102 pages • 3 hours read
Lois LowryA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Children ages 8 to 11 are required to complete a specified number of volunteer hours, and they may choose where to volunteer. If they do not fulfill this requirement, they do not receive a job assignment when they turn 12. If a child finds himself in this situation, it “cloud[s] his entire future” (28). When they do eventually complete enough hours, they receive the assignment in private, without a ceremony. Jonas considers the choice of where to volunteer as a freedom, “a wonderful luxury,” since “other hours of the day [are] so carefully regulated” (26). He has volunteered at many different places, and he is glad he has experienced the differences among various types of work. Volunteering also helps the children build skills and discover their occupational interests and aptitudes. Jonas knows some children have an outstanding aptitude for certain types of work. However, even children who have accomplished great things in their volunteer work can’t talk about it very openly, for there is “never any comfortable way to mention or discuss one’s successes without breaking the rule against bragging, even if one didn’t mean to” (27).
Jonas meets his friend Fiona at the House of the Old, her favorite place to volunteer. The House of the Old is described as “a serene and slow-paced place, unlike the busy centers of manufacture and distribution where the daily work of the community occurred” (28-29). He and Fiona bathe an elderly woman named Larissa. Citizens of the community are not allowed to look at other people’s "nakedness" (30). Even an accidental glimpse while changing clothes necessitates an apology. The nakedness rule does not apply to babies and the elderly, who may need assistance with activities such as dressing and bathing. Jonas notices how warm and safe the bathing room feels, and how much Larissa trusts the bathing assistants. She tells Jonas and Fiona about an old man named Roberto who was released that morning. Before his release, his life and accomplishments were described in great detail. Roberto looked happy when he was escorted through a door, into the Releasing Room. Children and the residents of the House of the Old do not get to see what happens in this room, and Larissa is unsure why. She thinks that release must be wonderful. She also mentions a woman named Edna and how the people in charge “tried to make her life sound meaningful” (31), even though she was a Birthmother who never had a family unit. Larissa then tempers her statement, stressing that all lives are meaningful.
Each morning, families perform a ritual that involves sharing their dreams from the night before. Jonas seldom dreams, but he had a vivid dream the night before. He is required to speak about it, just as he is required to talk about his feelings after dinner. Jonas doesn’t want to share his dream because he’s still trying to make sense of it.
Jonas’s mother and sister describe dreams about the terror that accompanies transgressions. When Jonas’s turn arrives, he feels embarrassed as he starts to talk. He and Fiona are back in the bathing room at the House of the Old, and he is trying to convince her to disrobe so that he can bathe her. He feels slightly angry because she doesn’t seem to take him seriously. The dream was filled with a “wanting” (36), he says, and a sense that he shouldn’t feel this way. The community calls these types of desires "Stirrings" (37), and the Speaker often spouts reminders that Stirrings must be reported for treatment. Stirrings start happening when people are about Jonas’s age, at which point they must take a daily pill to quell them. Jonas knows that Asher takes the pills, although he has never asked him about it directly: “It was the sort of thing one didn’t ask a friend about because it might have fallen into that uncomfortable category of ‘being different’” (38). Jonas is aware that the dream about Fiona brought him pleasure, but the pill will make that feeling seem distant.
Children wear uniforms that indicate their age and the degree of independence they’ve earned. For instance, Sixes wear jackets that close in back so that they have to help each other get dressed. Receiving jackets with buttons in the front is “the first sign of independence, the very first visible symbol of growing up” (40). The bicycles Nines receive symbolize that they are moving closer to adulthood and farther from the families that have raised them. In becoming an Eight, Lily receives a jacket with pockets to show that she is mature enough to keep track of small belongings.
Gabriel is not headed to the ceremonies with Jonas’s family. He is back at the Nurturing Center. The Committee of Elders has done something unusual: it has given him an additional year of nurturing before he is either named and placed with a family or released from the community. Jonas’s father went before the committee to plead on the baby’s behalf. A baby would normally be labeled "Inadequate" (42) and released if, like Gabriel, he was growing slowly and struggling to sleep through the night. Jonas and his family members had to pledge that they won’t get attached to Gabriel and will not protest when he is assigned to another family. Jonas hopes that Gabriel eventually gets to live with another family because that way he’ll still see the child from time to time. People who are released are “sent Elsewhere and never returned to the community” (43).
During the Ceremony of One, the audience gets stirred up about a newchild named Caleb. He is a replacement for a 4-year-old named Caleb who was “lost” (44)in the river. Losing a child is an extremely rare occurrence in this safe community that carefully watches over its young members. When the first Caleb was lost, there was a ceremony where the community’s citizens murmured his name throughout the day, saying it more softly and less often as the hours went by. In doing this, the boy “seemed to fade away gradually from everyone’s consciousness” (44). As the new Caleb is introduced, the community murmurs his name more loudly and frequently. A young Roberto is introduced as well, but he does not receive a murmuring ceremony. The old Roberto was released, not lost, so the young one is not considered a replacement.
The narrator notes that children’s transgressions—even small ones—reflect negatively on their parents, suggesting that the parents have provided inadequate guidance. They also disrupt “the community’s sense of order and success” (46). Asher tells Jonas a story about the ultimate transgression: escaping the community. He says there was once a boy who swam across the river, to another community, because he was so upset with the job assignment he received at the Ceremony of Twelve. He never returned, and there was no Ceremony of Release. Jonas thinks this story is false, but Asher’s mother says that someone did leave the community and never returned. People may also “apply for Elsewhere and be released” (48)if they do not fit in. Jonas wonders how someone might not fit in. There is such a high degree of order and careful decision-making in the community, especially concerning things such as the assignment of spouses. He is confident that the elders will choose the right job for him—and even for Asher.
Jonas likes the physical closeness he experiences with Larissa in the bathing room, as well as the comfort of this quiet space of caretaking. Like calling attention to differences, being physically close to another person other than a family member is discouraged in the community. However, it is allowed when taking care of infants and the elderly. Jonas can’t understand why it’s allowed for these two groups of people but not for others. He begins to see why physical closeness might be discouraged when he returns to the bathing area in a dream and wants Fiona to remove her clothes. The "Stirrings" come with a strong desire to do something that is not permitted in the community, and it feels good as well. Keeping a distance from others is one way to prevent a transgression, and taking pills to squelch Stirrings is another.
Larissa’s statement about trying to make a not-so-meaningful life sound meaningful reveals that she probably doesn’t see all community members as equal. Despite the community’s efforts to minimize differences, status still makes some people seem more valuable than others. The person with the not-so-meaningful life had a low-status job and no family unit, so Larissa looks down upon her. Even though Larissa tempers her statement, noting that all lives have meaning, she seems to do this so she won’t get in trouble, or perhaps because she feels guilty, not because she truly believes in equality.
Chapter 6 sheds light on the role of rituals in the community. When a small child drowns in the river, the community does a murmuring ritual to erase him from its collective memory. Then a replacement child with the same name is introduced in another murmuring ceremony. This practice suggests that the community sees individuals as replaceable, and perhaps as interchangeable. The ritual does not emphasize anything unique about the child or even mention that he had value. It also shows that the community will go to great lengths to minimize pain and suffering, even if it means forgetting a young life. It is the strength of these emotions that seems most bothersome to the community. Medicating Stirrings into submission is a way of dealing with a strong and pleasurable feeling, while murmuring a memory into oblivion is a way of dealing with a strong and negative feeling.
By Lois Lowry