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54 pages 1 hour read

Louise Penny

The Nature of the Beast

Fiction | Novel | Adult | Published in 2015

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Chapters 8-17Chapter Summaries & Analyses

Chapter 8 Summary

While combing the woods in search of Laurent’s stick, the search party finds a giant gun that has been hidden under vines, leaves, and debris. It is “ten times, a hundred times bigger than anything Gamache had ever seen. Or heard of. Or thought possible” (65). Laurent’s stick is on the ground nearby, making it likely that the boy was murdered at this location.

Gamache and Jean-Guy quickly call for police back-up, but rumors of their discovery are already spreading through the village. One of the police agents is disrespectful to Gamache, who technically no longer has any authority in the case or the investigation. As more officers and equipment arrive on the scene, Gamache and Jean-Guy can see that there is indeed a giant gun, just like Laurent said. The gun is etched with the design of a winged monster sporting multiple heads, and Gamache also finds a cassette tape of folk music nearby.

Chapter 9 Summary

Rumors begin to fly around the village; the inhabitants are fearful that someone has murdered Laurent, and they also speculate wildly about the object that was found in the woods. Gamache calms them, promising to keep everyone safe and urging the villagers to limit their information-sharing so that it will not impact the investigation. Meanwhile, Ruth is alarmed to hear there has been a discovery and is troubled by her memories of undisclosed past events.

Chapter 10 Summary

A makeshift police headquarters has been set up in Three Pines. Isabelle Lacoste will lead the investigation; she and Gamache know each other well. Lacoste, Gamache, and Jean-Guy begin to discuss the case. They surmise that Laurent discovered the gun and was killed either because the killer did not yet know that the boy had already told people about the discovery, or to prevent Laurent from telling more people. As Jean-Guy speculates, the killer “had to silence the boy and the only way to do that was to kill him” (83).

Lacoste sends photos of the gun to the Canadian military, asking them to send ballistics experts to look at it. Her contacts are shocked and confused by the presence of the huge gun. Jean-Guy begins to do his own research, reaching out to a retired physics professor named Michael Rosenblatt, “a man who specialized in great big guns” (89). When Rosenblatt hears that a giant gun has been found, he asks if there is a monster etched on it. When Jean-Guy confirms this, Rosenblatt offers to come to Three Pines to help with the investigation.

Chapter 11 Summary

Professor Rosenblatt arrives in Three Pines and meets Jean-Guy and Isabelle Lacoste. Along with Gamache, they go to the site where the gun is hidden.

Chapter 12 Summary

Rosenblatt inspects the gun, confirming that it lacks both a missile and the firing mechanism. Without these components, the gun poses no threat. He also inspects the etching, noticing a Hebrew inscription of a line from Psalm 137: “By the waters of Babylon, we sat down and wept.” Back at the Gamache house, Rosenblatt explains that for years, there have been rumors of a giant, missile-launching gun, sometimes referred to as Project Babylon. A gifted engineer named Gerald Bull was rumored to have designed and built this gun; it is notable because it relies on very old technology and doesn’t even require a power source. It could therefore be fired by anyone who obtained it, meaning that “any terrorist cell, any extremist, any crazy dictator could become an international threat [without] needing technology, or scientists, or even electricity” (105). Bull was murdered in 1990, so no one has been able to confirm whether the gun was ever built. The rumors also mention that the gun had an etching of the Whore of Babylon (an allusion to the Biblical Book of Revelation) engraved into it.

Rumors also abound about Bull’s reasons for designing and building the supergun in the late 1980s; some speculate that he would have simply sold it to the highest bidder. Others think that he was working for Saddam Hussein or for the Israeli military. However, none of these possibilities explain why someone would kill Laurent to keep the gun a secret. Gamache also notices that the gun is pointed toward the United States; Three Pines is not far from the border separating the province of Quebec from Vermont.

Chapter 13 Summary

Isabelle Lacoste is surprised when a man and a woman arrive in Three Pines and identify themselves as employees of CSIS (the Canadian intelligence agency). Mary Fraser and Sean Delorme are both quiet and unassuming and state that they were sent to examine the gun after word of its discovery reached intelligence headquarters. They are stunned to see the gun but immediately identify it as Bull’s legendary supergun. Jean-Guy explains that he has already started collaborating with Rosenblatt; Mary and Sean are familiar with the professor.

Meanwhile, with no formal role in the investigation, Gamache feels at a loss. He is concerned by the echo between the Biblical quotation on the gun (“we sat and down and wept”) and the title of Fleming’s play (She Sat Down and Wept). Gamache takes the manuscript of the play to the local church and reads it there.

Chapter 14 Summary

Rosenblatt explains to Jean-Guy that he is familiar with Mary and Sean from CSIS; they are file clerks who work in the department where files on Gerald Bull are kept. They therefore know more about the engineer than almost anyone else. Rosenblatt resents them because they have repeatedly rejected his request for access to those files. While Rosenblatt never knew Bull personally, he both admired and feared the inventor, and he also believes that the Canadian government condoned Bull’s research to a certain extent.

Meanwhile, Mary and Sean tell Isabelle Lacoste about Gerald Bull, explaining how he “went from being a scientist, a designer, to being an arms dealer” (123). They also caution Lacoste not to trust Rosenblatt and not to make any news about the discovery of the gun public. Lacoste is increasingly confused and suspicious about the history surrounding the case and questions the hidden motives of Rosenblatt, and of Mary and Sean.

Chapter 15 Summary

Reine-Marie reveals to Armand that she has been doing additional archival research into Gerald Bull. One of the documents implies that Bull may have worked on more than one supergun. Gamache shares his hunch that Fleming and Bull are somehow connected; however, Bull was assassinated in March 1990, and Fleming began committing his crimes in the summer of that same year. Reine-Marie gently tells her husband that she does not think there can be any connection between the two men.

Chapter 16 Summary

Gamache, Isabelle Lacoste, and Jean-Guy continue to discuss the case. Evidence for Laurent’s death increasingly points to his father, Al Lepage, as the prime suspect. The investigators are all curious about the connection between Bull, Rosenblatt, and the CSIS file clerks. By the next morning, the news that a giant gun has been found in the woods is spreading through Three Pines.

Ruth and Clement Beliveau, an elderly man who owns the town grocery store, discuss the discovery of the gun and allude to some sort of secret that they are keeping.

Chapter 17 Summary

Sean and Mary confront Lacoste and Jean-Guy; they want to know how news of the gun was leaked to the community. No one, including Rosenblatt, admits to having leaked this information. Gamache joins them, and the group pools the information they have collectively acquired about Gerald Bull. It now seems clear that Bull was building weapons for Saddam Hussein’s regime. At first, Bull had the support of the Canadian government, but he continued to work with Hussein even after the government pulled their support. However, no one knows how a giant gun ended up in Three Pines or how young Laurent got mixed up with it. Everyone is startled when Gamache brings up John Fleming, since there does not seem to be any connection between the serial killer and the current case.

Gamache also deduces that Lacoste leaked the news of the gun, by telling Gabri (the owner of the bed and breakfast) and then asking him to tell others. Isabelle Lacoste confirms that she wants to see if making the news public will help to flush out Laurent’s killer. As she tells Gamache, “This is not a time for timidity. Or secrets” (151).

Chapters 8-17 Analysis

Once it is confirmed that Laurent’s death was a homicide, the plot begins to reflect the conventions of a traditional murder-mystery tale, for the primary motive force of the action is the need for Gamache and his colleagues need to determine who killed the young boy, thereby bringing the killer to justice. Operating on the assumption that the killer’s motive was to prevent Laurent from drawing attention to the gun, the investigators turn up a motley cast of suspects, for anyone in Three Pines who heard Laurent’s account of having found the gun might have reason to prevent this information from coming to light. As government agents and other experts show their intense interest in the case, Penny uses the larger political and historical angle to flirt with other genres such as the suspense thriller, blending a variety of narrative elements into the novel to heighten the suspense. The stakes are also high because of the intense emotions involved whenever a child dies a violent death. In this context, Gamache’s dedication to solving the crime reveals both his unspoken empathy and his leadership qualities, for despite the heinous nature of the crime, he maintains control over his own emotions and insists on a calm and orderly investigation. As he tells the Three Pines community, “Laurent’s murderer is counting on your help […] [A] killer hides in chaos” (79).

The complexity of the mystery increases significantly with the discovery of the supergun, for although the gun’s existence provides significant insight into why Laurent was killed, it also triggers a distinct secondary investigation to discover the gun’s inventor and the reasons it was built in the first place. In order to investigate these questions, Penny introduces a secondary cast of characters, including Professor Michael Rosenblatt, and the pair of CSIS agents, Mary Fraser and Sean Delorme. Unlike the members of the Three Pines community, whose history and personalities are well-known, the three outsiders are much more enigmatic, and they therefore serve to create multiple points of uncertainty to thicken the mystery, for their true motives are still obscured at this point. As they begin to interact with the residents, Gamache shows his keen instincts and ability to notice small details, for he quickly senses that all three secondary characters are concealing the full context of their presence in town.

The supergun plotline also allows Penny to introduce elements of historical fact into an otherwise fictional plot. Gerald Bull was a real historical figure, and many details of his career and life that the author presents are historically accurate. Bull did indeed work on a supergun project that was commissioned by the Iraqi government in the late 1980s, during the time in which Saddam Hussein was president. The project’s code name, Project Babylon, may be an allusion to those who funded the project, since Babylon is the name of an ancient city located in present-day Iraq. However, Penny invents the discovery of the giant gun in the woods; there is no evidence that the real Bull ever completed a supergun project, and the work that was in progress when he died in 1990 was dismantled.

Ultimately, Penny demonstrates her own creative ingenuity when she builds an entire plot on the factual name of Project Babylon, developing a complex web of allusions. For example, the etching that Gamache and his colleagues see displayed on the gun offers two related Biblical allusions. The Hebrew quotation alludes to a line from Psalm 137, which is located in the third section of the Hebrew Bible and the Old Testament portion of the Christian Bible. Psalm 137 references a period in ancient Jewish history during which the Jewish people were largely exiled from their homeland and held captive in Babylon under the force of the Babylonian empire. The etching of a seven-headed beast with a woman riding it alludes to a prophetic vision described in the Book of Revelation, the final book in the New Testament portion of the Christian Bible. In Revelation, this vision is associated with the city of Babylon, and the woman is sometimes called the Whore of Babylon, just as the creature is sometimes called the Beast of Babylon. Both of these allusions are designed to be dark and terrifying, for they are associated with loss, grief, and the threat of utter destruction. Both allusions also serve as oblique references to imperialistic and power-hungry empires, for they originally referenced the Roman Empire, which was threatening the early Christians during the time when the Book of Revelation was written. These allusions therefore contextualize the reasons for the creation of the supergun, as well as emphasizing its inherent dangers.

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