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In his Introduction to The Drowned and the Saved, Paul Bailey begins by maintaining Primo Levi’s “deeply held conviction” (ix) that the survivors of the Holocaust are not “in full possession of the terrible truth” (ix). The true witnesses are the drowned of the book’s title: “the drowned, the submerged, the annihilated” (ix). Levi, like the others who were the saved, “speak in their stead, by proxy” (x).
Bailey asserts that the book “dispels the myth that Levi forgave the Germans for what they did to his people” (x). Levi is not able to forgive, but neither does he give in to the easy emotion of hatred; rather, he is “dismayed by the lack of reasonableness in his fellow human beings” (x). Bailey employs quotes from one of Levi’s other books, If This Is A Man, to reinforce this point, and he also mentions Levi’s correspondence with German readers during which Levi “received penitent letters from the innocent, not the guilty” (xi).
Bailey mentions other important points that Levi makes in The Drowned and the Saved, including the fact that “[t]here were no ‘beautiful words’ in the Lagers” (xiii). Instead, each Lager (the German military term for camp), “had its own peculiar jargon […] not the German of Heine and Goethe” (xiv). According to Bailey, Levi’s musings on language lead him to consider the experience of Austrian philosopher Hans Mayer, later known as Jean Améry, who committed suicide after his time at Auschwitz. Levi understands what drove Améry to his despair because it is likely that “intellectuals suffered more in the Lagers than their less gifted fellow prisoners” (xv). Though Levi does not feel that he himself was an intellectual during his time in the Lager, Bailey explains that Levi’s “curiosity was one of the contributing factors to his surviving” (xv) the Holocaust.
Bailey discusses Levi’s death, widely considered to be self-inflicted, and the shame and the sense of mourning that characterize much of Levi’s writing about the Holocaust. Though Levi was not responsible for anyone’s death personally, Bailey explains that “he couldn’t prevent himself from thinking that the best had perished in the gas chambers, and that the worst had survived” (xvi). These thoughts have led others to believe that Levi planned his own death, a supposition with which Bailey disagrees, asserting instead that “[w]hat is abundantly clear is that Primo Levi, in everything he wrote—including this, his darkest work—was on the side of life” (xvii). In The Drowned and the Saved, Levi “offers us a salutary reminder of the importance of truthfulness” (xix), evidence of Bailey’s belief that Levi’s writing “has a hard-earned wisdom” (xx) that teaches readers how to be human.
Levi begins the Preface to this collection of essays with a date: 1942, the year during which news began to emerge of “the Nazi annihilation camps” (1). Reports of widespread cruelty and death spread amongst the public, only to be resisted and rejected, just as the Nazis had hoped. Levi describes the bad dreams that plagued many survivors of the Lagers while they were still imprisoned; in these dreams, they had gone home, and while trying to describe how they had suffered, they “were not believed, indeed were not even listened to” (2). Though much evidence of the concentration camps was destroyed intentionally, enough of the ruins still exist to ensure that “testimony survived” (3); the burning of archives means, however, “that even today there is discussion as to whether the victims were four, six, or eight million” (3).
When the German armies appeared to be winning, the temporary solution of “piling up the bodies, hundreds of thousands of bodies, in huge common graves” (4) seemed workable, Levi explains, but “after Stalingrad, there were second thoughts: best to erase everything immediately” (4). At this stage, the SS began to take “the greatest care to ensure that no witness would survive” (4), and these processes included the protection of secrets even amongst the Nazis themselves. To Levi, “the failure to divulge the truth about the Lagers represents one of the major collective crimes of the German people, and the most obvious demonstration of the cowardice to which Hitlerian terror had reduced them” (6). Though “[w]illed ignorance and fear” (7) likely explains the silence of “many potential ‘civilian’ witnesses” (7), Levi does not pardon the “[s]mall and large industrial companies, agricultural combines, agencies and arms factories [that] drew profits from the practically free labor supplied by the camps” (7).
Levi warns readers of the risks of relying on the perspectives and memories of the survivors when trying to reconstruct this missing history. He explains that “the prisoners could barely acquire an overall vision of their universe” (8) while existing in the inhumane conditions of the Lagers, nor could they comprehend their location or the changes in their conditions. Those “‘normal’ prisoners” (9) who escaped death were “overwhelmed by an enormous edifice of violence and menace” (9) and “paralyzed by suffering and incomprehension” (9). The most reliable historians are ones who had “a privileged observatory without bowing to compromises” (10), and these so-called privileged ones were often the political prisoners, not the Jews and not the criminals.
Levi points out that as time passes, “one [has] begun to understand that the Nazi slaughter was dreadfully ‘exemplary’” (11), but history will suffer from the stylization of memories. As such, “[t]his book means to contribute to the clarification of some aspects of the Lager phenomenon which still appear obscure” (13). Though other tragedies like Hiroshima, Nagasaki, “the shame of the Gulags” (14), the Vietnam War, the genocide in Cambodia and “the desaparecidos of Argentina” (14) have all been acknowledged as atrocious, Levi asserts that the Nazi concentration camp was unique in its “combination of technological ingenuity, fanaticism, and cruelty” (14). Levi feels that his task is to clarify details of the phenomenon; after all, society has tried to explain away “the death of at least sixty million Indios” at the hands of Spanish conquistadores in the 16th century “by declaring that they were ‘things of another time’” (14) and he fears society will do the same when speaking of the Holocaust.
Both Paul Bailey’s introductory words and Primo Levi’s preface to The Drowned and the Saved establish for the reader the goals of the book and the style with which Levi pursues the accomplishment of his literary goals.
Levi’s objectives in writing The Drowned and the Saved are somehow simultaneously complex and simple. As Bailey points out, Levi has no interest in expressing a sense of forgiveness towards the German people for what happened; this application of looking backwards towards the past holds little appeal for Levi. Instead, Levi’s reflections function as a warning and an analysis of the inner workings of humans who have lived in extreme circumstances.
By mentioning other atrocities like the Cambodian genocide and the Vietnam War alongside his discussion of the Holocaust, Levi is warning his readers not to believe that the mass murder that took place during World War II was anything anomalous. Rather, it was simply the outcome of a set of phenomena that can exist again at any time in the future. Dismissing the Holocaust as a “thing of another time” (14) is dangerous because the time is not past; the time is now.
By Primo Levi
Essays & Speeches
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Inspiring Biographies
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International Holocaust Remembrance Day
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Italian Studies
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Memoir
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Memorial Day Reads
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Military Reads
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Philosophy, Logic, & Ethics
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World War II
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