64 pages • 2 hours read
V. E. SchwabA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In July 1724, on the 10-year anniversary of the curse, Addie walks through the streets of Paris dressed in men’s clothing. She has not seen Luc since the dinner they shared at the nobles’ house. Rather than expect his arrival, Addie will spend this anniversary by having a picnic of meat, cheese, and honey, alone at the top of Notre Dame cathedral.
A young man runs into her, causing her to drop and break the jar of honey. Though Addie is initially furious, her tone softens when she sees the man is fair and gentle. Having seen through her ruse, the man invites her to a café. As Addie tries coffee for the first time, the man introduces himself as Remy Laurent. Suddenly, Remy chokes on his coffee, his face flushed. He is startled because the famous French author Voltaire has entered the café.
When Remy says this is what he loves about Paris, he reveals that like Addie he hails from a small village in the French countryside. Unlike Addie, however, Remy is a man and therefore was not expected to marry and settle down for the good of his village. Moreover, he was afforded the privilege of education, while Addie still cannot read. Addie asks Remy if he will join her for a picnic atop Notre Dame.
After an interminable wait between Thursday and Saturday, Addie readies herself for her second date with Henry. At the bookstore, Henry introduces her to Bea, who says there is something timeless about Addie’s face. Henry takes Addie to a “speakeasy,” hidden behind a laundromat in Greenpoint, where they play pinball.
After pinball, Addie brings Henry to the Nitehawk, one of her favorite movie theaters in New York, to watch the 1959 Alfred Hitchcock classic North by Northwest. In the middle of the movie, after Henry learns that Addie has already seen it, he grows nervous and says he needs some air. Addie follows him outside and asks him what’s wrong. He responds, “Do you ever feel like you’re running out of time?” (176). Addie, of course, does not.
Back in 1724, Addie and Remy climb to the top of Notre Dame and enjoy a picnic. She insists on walking him home, and once there, they have sex. It is Addie’s first time having sex with someone who isn’t a paying customer, and the experience is far more pleasurable. Later in the night, however, she is devastated when Remy, having fallen asleep and forgotten who she is, assumes she is a sex worker and hands her three gold coins. On her way out, she steals a book by Voltaire, The Henriade, as a token of the brief affair.
After walking out of North by Northwest, Addie leads Henry to a secret nightclub in an abandoned subway tunnel. They dance for a long time until Henry, in a state of laughing euphoria, pulls Addie out into the street. It starts to rain, and Henry kisses her.
At Henry’s apartment, he and Addie have sex. Although they are not as physically compatible as Addie was with some of her other paramours, the sex is perfect because he knows her name and will remember her.
After leaving Remy’s home, Addie tearfully stalks the streets of Paris. This is when Luc makes his first appearance in years. Although she cannot hide the fact that she missed him, Addie defiantly proclaims that she has not withered without his attention. When Luc asks if she will yield this time, Addie, with her fingers on Remy’s coins, almost says yes. But instead, she snarls, “No,” delighting in the flash of anger she senses in Luc’s eyes.
The morning after her night with Henry, Addie wakes to the scent of breakfast. She can still hardly believe it when Henry greets her with a friendly “Good morning” rather than a vacant stare. Henry finds her wooden ring on the floor, and Addie frantically orders him not to touch it. When she takes the ring into her hand, it almost slips onto her finger, causing her to drop it in a panic.
After breakfast, Henry must go to work. They agree to meet again at a food truck rally in Prospect Park. When Henry leaves, Addie lingers in the apartment. In a drawer, she finds a bloodied handkerchief with an engagement ring inside.
As Addie waits for Henry to buy falafel at the food truck rally, she sees the vendor, a middle-aged woman, talk to Henry for a long time as she holds back tears. When Addie asks Henry about the encounter, he says he reminded her of her son.
After they eat, Henry realizes he is late to a dinner party at Bea’s. He invites Addie, and despite the complications she knows will come with meeting his friends, she accepts. On the way there, Addie learns more about his friends. Robbie was the first man Henry fell for, and even though Robbie dumped him long ago and they are now just friends, there is still tension between them. Bea is a lesbian who is reeling from a failed relationship with one of her graduate professors at Columbia. Finally, Addie learns about Tabitha, Henry’s ex-girlfriend who rejected his marriage proposal a few months ago.
It is July 29, 1751, the 37th year of the curse. Each day, Addie arranges a supposedly chance encounter with the famed salon holder Madame Geoffrin. With each meeting, Addie learns more about how to ingratiate herself with the woman until one day Madame Geoffrin invites her to her salon, where the Enlightenment pioneer Denis Diderot will be in attendance. There, Addie is “amazed to find a place where a woman was allowed to speak, or at least to listen” (208). She even sees an aged Remy Laurent sitting between Voltaire and the philosopher Jean-Jacques Rousseau.
Luc enters the salon, making his first appearance in six years. He tells Geoffrin that Addie is a con artist and therefore must be ejected. Addie runs out of the salon with Luc close on her heels. Outside, she feigns indifference, explaining that she could go back in right now because they won’t remember her. Luc retorts, “I think you’ll find my word won’t fade as fast as yours. They will not remember you, of course. But ideas are so much wilder than memories, so much faster to take root” (210).
At the dinner party in 2014, Bea does not remember meeting Addie, and Henry assumes she innocently forgot. Meanwhile, Addie senses intense jealousy from Robbie.
The next morning, Henry and Addie walk to the corner store. Robbie enters and does not remember Addie, as expected. Henry assumes Robbie is being facetious and cruel. He is about to hit Robbie when Addie steps in and pulls Henry out to the street. She tells him it isn’t Robbie’s fault he doesn’t remember her. When Henry presses her to explain, Addie takes a deep breath and begins her story: “My name is Addie LaRue. I was born in Villon in the year 1691...” (216).
On July 29, 1764, Addie returns to Villon for the first time since the curse began. Her parents’ cottage still stands, but her father’s workshop is abandoned and on the verge of collapse. She knocks on the door, and her elderly mother answers. Her mother asks what Addie wants, but Addie can only say, “I’m sorry,” as she turns away.
When Addie finishes telling Henry about her life in Villon, the stranger in the woods, and the deal she made, he laughs and repeat the words, “You made a deal” (220). Henry says he believes her. When asked why, he answers, “Because I made one, too” (221).
These chapters depict Addie living through one of the most exciting eras in Western history: the Age of Enlightenment in France. As she tries coffee for the first time, the pioneering novelist and philosopher Voltaire enters the café. Later, she finds herself at a salon in the presence of arguably the three most important figures of the French Enlightenment: Voltaire, Denis Diderot, and Jean-Jacques Rousseau. The mere fact that Addie gains admittance to the star-studded salon is a testament to changing attitudes toward women in 18th century Europe, at least in urban intellectual circles.
To be clear, the Enlightenment principles of liberty, tolerance, and humanism did not apply equally to men and women. Nevertheless, women like Madame Geoffrin helped open the door for other women to participate in salons and to further their social standing through intellectual discourse, something that was unheard of during the Renaissance era. Addie is grateful: “She was amazed to find a place where a woman was allowed to speak, or at least to listen, where she could move alone without judgment or condescension” (208). Within minutes, however, Luc arrives to have Addie forcibly removed from the salon, which he could have accomplished with ease even if he wasn’t a creature of darkness—being a man is enough. In a few decades, the Age of Enlightenment will serve as a springboard for the French Revolution, during which Addie will find herself in a city aflame, disguised as a man to avoid the attention of marauders.
The gender inequities of 18th-century France are further exposed when Addie meets Remy. Addie and Remy share a similar upbringing, having both been born in small French villages from which few ever escape. Both are restless and eager to escape the countryside to explore the rest of France and the rest of the world. However, while Addie was forced to marry—and would have remained in that domestic trap were it not for Luc’s curse—Remy, as a man, was afforded the opportunity to obtain formal schooling. Moreover, there was only limited pressure on him to stay in his home village and start a family.
Although Remy acknowledges the injustice of denying education to women, he also fails to grasp the full extent of his male privilege. In telling his story of escape, he says, “Small places make for small lives. And some people are fine with that. They like knowing where to put their feet. But if you only walk in other people’s steps, you cannot make your own way. You cannot leave a mark” (179). This attitude suggests that individuals who remain in small villages and lead “small lives” do so by choice. Addie, however, had no choice. Remy applauds Addie for escaping Villon, but he does not realize that she only managed to do so by virtually erasing herself from existence. Moreover, if not for the fact of her eternal life, she would have frozen to death during her first Paris winter. At least for mortal women, escape is not an option.
At the same time, Remy is an extraordinarily important character in Addie’s narrative. He is her first romantic partner, aside from her clients at the docks during her earliest days in Paris. Even more importantly, Remy is the first to suggest that Addie can leave her mark on the world, even if nobody knows it. In discussing Voltaire’s epic poem The Henriade, Remy tells Addie, “These are the words of a man—Voltaire. But they are also the hands that set the type. The ink that made it readable, the tree that made the paper. All of them matter, though credit goes only to the name on the cover” (179). Over time, Addie will learn to be content to participate in the creative process without anyone remembering her name, not unlike the anonymous printer’s apprentices without whom the ideas of the Enlightenment would never have spread.
Luc is also an inspiration for Addie’s approach toward creativity, even if he does not realize it at the time. After having Addie ejected from the salon, he tells her, “They will not remember you, of course. But ideas are so much wilder than memories, so much faster to take root” (210). He says this as if to suggest that he already incepted the salon-goers with a paranoid notion that Addie is a scoundrel—a notion that is far more powerful than any memory. It will take decades, but eventually Addie adopts a similar strategy, only instead of implanting paranoia or other toxic emotions in individuals’ minds, she implants aesthetic ideas, like the melody she plays for Toby in the book’s first chapter.
By V. E. Schwab
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