64 pages • 2 hours read
Lyssa Kay AdamsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Gavin Scott, star second baseman for the Nashville Legends, is passed out drunk in a hotel room when his teammates—Delray Hicks, or Del, and Yan Feliciano—and local club owner Braden Mack, knock on the door. They find Gavin face down on the carpet, barely coherent.
Del manages to coax the story out of Gavin: His wife Thea, mother of their two children, asked for a divorce. Gavin admits the situation is his fault but refuses to reveal that after discovering that Thea had been faking her orgasms throughout their marriage, he retreated to the guest room and refused to speak to her. After two weeks of silence, Thea asked for a divorce and kicked Gavin out.
Gavin checked into a cheap hotel as a form of self-imposed punishment, where he has been holed up for two weeks. Del scolds Gavin, explaining that their relationship moved too quickly—marrying after three months when Thea became pregnant with twins. Del says the couple has changed. Challenged by Del, Gavin swears he will do anything to save his marriage. Del, Yan, and Mack exchange cryptic looks, then invite Gavin to an “official meeting” the next night.
Thea vents her frustrations over her marriage by demolishing the wall between the living and dining rooms. She imagines setting up her easel and art supplies, regretting how she has not painted since having the twins, Amelia and Ava. Meanwhile, Thea’s sister, Liv, takes the twins to dance class.
When the girls return, Liv puts on music, and she and Thea lip-sync, to the twins’ delight. Remembering her own struggles after their parents’ divorce, Thea silently vows to protect her children.
Grabbing a sledgehammer, Thea hits the wall, recalling her sacrifices for Gavin. Liv smashes the wall with Gavin’s favorite bat, but Thea stops her, not wanting to break it. Liv argues that Gavin always put baseball before Thea, but Gavin walks in, denying the accusation.
Thea reprimands him for entering without knocking; Gavin insists he tried. Gavin asks if his bat is being used for demolition, and Thea angrily starts swinging it at the wall.
Amelia rushes into Gavin’s arms while Ava sticks close to Thea, accusing Gavin of making her mother cry. Liv antagonizes Gavin before taking the twins for a walk.
Thea and Gavin briefly discuss their relationship. Thea recalls her frustrations with the Nashville Legends WAGs (wives and girlfriends) Club and how she lost her identity there. She then tells Gavin she wants to keep the house in exchange for lowering his child support payments, wondering aloud when to tell the twins about the divorce.
Gavin tries to explain that he doesn’t want a divorce. Thea says he ruined any chance of reconciliation by leaving. Gavin counters that she had asked him to leave, but Thea retorts that he could not leave fast enough.
Their argument escalates, with Thea shouting that his failure to bring her to orgasm was the least of their problems. Just as Liv returns with the girls, Gavin asks Thea how he can fix things. Thea thinks of her parents’ dysfunctional marriage and refuses. Gavin kisses her, and she pulls away.
Del scolds Gavin for kissing Thea without her consent. Gavin, however, recalls how Thea kissed him back initially.
As Del drives them to Mack’s house with a large food order, Gavin reflects on his move with Thea to Franklin. Mack takes Gavin to his basement, where 10 men are already gathered. Confused, Gavin asks if they are late, but Del explains that the others arrived early to devise a plan to help Gavin win Thea back.
Del lays down the first rule: Do not discuss the book club. The group hands Gavin a romance novel titled Courting the Countess, and Gavin accuses them of mocking him. One of the members, a hockey player, clarifies that they call romance novels “manuals.” Del explains that most of the men in the group have sabotaged their relationships, and the book club helped them mend the damage.
Del explains that romance novels, written for women by women, provide insight into what women want in relationships. The goal is to internalize these lessons and apply them to real-life connections.
Gavin reluctantly agrees to give it a try. Before leaving, Del advises Gavin not kiss Thea again before getting Del and Thea’s permission.
Benedict Charles Arthur Seymour, the 7th Earl of Latford, gazes at his wife in a sheer dressing gown, feeling love and desire. Irena dutifully promises to fulfill her marital obligations but is unhappy. Benedict presents her with a ruby and diamond necklace.
Benedict apologizes for wrongfully accusing Irena of trapping him into wedlock by orchestrating a compromising situation. Irena remains indifferent, caring only about producing an heir and moving to the countryside, far from Benedict.
Benedict tells her he loves her and will do whatever it takes to earn her forgiveness. He proposes they start over and vows to court her.
Thea and Liv discuss the looming divorce and how much Thea has changed since getting married. They also discuss their father’s wedding invitation, both agreeing to decline due to his chronic infidelity. Thea has not spoken to their mother in months; she knows her mother will be thrilled about the breakdown of her marriage with Gavin.
Thea reflects on the night that marked the beginning of the end of their relationship, dubbing it the “Big O-No.” After having the twins and Gavin’s promotion to the major leagues, their sex life dwindled. They were not intimate for two months before Gavin’s playoff game, where he hit a walk-off grand slam. The excitement of the moment led to a spontaneous encounter, during which Thea orgasmed. Gavin realized she had faked her previous orgasms. Thea admitted she had been pretending since the twins were born.
Gavin felt hurt that Thea did not tell him the truth; Thea resents that Gavin never noticed. Gavin moved into the guest room, further straining their marriage.
On Monday, Del and Mack visit Gavin in his hotel room, bringing along pumpkin spice lattes, which spark a conversation about how toxic masculinity—traditional ideas about how men should act, like being tough and unemotional, that become harmful—permeates society. Mack helps Gavin pick out clothes to wear to the twins’ dance recital that evening with Thea. Del and Mack chastise Gavin for not reading the book they gave him. Afterward, they coach him on flirting techniques. Del and Mack also try to get Gavin to open up about what caused the breakup, but he is too embarrassed to share. Instead, Gavin reveals that Thea wants the house in the divorce, prompting Del and Mack to devise a plan.
The Importance of Communication is a central theme in The Bromance Book Club, and the lack of communication between Gavin and Thea is evident from the novel’s beginning. Gavin’s struggles with communication stem from both internal and external factors: His stutter is a communication barrier, making him hesitant and insecure when expressing his emotions. This insecurity is compounded by his fear of vulnerability, particularly when admitting mistakes or addressing deeper marital issues. For instance, after discovering Thea has been faking her orgasms, Gavin’s response is to avoid the conversation, refusing to confront the problem head-on. Externally, Gavin relies too heavily on nonverbal cues and assumptions about Thea’s feelings, further deepening the disconnect. He and Thea retreat into silence and anger, allowing resentment to fester and misunderstandings to grow.
The pivotal moment encapsulating the breakdown in their relationship occurs when Gavin asks Thea if she has always faked her orgasms, to which she replies, “No. Not always. Just since the girls were born […] How the hell did it take you this long to notice?” (51). Thea admits she is “sick of lying […] sick of wearing a fake smile. Sick of pretending things were fine” (51), yet she never communicated her struggles to Gavin and expected him to notice without being told. By the time the conversation occurs, Thea is already resentful, and Gavin’s pride is wounded, making productive communication impossible without a significant shift on both sides. While Gavin undoubtedly takes Thea—who supports his dreams while largely putting her own aside—for granted, her unrealistic expectation that he will instinctively understand her feelings further contributes to their communication failure, again highlighting The Importance of Communication.
If Gavin’s stutter symbolizes his struggle with communication, the wall separating the living and dining rooms represents Thea’s. Thea despises the wall in their house; however, she has only ever masked her dissatisfaction, decorating it to make it bearable: “She’d tried to make it work, the wall. She’d hung family photos in quirky patterns […] All with the idea that someday she’d fix it” (11). This “make it work” approach mirrors her approach to marriage, where Thea pretends everything is fine instead of addressing the underlying issues until a point of implosion. When she finally begins tearing the wall down, Gavin’s reaction is more of surprise than dismay. His simple statement—“Maybe we should talk about it before you—” is met with Thea’s response, “Maybe we should have talked about a lot of things” (17). The wall becomes a metaphor for their relationship: Gavin ignores the problems while Thea covers them up, and when conflict arises, Thea wants to destroy the problem while Gavin hesitates, preferring to talk it through. Additionally, Thea’s sister, Liv, takes Gavin’s prized baseball bat to the wall, and Thea stops her because of the bat’s importance to Gavin. However, when Gavin abruptly enters and speaks, Thea takes the bat and strikes the wall with it herself, suggesting that Gavin’s approach to communication has grown so intolerable to her that she would rather end their marriage than proceed as usual.
Gavin’s communication difficulties extend to his friendships as well. He is too embarrassed to tell Del the real reason for his breakup with Thea, illustrating his reluctance to open up. This reluctance is partly due to toxic masculinity—or traditional expectations of masculinity that cause harm and apply unsustainable pressure—which the Bromance Book Club actively seeks to challenge as they examine Gendered Stereotypes and Norms. Gavin’s journey toward breaking down his traditional approach to masculinity begins with romance novels from the book club. Initially, he thinks his friends are mocking him by suggesting a book could help him repair his marriage. He dismisses the idea that reading a romance novel, which he views as a genre designed for women, could have any impact. However, he begrudgingly agrees to try it, though he does not take the reading seriously in this section of the novel.
Mack pushes Gavin’s boundaries further when he offers him a pumpkin spice latte, challenging another aspect of gendered norms. Even Del admits to liking the drink but is too embarrassed to order it himself. Mack comments, “The backlash against the PSL is a perfect example of how toxic masculinity permeates even the most mundane things in life. If masses of women like something, our society automatically begins to mock them. Just like romance novels” (54). This conversation, followed by Mack and Del demonstrating their flirting techniques, pushes Gavin further out of his comfort zone, as he relies on avoidance when faced with problems. However, like Thea, Gavin is playing a role—one that hides his true self beneath the layers of gendered expectations he begins to dismantle through his interactions with the club.
Thea also struggles against gendered stereotypes and norms in her role as a WAG, a term used to denote the wife or girlfriend of a professional sports player. A free spirit, artist, and activist by nature, Thea never aspired to be the spouse of a professional baseball player. In fact, she loves Gavin despite his career, not because of it. However, she is thrust into the role of a WAG: “Thea had to figure it all out on her own with infant twins because Gavin was gone more than he was home. And somehow in the process, she got lost until she no longer even recognized herself” (21). In supporting Gavin, Thea subverts her own identity and dreams, sacrificing her individuality to fit into the mold expected of her as a sports spouse. This role, accompanied by societal pressure to be the perfect, supportive partner, clashes with her true nature, fueling her dissatisfaction and disconnect in the marriage and ultimately creating powerful resentment. Feeling trapped by the expectations placed on her as both a mother and the wife of a public figure, Thea suppresses her true self and hides her struggles from Gavin until she reaches a breaking point—the discovery of her pretending to orgasm. This becomes a moment of self-reclamation for Thea while pushing Gavin into shame because of his belief that a man should satisfy his wife, thus making the first dent in his view of traditional masculinity.
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