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58 pages 1 hour read

Audrey Blake

The Girl in His Shadow

Fiction | Novel | Adult | Published in 2021

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Chapters 29-35Chapter Summaries & Analyses

Chapter 29 Summary

Content Warning: This section of the guide contains descriptions of rape, attempted suicide, and abortion.

Croft vows that he will never forgive Harry for betraying them, and Mrs. Phipps, who was at the meeting, is horrified that Nora told everyone the truth. Nora considers Harry’s betrayal and suggests that Vickery may have blackmailed him. When Harry arrives, Daniel turns him away.

Nora believes that Harry deserves a chance to explain, so she goes to their usual spot in the park to look for him. He is waiting for her and confesses that Vickery offered him money to tell the truth. Harry turned it down several times, but Vickery discovered that Harry was at the hospital, attending to a shipmate’s daughter, a girl of 17 who was raped and impregnated and tried to take her own life as a result. The man begged for Harry’s help, and Harry “relieved her of the baby” (300), justifying his decision with the knowledge that she would attempt suicide again if he did not. Vickery examined the girl and suspected what Harry had done. This happened on the same night as Prescott’s surgery, so Vickery knew that Harry could not have assisted Daniel. Harry eventually agreed to tell the truth if Vickery would sign his name to the girl’s chart so that Vickery would not be able to accuse Harry of aborting her baby in the future. Vickery signed the chart, and Harry promised only to tell the truth—not to discredit Daniel, as Vickery hoped, but only to say that he was not present for the operation. Nora realizes that returning to St. Bart’s will be hard for Harry now, and she suggests that he leave London to set up a practice elsewhere. Harry admits that he imagined quite a different life for himself and even thought that Nora might become his wife. Harry apologizes, and she sympathizes with the terrible choice he faced. He asks her to explain his actions to Daniel, and she agrees. When she returns home, Nora senses that Daniel suspects her of meeting Harry.

Chapter 30 Summary

The next morning, the newspapers are missing from the breakfast table, and there are “gawkers” at the gate. Croft and Daniel decide that Nora should avoid the clinic today. In the afternoon, Nora sees no one outside and decides to take a walk, but as soon as she emerges, reporters rush toward her, and she retreats indoors. Croft gets a letter from the Royal College of Surgeons, fining him and ordering him to stop letting “unlicensed amateurs” practice in his surgery. When Nora goes to bed, Croft asks Daniel what they should “do” with Nora now. Croft knows that she could become a social pariah, or she could even be sued, tried, and sent to prison. Croft asks Daniel if he wants to marry Nora, and Daniel confesses that they have not discussed it; he is not even sure if they are well suited. Croft advises him to decide soon, and Daniel points out that he can only decide for himself, not for Nora.

Chapter 31 Summary

Mrs. Phipps tells Nora that Daniel is hiding the newspapers so Nora will not see the letters to editors that question her morality. Croft wants Nora and Mrs. Phipps to go to the country while things die down in London, but Nora knows that she would be bored. Nora walks around in a fog for days, and Daniel finally asks if she has talked to Harry. She admits she has and shares what Harry told her. Daniel tells her that he didn’t realize how similar they were until he saw her speaking at the meeting, that she truly is a surgeon, and she couldn’t allow her work to be discredited by a fool like Vickery. She adds that she couldn’t bear to see Vickery belittle and berate Daniel. Daniel confesses his now-allayed fear that she still had feelings for Harry, but it is clear now that she cares for Daniel. They kiss.

For several days, Daniel is busy with the clinic and with trying to redeem himself at the hospital; Croft is cranky and disagreeable. Nora feels isolated, so she goes to the market for some herbs. Her usual seller, Mrs. Peeke, frowns and says that she doesn’t like selling to someone from a “house of disrepute” (318). Nora adopts a dignified manner and leaves without purchasing. She rushes home, alarming Mrs. Phipps, who tells Nora that she will not allow Nora to remain a prisoner in the house any longer and announces the household’s intention of sending Nora to Suffolk to stay with Mrs. Phipps’s sister. The housekeeper will remain in London to care for Croft and Daniel, and she tells Nora that both men agree that this is best. Nora is upset that they have arranged everything without asking her.

Chapter 31 Summary

Mrs. Phipps tells Nora that Daniel is hiding the newspapers so Nora will not see the letters to editors that question her morality. Croft wants Nora and Mrs. Phipps to go to the country while things die down in London, but Nora knows that she would be bored. Nora walks around in a fog for days, and Daniel finally asks if she has talked to Harry. She admits she has and shares what Harry told her. Daniel tells her that he didn’t realize how similar they were until he saw her speaking at the meeting, that she truly is a surgeon, and she couldn’t allow her work to be discredited by a fool like Vickery. She adds that she couldn’t bear to see Vickery belittle and berate Daniel. Daniel confesses his now-allayed fear that she still had feelings for Harry, but it is clear now that she cares for Daniel. They kiss.

For several days, Daniel is busy with the clinic and with trying to redeem himself at the hospital; Croft is cranky and disagreeable. Nora feels isolated, so she goes to the market for some herbs. Her usual seller, Mrs. Peeke, frowns and says that she doesn’t like selling to someone from a “house of disrepute” (318). Nora adopts a dignified manner and leaves without purchasing. She rushes home, alarming Mrs. Phipps, who tells Nora that she will not allow Nora to remain a prisoner in the house any longer and announces the household’s intention of sending Nora to Suffolk to stay with Mrs. Phipps’s sister. The housekeeper will remain in London to care for Croft and Daniel, and she tells Nora that both men agree that this is best. Nora is upset that they have arranged everything without asking her.

Chapter 32 Summary

Nora hears Mrs. Phipps arguing with someone at the door. The man asks to see Nora, and Nora recognizes him as the man who tried to get her attention after the meeting with Vickery. He introduces himself as Salvio Perra, a professor of anatomy at Bologna University, and he congratulates her on the remarkable surgery. Nora is suspicious, but Perra seems perfectly genuine. Nora and Perra discuss Anna Manzolini, a brilliant female anatomist who taught Perra’s grandfather. He sympathizes with Nora over her public condemnation and tells her that Manzolini was admitted to England’s Royal Medical and Chirurgical Society. Perra asks what Nora plans to do now, and Mrs. Phipps claims that Nora will go on holiday. Nora admits that she should leave London, so Perra invites her to come to Bologna to study medicine and share her own knowledge. The professor would be delighted to take her with him as one of his students. Nora asks Perra to tell her about Bologna.

Daniel tells Croft that Nora will be bored in Suffolk, but Croft thinks a rest will do her good. When they get home, Mrs. Phipps tells them that Perra and Nora have been talking for three hours. Croft invites Perra for dinner, and Nora tells them about Perra’s offer. He says that she is “denied all real opportunity here” (331). Daniel tries not to notice Nora’s eagerness.

Chapter 33 Summary

Nora knows that it will be difficult to muddle through with limited Italian, but she imagines the joys of studying with other women. Nora consults Daniel, and he says there is “no choice” but for her to go to Suffolk. Nora disagrees, asserting that she has the choice to go to Italy. Daniel worries that she would have no protection from men who might take advantage of her. Tensions rise. Daniel is angry to realize that he has no say in the matter, and Nora reminds him that she has had no choice in many things. Daniel asks if she would stay and marry him and kisses her tenderly. Nora wants this life, but she also wants to go to Bologna. Daniel suggests that they marry now, and both go to Italy, but Nora worries about Croft’s ability to manage the clinic alone. She tells Daniel that he must stay, and she must go, and if he still loves her, he can propose again later. Nora goes to speak with Croft, and a patient rings the bell. Daniel admits a little boy and girl, and treats the girl for an itchy rash. He asks her what she will do when she grows up, and she says she will work at the mill. When the children leave, Daniel realizes that a life where Nora keeps his house and does his laundry is as sad as the young girl’s prospects.

Chapter 34 Summary

When Nora tells Croft that she has decided to go to Bologna, he laughs at her determination to go alone. He says that he cannot manage the clinic without her, and Nora asks if she is a prisoner. She declares she will never forgive him if he denies her this opportunity, contending that if she were a man, he would let her go. He leaves for St. Bart’s.

Daniel is worried and tells Croft that although he wants Nora to stay, he wants her happiness more. The next day, Croft admits to Nora that he wants her to be happy, but when he asks about Daniel, she accuses him of telling Daniel to propose. Croft doesn’t understand why Nora insists on going to Bologna instead of marrying Daniel, and she informs him that his lack of comprehension reflects the fact that he has never been denied an opportunity because of his sex. When Daniel and Croft speak again, Daniel suggests Mrs. Phipps go with Nora, and she agrees. Later, at dinner, Perra joins them, and Croft tells Nora that she can go to Italy.

A few days later, the group walks toward the women’s ship. Nora kisses Croft affectionately. Daniel says he expects no promises from her, that she should follow her heart, and when she begins to say something similar, he kisses her. After she and Mrs. Phipps depart, Croft says that the only thing he and Daniel can do now is work.

Chapter 35 Summary

Nora watches until she can no longer see the city. When her hair blows loose, she tucks it behind her ear and feels the wind at her back. She is hopeful for the future.

Chapters 29-35 Analysis

Croft’s and Daniel’s attempts to make decisions for Nora and her resulting anger highlight Women’s Lack of Agency in the Victorian Era. One thing that women are routinely denied in mid-19th century England is the right to choose for themselves, and most are forced to cede this power to the various men in their lives. For example, Croft casually mentions that no one can institutionalize Nora without his permission, and he purposely waits until she leaves the room to ask Daniel, “What do we do with her now?” (307). This sequence of events draws attention to his failure to ask Nora what she wants to do, though it is her life that he and Daniel so cavalierly discuss. In this moment, it simply doesn’t occur to Croft to consult Nora because he is so accustomed to having the right to choose for her, as her guardian and as a man.

When Croft and Daniel decide that Nora should leave town, her irritation is clear. “They arranged it without asking me? How considerate to spare me the trouble of deciding” (320), she says, her voice dripping with sarcasm. Likewise, when she confronts Daniel about the plan to send her away to the country, he says, “We have no choice” (336). Implicit in his wording is the underlying truth that the “we” he refers to covers himself and Croft, but not Nora, and what he really means is that they had no choice but to adhere to The Arbitrary Nature of Social Conventions—conventions that typically benefit him far more than Nora. Ironically, despite this callous disregard for Nora’s own agency and strength of will, he later has the gall to complain about his own lack of control over her decisions, saying, “I thought we had a future together. I’m to have no say? No choice in the matter?” (339). He is especially upset because he is not used to feeling powerless; as an affluent white man in Victorian London, Daniel, like Croft, has been denied very little, if anything, in his life, while Nora has a long list of decisions that have been made for her. As her quick retort emphasizes:

Choice? […] You and Dr. Croft and Mrs. Phipps gave me no choice about Suffolk. Harry gave me no say when he exposed me. The Royal College gave me no choice when they barred me and wrote instead to Dr. Croft! How dare you complain to me about a lack of choices (339).

Despite the recent public debacle, Daniel can still choose to work under Croft or open his own practice, while Croft can pursue whatever interests he desires, but Nora has been compelled to keep her work and interests secret and is now banned from polite society altogether for the crime of surpassing men’s ability in a male-dominated field. By society’s standards, Nora’s unconventional choices are a liability, and society views her independence and intellect as dangers to the status quo. Now, faced with the prospect of studying medicine in Bologna, she has an opportunity to choose something different for herself, and when asked to choose either marriage or education, she asks, hopefully, “Can I have both?” (340). Thus, Women’s Lack of Agency in the Victorian Era permeates Nora’s world, but she will have a great deal more freedom to make her own choices in Italy.

Blake’s choice of title, The Girl in His Shadow, contains an ambiguity that also hints at this theme. The “girl” in the title must be Nora, but the identity of the man in whose shadow she stands remains unclear and could suggest Daniel, Croft, or both. At the same time, the title also suggests, that a woman in this setting is always in a man’s shadow, for society deliberately limits her opportunities. When people learn of Nora’s unconventional choices, even her usual herb vendor insults her and refuses to sell to her. Historically, for most Victorian women of Nora’s class, marriage is more of an expectation than an option, and as is demonstrated by Croft’s presumptuousness, such women move from their fathers’ (or guardians’) shadows to their husbands’, and any opportunities they might have are at the discretion of these men, just as Croft ultimately allows Nora to have a say in the course of her own pursuits. Because social and sexual standards in London prevent women from exercising their agency outside the home or beyond the reach of the men whose shadows they inhabit, Nora finds it incredibly compelling when Perra tells her, “[t]here’s no need to martyr yourself on the altar of English convention. I understand why you’re determined to quit London, but why not travel to Bologna?” (325). There, Nora can leave Croft’s shadow without having to move immediately into Daniel’s, escaping The Arbitrary Nature of Social Conventions in England and availing herself of the freedom of choice afforded her in Italy.

In the end, the fulfillment—or the promise of fulfillment—of Nora’s request to marry for love and to study medicine is the most empowering possible ending. She is not bent by Croft’s selfish desire to keep her with him, nor is her ambition curbed by Daniel’s hope that she will marry him. Instead, Nora demonstrates her bravery and iron will by insisting on making her own choice and pursuing an independent path. Likewise, Daniel’s kernel of unconventionality develops into a profound understanding of Nora’s frustration over enduring the limiting factors of society’s pressures and men’s desires. His assurance that he “leave[s] [her] utterly to [her] heart’s desires” (361) implicitly conveys his acceptance that her feelings could change and demonstrates how much he has grown. By cutting her off with a kiss before she can make him the same assurances, Daniel shows that he has no intention of rethinking his feelings for her. He both acknowledges her freedom to choose someone else and suggests that he desires no such freedom for himself. On the ship, Nora “brac[es] against the currents of air and the sway of the ship. The wind [is] at her back, and the way to look [is] forward” (365). The waves that rock the ship symbolize the challenges that Nora will face, but the wind at her back promises a happier and more enlightened future.

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