the cowshed. They take turns on the swing, but Miriam is too fearful to really lose herself in the game as Paul can. Paul reflects on his complicated feelings for Miriam. One day, as he paints a pastoral scene, he notices that she seems “always sad” (143). When he asks her why, she insists that she is not sad. When Miriam plays with her baby brother, Paul sees her as truly happy. Even as the little boy asks her to stop, she shows her love for him. Paul sees how much Miriam’s emotions swing back and forth.

Paul does not like Miriam’s apparent emotional intensity. He compares Miriam to his mother, who he sees as reserved and wholesome. Everything Miriam does, Paul notes, seems to be intense. When she dries the dishes, she grips the plates tightly. Miriam does not like the way she must stay at home and clean up after her brothers’ mess. She wishes that she could go out and pursue her ambitions but feels constrained because she is a woman. She envies men, who seem to “have everything” (145), and she tells Paul that she wishes she could be educated, like him. Paul tries to teach algebra to Miriam, but she struggles. Paul loses his patience during the lesson. Only Miriam can cause “such fury” in him (147).

Paul’s favorite times are often those he spends with his mother, whose presence fills him with strength. When he has recovered enough, Paul goes back to work. Conditions in the factory have improved in his absence. Each Wednesday, he has the afternoon off. He attends an art school. During the summer, Miriam takes Paul to see a rose bush. They examine the roses together, and their eyes meet. This moment of “communion” thrills Miriam (149), but Paul leaves worried that his mother will be at home waiting for him. Paul returns home, and Gertrude is displeased. She complains about the “disgusting” way in which men and women pursue their romances (151). Both Paul and Miriam consider their time together to be innocent and lacking in intimacy. When Paul talks about the matter with Miriam, she feels confused about her emotions. She prays to God to prevent her from falling in love with Paul, even as she looks forward to his visits to Willey Farm. Paul insists that they are simply friends, though they occasionally link arms as they walk through the countryside. In these moments, Paul feels a sudden and confusing “friction” (162). Paul celebrates his 20th birthday by renting a cottage, where he is joined by his family and friends. Miriam visits the cottage, and when she and Paul are enjoying an evening walk, Paul is overcome by his intense feelings. Paul thinks about how his shame regarding intimacy has caused him to suppress his “abstract” feelings for Miriam (167), which in turn caused him to resent her.

Part 2, Chapter 8 Summary: “Strife in Love”

Arthur’s “wild and restless” nature causes problems (168). Gertrude receives a letter from Arthur, explaining to her that he joined the army. Now, however, he regrets his decision. He is stationed in Derby, so Gertrude travels to the barracks to speak to Arthur’s sergeant, but she fails to convince the man to let Arthur leave the army. Walter disowns his son and forbids Arthur from ever returning home.

Paul finds success in his artistic endeavors. His paintings are part of an art exhibit at Nottingham Castle, and he wins two prizes. Gertrude is proud of Paul, and Paul delights in her pride. On his way to the castle, he meets Miriam and Clara Dawes, Miriam’s “rather striking” friend (172). Clara has recently left her husband, and she is part of the women’s rights movement. Paul works alongside her estranged husband at the surgical supply factory. Paul dislikes the man, who he sees as a bully. Paul speaks to Miriam about Clara, describing her fierce and defiant nature. There is still an invisible barrier between Paul and Miriam that keeps them separate. Even when Paul wants to comfort or kiss Miriam, he refrains. When she touches him or praises him, his blood feels suddenly hot. One day, Miriam visits the Morel family with her brother Edgar. Gertrude disapproves of Miriam, which leaves Paul feeling hopeless and sad. In March, Miriam and Paul sit together on the bank of a river. Paul can sense Miriam’s desire for him, but he feels a need to resist her. He yearns to give Miriam his love and passion, but he cannot bring himself to do so. Ultimately, he reiterates that their relationship is “only friendship” (182). Miriam is profoundly hurt.

Mr. Pappleworth quits, so Paul receives a promotion. During this time, he is studying design, while his sister Annie has gotten engaged to Paul’s friend Leonard. At home, Gertrude asks Paul to bake bread while she goes to the market. Miriam pays a visit, allowing them to imagine the home as “their own house, his and hers” (187), until they are interrupted by a family friend named Beatrice, who teases Miriam and Paul. She distracts them so much that Paul allows the bread to burn. Beatrice leaves, so Paul returns to his attempts to teach Miriam how to speak French. As a writing exercise, Miriam composes a diary entry. The entry sounds like “a love-letter” (192), but Paul ignores any sentimentality and focuses on correcting Miriam’s grammar. When Miriam looks at Paul with a profound love in her eyes, he feels an intense resentment toward her. Tucking the burned loaves beneath the good loaves, Paul exits. He returns to the house to find Gertrude and Annie waiting for him. The burned bread is on the table in front of them. Annie speaks to Paul, revealing that their mother is sick. Annie is worried that their mother is suffering from heart problems. Gertrude blames the burned bread on Paul’s affection for Miriam, claiming that he is “too eager to be off with Miriam” (195). Paul assures his mother that he and Miriam are just friends; he would rather return home to his mother than be with Miriam. Gertrude embraces Paul, who strokes his mother’s hair and places his mouth against her throat. Gertrude kisses Paul, and, as he strokes her face, he kisses her. Walter enters, scowling at his wife and son at their “mischief again” (198). He hurls a pork pie (made for Paul) into the fire as Gertrude faints. Paul rushes to his mother’s side, feeling “at peace” because he knows that he loves his mother more than anyone else (199).

Part 2, Chapter 9 Summary: “Defeat of Miriam”

Paul is “dissatisfied” with his life and himself (200). He knows that he can never stop loving his mother and he cannot hurt her. Miriam, meanwhile, fears that she will never be able to be the person Paul wants to love. Her future, she fears, is full of nothing but sorrow and sacrifice. At Easter, they walk together through the countryside to find daffodils. When Miriam carefully fondles the daffodils with interest, Paul is annoyed. He asks Miriam why she is so intensely fascinated with everything, accusing her of “always begging things to love [her]” (202). She sucks up love from everything, he believes, but does not give out love herself. Miriam is shocked by Paul’s cruel comments, though she does not understand the true meaning of his words. A short time later, Paul reiterates his belief that he can only give her “friendship” (205). Paul returns home afterward. Since William is dead, Gertrude clings desperately to Paul and cannot tolerate the time when he is away with Miriam. Despite his love for his mother, Paul feels a constant restlessness. The next week, he visits Miriam again. During their conversation, he asks whether she would ever be able to learn to love someone else. Paul confesses that he does not love Miriam “as a man ought to love his wife” (208). Miriam suggests that they are too young to be married and that they do not love each other enough. Paul feels despondent.

After this conversation, Paul is still friends with Miriam and her family. He visits often and attends church with them. Miriam invites Clara to her house; though her family finds Clara difficult, Paul is fascinated by her. He studies her appearance and makes conversation with her. Paul cannot understand, however, why Clara seems so aloof. Over tea, she tells Mrs. Leivers how she feels happy now that she is “free and independent” (215). Paul takes a walk with Clara and Miriam, during which Clara asks whether Paul would prefer to fight for a woman, rather than allow her to fight on her own behalf. When Paul answers that he would rather fight for a woman, Clara accuses him of being “too clever” (216). His flippant attitude tires her. As Clara examines a flower, Paul feels intensely attracted to her. He scatters flowers over her, and, though she is confused, Clara laughs.

Paul visits the town of Lincoln with his mother. As she sits beside him on the train, he notices how frail she seems. After an enjoyable visit to Lincoln, they eat a “wildly extravagant” meal (222). Paul buys violets for Gertrude’s coat. When they climb a hill, however, she struggles to reach the top. She struggles to speak, explaining that her heart is getting “a bit old” (223). As they drink tea, Paul speaks effusively about Clara, who is seven years older than the 23-year-old Paul. After hearing her son speaking about Clara’s defiance and anger, Gertrude wonders whether it is time for Paul to fall in love. Meanwhile, Annie is engaged to Leonard. He works in Birmingham, saving his money ahead of the wedding. When the wedding is brought forward, Arthur returns home from the army to visit, dressed in his uniform. The wedding takes place, and, afterward, Paul talks about his future with his mother, explaining that he will “never marry” (227), as he hopes to live with his mother as long as possible.

Arthur complains about life in the military, so Gertrude goes into her savings to pay for him to leave the army. Arthur is overjoyed, returning home and striking up his previous relationship with Beatrice. Like Annie, however, Arthur’s life has always been destined to continue “outside their mother’s house” (229). Paul is different. He cannot see himself living anywhere else, even though he feels some deep and unspecified yearning for something different. He speaks to Miriam about his dreams and despair while she listens attentively and lovingly. The next day, Clara joins Miriam, Miriam’s brothers, and Paul as they entertain themselves in the countryside by leaping over bales of hay. Amid the fun and the laughter, Paul flirts with Clara. Miriam watches, feeling hurt. She is concerned that Paul is being “unfaithful to himself” (231). After, Paul speaks to Miriam about his confused feelings. He views Miriam as his conscience, as she seems to hold only the “best of him” (231). He writes a letter to Miriam, in which he describes the platonic nature of their connection. He refers to her as a nun, praising their spiritual—but not sensual—bond. They cannot be married, he suggests, because their love is not the love of husband and wife. Though Paul privately feels sexual desires, he focuses these desires on Clara rather than Miriam.

Part 2, Chapters 7-9 Analysis

This section of the text continues to explore the complexity of Relationship Dynamics Between Mothers and Sons, especially through the parallels evident between William and Paul in their relationships with their mother. As Paul grows older, he feels the same natural pull away from his mother that William felt at a similar age. William would go to dances and meet girls, who Gertrude would then send away from the home. When Paul spends more time with Miriam, Gertrude fears that history is repeating. She knows the Leivers family well, and it is her social visit to Willey Farm that first introduces Paul to Miriam. Yet Gertrude subtly tries to control her son’s behavior by treating Miriam with contempt. No matter what Miriam does, Gertrude will never love her. She will never be able to escape her immediate feeling that Miriam is leading Paul along the same tragic path that William once walked. The consequence is that Gertrude’s relationship with her son only intensifies. She demands more love and more loyalty from him, which instills a deep shame inside Paul for being intrigued by Miriam. Gertrude is the root cause of the untenability of Paul and Miriam’s relationship, as Paul is never able to comprehend or eradicate the intense shame that Gertrude causes him to associate with Miriam. Gertrude’s demand for her son’s love and featly has the effect of eventually destroying her son’s life, altering forever his expectations of love and affection while also driving an immovable wedge of shame between Paul and the one woman who might have understood him.

Paul’s maturity can also be seen in the ways that he begins to echo his father. These echoes are physical, most of all. Paul loathes his father and his father’s friends, considering them to be low class and common. In many ways, he is still the little boy standing nervously at the back of the room, fearing the boisterous chatter of the working-class men. In his own home, however, Paul comfortably slides into the emotional niche left behind by William’s death and Walter’s estrangement. Since he grew up with Walter as his model of male behavior, he cannot help but subtly replicate his father’s actions. He flings his boots away before he readies himself for bed, for example. Earlier in the novel, Walter’s few happy moments are when he is sharing his work with his children. Similarly, Paul is at his most content when he is sharing his work with Gertrude or Miriam. His behavior mimics his father, and his happiness is charted along the same vectors. As much as Paul is loath to admit it, he cannot help but be his father’s son.

In Chapter 9, Paul becomes more acutely aware of the divergence between the dominating female figures in his life. While she does not say so explicitly, Gertrude issues him an ultimatum, in which he must choose between herself or Miriam. Paul returns to his mother, insisting to himself (and to Miriam) that they are only friends. He values his mother’s love more, to the point where he cannot bring himself to abandon Gertrude. Paul’s decision is based on the barrier that exists between himself and Miriam, in which they both struggle to express their true feelings for one another. Miriam, who has grown up surrounded by her bullying brothers, fears exposing herself to possible rejection by openly declaring her love for Paul. In turn, Paul fears that loving Miriam will lead to him being abandoned by his mother. His love, he fears, is not an infinite resource.

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