53 pages • 1 hour read
Marjan KamaliA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After she is released from prison, Homa knows the SAVAK are watching her. Her father is still imprisoned. She drops out of politics and occupies herself with taking care of Bahar. Abdol works at a garage and supports them, a kind father and loving husband. Homa focuses on survival and, in her long walks, decides she will not let her attacker take away her spirit. When Bahar starts school, Homa enrolls in a teacher’s college, earns her certificate, and is given her first teaching assignment.
Homa is nervous her first time in a classroom, but the girls treat her with respect. They ask if the class will be able to discuss what is happening in the country, and Homa feels hopeful that she can help these girls realize their dreams. Her students get her engaged again, though Homa forbids Bahar from taking part in the protests. They watch on television as the US President Jimmy Carter toasts to friendship with Iran. Protests increase throughout 1978, calling for ousting the shah and installing democracy. Homa avoids the protests, reasoning that Bahar needs her mother. One night, as they both study, Bahar persuades Homa to dance, and they share a moment of unabashed joy.
Abdol travels to his hometown of Abadan to attend a cousin’s wedding. Homa talks to him on the phone, and he says he is going to the cinema. At school, Homa hears that a cinema in Abadan burned down. Rumors say the fire was set by the Islamic extremists fighting the shah. Homa learns that Abdol died in the fire, and she and Bahar grieve. Homa imagines what it was like for Abdol, trapped in the Cinema Rex and burning to death. Rage against the shah is rampant, but Homa wonders, “If the revolution succeeds, what if what follows is worse?” (222).
On January 17, 1979, Homa, with others, celebrates the departure of the shah from the country. In February, Ayatollah Khomeini, the religious leader, returns from exile in Paris. People are calling for an Islamic Republic. Homa’s father is released from prison. A hardline government wins out in the turmoil, and to Homa, “we enter a strange new world” (224).
With the pronouncement that women must wear the veil in offices, Homa sees the beginning of women’s rights being stripped away. She joins a women’s march in protest and young men, shouting slurs, enter the crowd and start attacking the women. One calls Bahar “garbage” and raises his club to strike. Homa grabs his hair and punches him repeatedly. Women continue to protest, and some men step in to help defend them.
In November 1979, extremists take hostages at the American Embassy, sparking an international incident. People begin to leave Iran in waves. The colonel is executed when the new regime takes over, and Sousan takes her children to Los Angeles. Niloo, who is Jewish, hopes to take her family to Israel. The hijab head covering becomes mandatory, and morality police patrol the streets. Homa, thinking of herself as a phoenix rising from the ashes, realizes, “My daughter’s future depends on my fighting” (230). In September 1980, Saddam Hussein, the leader of Iraq, invades Iran and begins bombing the cities. As they shelter from the bombs, Homa reflects that she is fighting so Bahar can be free, but Bahar must leave to be safe. She decides to ask Ellie’s mother for Ellie’s address.
Homa’s battle to survive and handle the trauma of rape foreshadows the larger battle she will fight for women’s freedoms; her assault is a forerunner of the stripping of rights and autonomy that the Islamic Republic will impose under the guise of enforcing morality. Homa’s role as a survivor reflects the theme of The Protectiveness of Mothers, as her resilience becomes focused on ensuring a better life for her daughter, Bahar, and by extension, all the young women she teaches.
The lion woman becomes the symbol that bears Homa through her most fraught moments—when she is subjected to interrogation, then assault, in prison, and when she confronts the man attacking Bahar during the protest. Her enduring bravery also demonstrates her loyalty to the next generation of women, especially Bahar, thus intertwining Bonds of Friendship and Loyalty with her larger fight for justice. Homa’s journey in these chapters is to reclaim her courage, power, and voice, and being a teacher—a mentor, guide, and champion for other young women—helps restore these qualities to her. The act of teaching and nurturing younger women ties directly into the protectiveness of mothers, as Homa sees her battle not just for Bahar’s future but for all the girls she instructs and inspires.
Homa’s fierce, direct, unapologetic voice in the chapters she narrates poses a contrast to the softer, at times more lyrical language in the chapters told from Ellie’s point of view, helping to further illustrate the difference between the characters. Homa’s assertive voice also reflects her refusal to be silenced by guilt or oppression, unlike Ellie, whose guilt weighs heavily on her decisions. This contrast highlights Jealousy, Guilt, and Redemption, as Ellie’s internal struggles play out in more muted ways than Homa’s external defiance.
Through Homa, Kamali explores the repercussions of the Islamic revolution on women in Iran: the sense of tragedy and fear at the vanished opportunity for democracy, and the physical threat to their bodies from the men who will demand submission and compliance using violent means. She captures the women’s sense of fury when their voices are not heard, when they are silenced and hidden beneath the hijab. However, the author also furnishes a sense of hope, embodied in the young women Homa teaches, and in Bahar herself, that there may ultimately be some way to defeat the forces of oppression. This sense of hope is tied to Bonds of Friendship and Loyalty, as the solidarity of women like Homa and her students represents a collective resistance to injustice.
Abdol’s death, a personal grief to Homa and Bahar, also figures the losses that others are experiencing as the revolution begins and the Ayatollah’s supporters engage in terrorist tactics. The cinema is targeted as a westernized and immoral symbol, showing the religious fighters’ moral stance. Homa’s grief over Abdol’s death connects to the protectiveness of mothers, as her determination to secure a safer, freer world for Bahar is only strengthened by her loss. Western influences in Iran have been alluded to throughout, most humorously in the soft drink Canada Dry, which Ellie learns is an American product. It’s a further irony that Ellie, who was never greatly invested in having or protecting her rights, should remove to a country known for its democratic freedoms. Ellie’s detachment from these struggles contrasts with Homa’s more active fight for women’s rights, again touching on Jealousy, Guilt, and Redemption, as Ellie may feel guilt for having the freedom Homa still battles to achieve.
As the tone of the novel darkens with events in Iran, Kamali leavens the darkness with moments of tenderness or humor—for instance, in showing the formidable Homa, who stood up to her prison guards, sweating as she encounters her first classroom full of students. These moments of vulnerability highlight Homa’s continued humanity and hope, reminding readers that The Protectiveness of Mothers is not only a struggle but also a journey of love and care for the next generation. Homa’s delight when she and Bahar dance, for a moment setting aside their worries, calls back the exultant moment when Homa and Ellie, holding hands, leaped across the fire. Even in struggle, Kamali reminds the reader, there can be times of joy. This sense of joy connects to Bonds of Friendship and Loyalty, as both Homa’s relationship with Bahar and her past bond with Ellie reflect how human connection can transcend even the darkest times.
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