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The events of Part 3 take place on March 20, 1866. The first chapter of this section opens with Moody going to his claim near town to pan for gold. By this time, he has learned that Carver is spending his nights at the Crown Hotel, not at the Palace Hotel. Moody finds Sook camping on his claim. He tells Sook where to find Carver and which store he can buy a gun from. Then, Sook leaves.
Lydia Wells leaves the Wayfarer’s Fortune Hotel in the morning to go to the courthouse and learn about her claim on Crosbie Wells’s estate. After she leaves, Devlin enters the Wayfarer’s Fortune and talks to Anna alone. They discuss Lydia’s engagement to Carver, which had been announced in the paper that day, despite Lauderback having admitted to their affair publicly. Devlin shows Anna the unsigned contract of a gift of 2,000 pounds from Staines to Anna that Devlin had found in Crosbie’s cottage. Anna forges Staines’s signature on the document. Devlin asks Anna about Lydia’s gold-laden dresses. She admits she had some idea about the dresses being Lydia’s, but she says she didn’t know about the gold sewn into them until January 14. Lydia returns to the Wayfarer’s Fortune.
Shepard is at the building site of the new jail. A messenger from the gun shop appears and tells Shepard that Sook has just bought a gun. Shepard tells the messenger to tell the men in town that they should detain Sook if they see him again.
Since Staines has been missing for over two months, his mine, the Aurora, has been surrendered to the government and Quee has to get a new job. Quee goes to the company offices to look for a new position. When he leaves the offices, a group of men mistake him for Sook and begin to beat him up. Mannering interrupts and chases the men off. He reviews Quee’s indentured contract and learns that he will be working on Mannering’s claim, which is called the Dream of England.
Back at the Wayfarer’s Fortune, Lydia asks Devlin why he is there. They argue about Lydia’s control of Anna. Lydia forces Anna to tell Devlin that she had slept with Lydia’s husband, Crosbie, in Dunedin and gotten pregnant, so Lydia had sent her to Hokitika. Anna then tells Lydia that she has a contract that states she is the rightful owner of half the fortune found in Crosbie’s cottage. Devlin agrees to accompany Anna to the courthouse to assert her claim.
Lydia’s claim on Crosbie’s fortune had been approved by the court that morning and will be available to her as soon as the bank clears it. After she leaves the bank, Gascoigne, the legal clerk, receives a packet of documents approving the insurance claim on the costs of the Godspeed’s recovery. Also included is a letter from Carver, in which he states that the boat was purchased by Crosbie Wells and that he is adjudicating the claim. Lauderback arrives, angry that the insurance claim has been approved, and states that Carver signed the purchase contract for the Godspeed under a false name. Gascoigne says there is insufficient evidence of this.
Anna goes to the courthouse and shows the contract the solicitor, Fellowes, and explains that the gold in Crosbie’s cottage was Staines’s. He tells her he will look into the matter and asks her to come back later for an update.
Tauwhare finds Staines in Crosbie’s cottage. He is severely injured and feverish. Staines has a gunshot wound in his shoulder that is infected. Tauwhare tells Staines that Crosbie is dead. Staines is incoherent but says that he has buried gold somewhere on Māori land, under a tree. Staines asks for some opium and says Tauwhare should get Pritchard. Tauwhare gives him some water and says he will return soon.
After buying the gun, Sook hides in an alley, but some townsmen discover him. He runs away and goes to Shepard’s cabin in the Police Camp. Margaret Shepard is surprised to see him, but she lets him inside. Sook tells her he is planning on killing her husband. Sook hides under the bed, and Carver arrives at the cabin, looking for George Shepard. Margaret tells Carver that Shepard is at the construction site.
After Carver leaves, Margaret tells Sook to wait there until nightfall. She brings him English clothing so he can disguise himself.
Tauwhare and Pritchard race back to Crosbie’s cabin. Löwenthal goes to Pritchard’s and his assistant tells him he left saying, “The whore’s bullet” (597). Meanwhile, at the courthouse, Frost confirms to Fellowes that the gold in Crosbie’s cabin was marked “Aurora.” He also says that the last time he saw the gift contract, it was unsigned, but that the signature looks genuine, which suggests that Staines is alive. Nilssen tells Fellowes he had not found the contract in the cottage when he assessed it for the sale.
Pritchard and Tauwhare take Staines back to town for treatment. Anna returns to the courthouse to meet with Fellowes and, during the meeting, she collapses suddenly. Shepard orders her to be arrested and held at the jail. Pritchard and Tauwhare, too, arrive at the jail with Staines; with Devlin, they decide to keep Staines there until the doctor arrives.
Sook is outside the Crown Hotel, listening to Lydia and Carver talk. Just as he is getting ready to shoot Carver through the window, Shepard appears and tells him to drop his weapon. Sook realizes that Margaret must have tipped her husband off about his plans. Shepard blames Sook for the death of his brother, Jeremy, in Sydney. Sook insists he did not kill Jeremy Shepard. Meanwhile, Carver and Lydia realize that Moody must have traveled on the Godspeed under a false name, and they decide to write Moody’s father, Adrian Moody, about it. They hear a loud sound like a gunshot, but Carver says it was probably someone cleaning their gun.
Shepard takes Sook’s body to his private study at the Police Camp. Margaret is upset when she sees him dead. Devlin is also present, and he suggests that Margaret go lay down, and she leaves the room. Devlin asks Shepard why Sook wanted to kill Carver. Shepard asks Devlin to have a drink with him. Over whiskey, he tells Devlin that Margaret had been his brother’s wife. After Sook killed his brother in revenge for beating him, Shepard did the “dutiful thing” and married Margaret. At Sook’s trial, Shepard was offended when Margaret said that Jeremy killed himself and Sook was released. Shepard tells Devlin that he knew Sook had vowed revenge on Carver; when he heard that Sook had bought a gun, he warned Carver and stopped Sook.
Devlin leaves Shepard and goes to the jailhouse. The doctor has tended to Staines, and Staines and Anna have been manacled next to each other. They are both asleep, facing each other. Devlin concludes from their “mirrored bodies” that they are truly lovers.
Part 3 of The Luminaries is titled “The House of Self-Undoing,” which has multiple meanings. On one level, it refers to the “self-undoing,” or betrayal of good character, that many of the characters undergo in this section. The clearest example of this is Shepard’s murder of Sook. Shepard sees himself as a dutiful man who does not believe in revenge; he says that revenge “is an act of jealousy, not of justice. It is a selfish perversion of the law” (620). Shepard claims he did not kill Sook out of a desire for vengeance; he says he had no choice but to kill Sook, implying that Sook would have shot Carver if Shepard hadn’t shot him first. However, Sook was on his knees in a position of surrender, albeit with his finger still on the trigger of his gun, when Shepard shoots him. This shows that, against his claims of good character, Shepard “undoes” himself by indulging in an act of revenge.
On another level, the expression “The House of Self-Undoing” has a specific meaning in astrology, which ties the ideas in this section with the theme of Astrological Influences on People. “The House of Self-Undoing” is an alternative title for the Twelfth House or the portion of a person’s astral chart that refers to secrecy, the unconscious, and private weaknesses. In this way, characters’ secrets and weaknesses—like Shepard’s desire for revenge, which he doesn’t want to admit even to himself—are shown to be under the impact of celestial bodies rather than solely under their control. The name of the Twelfth House in Latin is carcer meaning “prison,” which is apt as Part 3 ends with Anna and Staines imprisoned in the jailhouse. The title of this section suggests that characters are led to betray themselves because their destinies are controlled by the celestial bodies and that they do not have as much free will as they may believe.
The astral connection between characters, particularly Anna and Staines, also comes into focus in Part 3. Anna has hazy visions about a river where she believes Staines may be located, showing that she has an almost telepathic link to him. Also, Pritchard immediately suspects that the bullet from Anna’s gun that disappeared when she fired it is the same as the bullet lodged in Staines’s shoulder, although how it got there is ambiguous. The novel suggests that Anna and Staines’s connection is supernatural or metaphysical. For instance, when Pritchard administers laudanum to Staines, Anna faints at the courthouse, where there is even a smell of laudanum in the air, even though she denies taking any. What occurs to one of them is reflected in the other. This connection develops further when Devlin observes that, in sleep, Anna and Staines are “mirrored bodies.” Since Staines is represented by the moon, Anna is likened to the sun; like the moon, Staines reflects her light. In this way, their relationship is predestined and determined by the celestial bodies.
Part 3 also highlights the theme of Patriarchal Objectification and Control of Women. Throughout the novel, Anna is treated poorly, first because she is a sex-worker and later because she decides to quit the trade—she is doomed no matter what she chooses to do. Even the kindly Reverend Devlin uses coarse language when he speaks to her and suggests that her claims will not be believed because of her profession. Lydia takes advantage of Anna’s difficulties to entrap her and isolate her from others; Lydia knows that due to Anna’s position as a sex worker, the men do not respect her and will not advocate for her. When Anna tells Clinch that Staines loves her and intended to give her 2,000 pounds as a gift, he responds “sourly” because he is jealous—to Clinch, Anna is solely an object of desire rather than a human being with aspirations and hopes. Even the solicitor at the courthouse treats her coldly when he realizes that she is a sex worker. When Anna faints at the courthouse, Shepard assumes that she is using drugs and, rather than tending to her health, he has her imprisoned. At every point, Anna has no agency and is forced to submit to patriarchal prejudices.