53 pages • 1 hour read
Sara CollinsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The source material for this guide discusses scientific racism and eugenics, slavery, violence against women and sex workers, child death, miscarriage, lynching, drug addiction, public execution, torture, and suicide. It also uses racist language in the context of the experience of enslaved people.
Frannie Langton, a young enslaved Black woman, is brought to court at the Old Bailey in London. She is on trial for the murder of George and Marguerite Benham. Frannie had been a servant in the Benham household. Her association with the Benhams began as non-consensual. The crowd watches her eagerly, enticed by the salacious and bloody nature of the crime she has been accused of. Frannie finds the attention distasteful, knowing that all the information published about her has been twisted.
In the prosecutor’s opening statement as he accuses Frannie of the crime, he lays a foundation for his case by saying witnesses heard her threaten the Benhams the night they died, and that she has provided no suitable defense. Frannie sees the evidence laid out against her, which consists of a variety of items from the night of the murder. She is disturbed by the inclusion of an underdeveloped baby in a jar.
Frannie remembers sitting on the bed with Mrs. Benham, while Mrs. Benham read her a poem, the two women debating the merits of Shelley versus Byron. The day before the trial begins, she thinks back to telling her lawyer, Mr. John Pettigrew, about that story, and how he said love isn’t a defense against murder charges. Frannie says that despite that, her story is one of love, not murder, and determines to write it down.
The story, in the main, is told through Frannie’s writing while imprisoned. She tells about her childhood on Paradise Plantation in Jamaica. Frannie’s narrative shows that she is enslaved by a man named Langton. At its beginning, four-year-old Frannie is brought to live and work in the house. She writes of her meeting with Langton’s wife, Miss-bella, who is reluctant to have Frannie in the house. It is implied that Frannie is the child of Langton and one of the women enslaved by him, though at this point in the narrative, young Frannie is unaware of the nature of her connection to Langton. Miss-bella gives Frannie a corn cake and milk, and she admits she must be a kind of mother to her now, despite the fact that Frannie’s presence goes against her own desires.
Continuing her written account, Frannie remembers Phibbah, one of the other enslaved women at the Langtons’, who looks after her. Phibbah tells her about the way the house works, and how Langton only built it in order to get a wife. Frannie describes how she and Phibbah attend to Miss-bella, and how Miss-bella has to be looked after “like a rose” (22). Phibbah frequently sasses or talks back to Miss-bella, but she isn’t punished for it even though she is punished for other things because Miss-bella is entertained by her back talk.
Frannie remembers an incident where she unconsciously reaches for a book that Miss-bella is reading, accidentally sending it into a tub of water. Her punishment is to sit in the sun with the book, wiping the pages until it is dry. As she tries to dry the book, Miss-bella comes to check on her and offers to teach Frannie to read. Phibbah is horrified. She says Frannie should be whipped for ruining the book, and Frannie is extremely hurt that Phibbah is the person whose words lead to her first whipping. Afterward, Phibbah tells her that a bored white woman is the most dangerous thing in the world, and that Frannie shouldn’t risk learning to read. Phibbah is right to be concerned, as reading among the enslaved people on Paradise Plantation is forbidden by Langton.
Frannie reflects on what she has written, despairing that so much of it is about Miss-bella. She thinks of how terrible it is that she felt love for the Langtons, not just hate.
Frannie writes of the history of the plantation as Phibbah told it to her, how Langton left to be educated in England and only reluctantly returned to run the plantation after his mother died.
Miss-bella teaches Frannie how to read. Frannie believes that it was both the best and worst thing to happen to her. After learning to read, Frannie steals moments alone with books from the Langton library. She is eventually caught by Langton with the book Candide. He forces her to read a page to him and then forces her to eat the pages of the book until she throws up.
Frannie writes about Phibbah’s skill as a doctor, and how she cares for the inhabitants of the plantation. An apothecary, Mr. Thomson, comes to visit and speak to Phibbah one day, leading Langton to dismiss the idea that any Black person could be learned in botany or medicine. Still, he tells Phibbah to answer Mr. Thomson’s questions as Langton wants to capitalize on the connections to English publishers that Thomson has. Frannie remembers years later finding the book that Thomson had published in a shop in London, and how he simply copied everything that Phibbah told him. She went back to the shop and wrote Phibbah’s name on every page.
Despite Phibbah’s skill, Miss-bella grows ill. A white surgeon comes and prescribes mercury, which Phibbah doesn’t think will help. Miss-bella’s condition worsens, and she loses a tooth. Langton accuses Phibbah of poisoning Miss-bella, and asks Frannie if she has ever seen Phibbah add anything extra into the food. Frannie, thinking she has to tell the truth, says she’s seen Phibbah add seasoning. Frannie stops her account briefly, saying she was suddenly unable to write, but that she wants to tell a truthful account and therefore must include her own sins. She writes that Langton found the herbs that Phibbah used to make medicines and had her hanged for poisoning Miss-bella.
Frannie states her distaste for having her story told in the anti-slavery pamphlets that white abolitionists in London publish, as they always focus entirely on the suffering of Black people. She thinks of Phibbah, of how her story might be written, and of the guilt she still feels. Frannie says she writes her own story, addressed to her lawyer, in the hopes of it being published. Going back to her life at Paradise, Frannie writes of Miss-bella recovering once she stops taking the surgeon’s mercury and of her losing interest in Frannie.
One night, the surgeon comes for dinner, after which he and Langton take Frannie into a room they say is for experiments to prove their hypotheses concerning phrenology. They have Frannie act as their assistant and subject, measuring her skull. After the surgeon dies, Langton begins to lose muscle control in his hands. Unable to write, he has Frannie become his scribe.
When Frannie is around 14 or 15, she realizes Langton is watching her with interest. Aware of how likely it is that he will assault her, she remembers almost wanting him to just get it over with. One night, drunk on rum, he summons her over. She remembers his surprise at how low he would stoop, but that he did not go through with it.
One night when Frannie is 18, a fire breaks out in the cane fields. Langton approaches Frannie for comfort, holding her hand while he discusses the loss of the fields. Everyone else watches them. In the aftermath of the fire, Miss-bella’s brother, who holds Langton’s debts, forces him to leave Paradise in his hands. Langton flees to England, bringing Frannie with him.
The story is told through the framing device of Frannie writing to her defense attorney, Pettigrew. This sets up the structure of the book, tracing Frannie’s life in her own words, which ultimately tells the story of why she is on trial, and examines the nature of her guilt with regard to the alleged crimes. She specifically wants to subvert the murder narrative in her work, saying “this is a story of love, not just murder” (13).
Her descriptions of life at Paradise further push the themes of narratives and The Nature of Truth. Frannie asserts repeatedly that she is trying to write a true story, but that truth is more complicated than there simply being one objectively correct version of a story. Though the full extent of the experiments that Langton conducted is not exposed in these chapters, their effect on Frannie’s memory is. She struggles to talk about them, avoids explicitly describing them, and indicates through her avoidance that the reality of them too much to bear.
Her discussion of the charges brought against her also shows this awareness of the duality of truth, as she writes “for every crime there are two stories, and that an Old Bailey trial is the story of the crime, not the story of the prisoner” (14). Frannie knows that the truth of stories is not only determined by what actually happened, but by what is told of after the fact. She does not, however, seem to realize that her truth is perhaps most profound in what she chooses to conceal.
This concern extends to Visibility and Personal Narratives within stories. Frannie’s determination to write her own story is motivated, at least in part, by a desire to have it written down in her own words, to have the version of herself she knows make it to print rather than the sensationalized newspaper version written to excite and scare white Londoners. Her desire to make sure her story is about love, not just murder, is the visibility she most desperately craves. She writes “this is a story only I can tell” (14), putting forward the importance of her own point of view, one that has been left out up to this point despite her notoriety.
The concern over visibility continues in her descriptions of life at Paradise, with her worrying that despite the fact that she wanted to write her own story, she has spent many words discussing Miss-bella. The need for visibility drives Frannie to continue her narrative, despite running into scenes she finds difficult. This is shown in her reaction to discovering the book in London written by a botanist who printed verbatim Phibbah’s knowledge of plants and did not acknowledge her. She writes Phibbah’s name on every page of the book, which illustrates Frannie’s understanding of how Black names and knowledge have been erased and illuminates her desire for justice and recognition.
This section also explores Frannie’s love of literature and knowledge. Being able to read comes to represent many things to her. It satisfies her curiosity and intelligence, strokes her pride in feeling like she can rise above her position, and offers her an escape through the stories novels tell. Still, her knowledge of books is not a consistently positive experience. It drives a wedge between her and Phibbah and leads to Langton’s further abuse and humiliation of her when he forces her to eat pages from Candide. Literacy increases the gulf between Frannie and the other enslaved people at Paradise, who already see her as not one of them due both to her parentage and to her placement in the house. It is also what inspires Langton see her as useful to aid in his experiments.
These experiments exemplify the theme of Terrible Things Done in the Name of Science. The experiments themselves, though they have not yet been revealed in depth, are at the very least upsetting. Frannie is obviously distressed by them, to the point that she self-censures and jeopardizes her role as narrator of her own story. She is torn between enjoying intellectual work and being upset by Langton’s disdain for Black lives. Langton himself is protected by a lack of oversight; his status as a white Englishman in a colonial state allows him to avoid facing consequences for his actions. His “scientific” work is in fact designed to prove and ensure his protected status, with the ultimate goal being to prove white men’s racial superiority. There is no room for anyone outside of his set to question him, his power over the others on Paradise absolute in the eyes of the law. Even when he is ousted, it is only because of a disaster that forces him to concede to a different white Englishman, Miss-bella’s brother.