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44 pages 1 hour read

Jeanne DuPrau

The City of Ember

Fiction | Novel | YA | Published in 2003

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Chapters 9-12Chapter Summaries & Analyses

Chapter 9 Summary: “The Door in the Roped-off Tunnel”

Doon willingly goes to Lina’s apartment to see the important item. Lina is briefly embarrassed by Doon’s attention to her imagined city, but as soon as she reveals the document, Doon is riveted. He is intrigued by the timer lock on the box and so shocked by the Instructions that he barely breathes, prompting Lina to misunderstand and reassure him that the bits of paper cannot be puffed away since she glued them down. Doon is mesmerized: “He kept reading, moving a finger along the lines of words. ‘Open,’ he whispered. ‘Follow’” (125). They discuss the potential importance of the document; Doon recalls the locked door in Tunnel 351. They plan to try the door together.

The next day, Doon takes Lina down the long stairs. She is amazed and scared by the rushing river. Finding the door locked, they hear noise close by and hide. Someone gets in the locked door; when they peek, a lurching man disappears up the tunnel. Doon is irritated that someone else might have found a secret way out of Ember and will be the first to tell, though he grudgingly says “it doesn’t matter who finds it, as long as it helps the city” (130). Certain that the mysterious man knows something, they put off telling anyone their theories and decide to “wait to see if there’s an announcement” (131).

Chapter 10 Summary: “Blue Sky and Goodbye”

The next day, Lina finds Granny sick in bed. She tells Captain Fleery she cannot work that day and fetches Dr. Tower. Dr. Tower has no medicine for Granny’s fever, so Lina makes soup, sits with Granny, and calms her throughout the day. She tells Granny they found the important thing Granny sought. She keeps Poppy content, at one point allowing her to use the green colored pencil to draw while Lina uses the blue one. Lina draws her imagined city skyline and fills in a blue sky above it, noting to herself how odd a blue sky would be, though “beautiful” (136). That night, Granny calls to Lina, and Lina traverses the dark apartment to sit with Granny. Eventually Granny tells Lina to go back to sleep. In the morning, Lina finds Granny “very pale and very still, all the life gone out of her” (139).

Chapter 11 Summary: “Lizzie’s Groceries”

Lina does not go to work; instead, Mrs. Murdo tends to Poppy and Lina in her apartment: “The day had a strange but comforting feel to it, like a rest between the end of one time and the beginning of another” (141). Next morning, as Lina leaves for work, Mrs. Murdo says it makes sense for the two girls to come live with her; she has a spare room and the time to care for Poppy. Lina runs messages in a daze, thinking how alone she is now and how responsible for Poppy. She calms when she thinks of Mrs. Murdo’s help.

Late in the day, Lina comes across Lizzie leaving the Supply Depot with a grocery bag. Lizzie is distracted. She trips and her groceries fall to the ground revealing cans of peaches and applesauce—amazing rarities in Ember. She gives the peaches to Lina, thanking her for her help, and hurries off. Mrs. Murdo, Lina, and Poppy eat the peaches that night, but Lina does not believe Lizzie’s lie about finding them at the store. She finds Lizzie the next day to demand the truth. Lizzie claims that her boyfriend, Looper Windly, finds treasures in back storerooms presumed empty. Lina recalls that Looper sent a message to Mayor Cole about a delivery on her first morning of work.

Lina thinks their greed is wrong, but Lizzie rationalizes that too many would fight over the food if others knew it existed. She suggests Lina go in on the finds, even offering a bite of pineapple: “I’ll ask Looper to find some good stuff for you, too” (151). Lina is tempted, but also incensed that Lizzie and Looper “finished off all” of the creamed corn, asparagus, and cranberry sauce (153). Uncomfortable at the very thought of wanting things the way she initially coveted the pencils, Lina tells Lizzie she wants nothing.

Chapter 12 Summary: “A Dreadful Discovery”

A week after he and Lina tried the door in Tunnel 351, Doon tries it again and is shocked to feel a key in it. He eases his way into the room beyond. It is well lit and stocked with food, light bulbs, and supplies. He is even more shocked to find Mayor Cole himself asleep in a chair in the middle of all the plenty. He runs to find Lina, who spent the day delivering messages from fearful Emberites about staying home instead of visiting or working. Doon tells Lina what he found in the room; Lina tells Doon what she learned about Lizzie’s boyfriend Looper, and the two of them deduce that Looper uses the hatch to get rare supplies down to the locked room in the Pipeworks. They debate whom to tell and decide on the guards. Lina wants to get back to the Instructions then, but Doon doubts they mean anything. Lina also shares that Granny died, and Doon exhibits genuine sympathy. In the Gathering Hall, they tell a guard about the mayor’s crimes. The guard writes a note: “Mayor stealing. Secret room” (165). He indicates action will be taken soon, and Lina and Doon leave.

Chapters 9-12 Analysis

Several instances in this set of chapters juxtapose the temptations of status quo and passivity with the beginnings of true change. Lina and Doon step further into their roles as pioneers of progress for Ember, even though they are still unaware of their own significance.

For Lina, her exciting task of decoding the Instructions, which included her first venture to the Pipeworks and seeing the river, comes to a sudden and full stop when she realizes Granny is ill. Her responsibility is clearly and completely focused on family for the next day and night, as indicated by Dr. Tower to Granny: “Your good granddaughter will take care of you” (133). This reconnection to family duty, followed by a day spent treating her sadness at Mrs. Murdo’s, pulls Lina away from her own motivation to solve the puzzle of the document. When Mrs. Murdo sets Lina up in a fine room with pretty colors and provides other basic needs, Lina retreats even more. She focuses on setting up the new bedroom, and she is grateful for the care and company: “I am not yet ready to be alone in the world” (144). Her feelings are underscored when she returns to work to see via messages she carries that all of Ember wants to stay safe from the worsening blackouts: “The citizens of Ember were hunkering down, burrowing in” (157). For all characters, the status quo is safer than alternatives, and laying low passively while waiting for the situation to improve is the only way forward. DuPrau portrays this passivity as the antithesis of progress or improvement, since the reader knows that the citizens of Ember were always intended to move on, not wait to be rescued.

Several realizations jar Lina out of this thinking and put her back on the quest for truth, change, and safety. Much as she wants to enjoy the peaches from Lizzie, the taste of them is spoiled by the knowledge that Lizzie is lying. Lina takes a brave step in seeking Lizzie out and forcing honesty from her. Though tempted briefly, Lina rejects the offered treasures from Looper and eagerly shares the truth when Doon finds her about the mayor’s storage room. In juxtaposition to Lizzie, whom Lina now sees is more concerned about short-term pleasures than Ember’s long-term health, Doon is eager for justice and change. He also sincerely empathizes when she shares news of Granny’s death, unlike Lizzie, who brushed it off in a moment of self-distraction: “Doon—thin, dark-eyed Doon with his troublesome temper and his terrible brown jacket and his good heart—was the person that [Lizzie] knew better than anyone now. He was her best friend” (163).

Now more firmly connected and committed to doing right for Ember, Lina and Doon make the strongest move they can think of: going to the mayor’s guards for justice against the mayor. This decision demonstrates their innocence and reminds the reader that not only are Doon and Lina quite young and naïve, but they are also products of a society that turns away from progress and change.

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