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66 pages 2 hours read

Taylor Jenkins Reid

The Seven Husbands of Evelyn Hugo

Fiction | Novel | Adult | Published in 2017

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Symbols & Motifs

Hollywood

Content Warning: This section of the guide discusses miscarriage.

In the novel, Hollywood represents false promises, exclusivity, and meaninglessness of fame. The novel describes Hollywood as “both a place and a feeling” (44). As a city that still represents glamor and success, Hollywood pulls dreamers, artists, and social climbers from all over the world hoping to achieve their greatest ambitions. To Evelyn and many others, it represents the American Dream—a shiny promise that hard work and talent will result in monetary success. However, Evelyn’s relationship with Hollywood is complex; it initially is a haven for her, saving her from poverty, and the money that accompanies fame offers temporary contentment. However, as the very thing she always wanted results in the negation of her identity and the collapse of her relationship, Evelyn recognizes the emptiness of Hollywood’s promises: “[L]ife doesn’t get easier simply because it gets more glamorous” (44). Instead, she is plagued by the same troubles and those that fame brings on; she is still oversexualized and now reduced to a false perception of who she is.

Evelyn’s relationship with fame becomes increasingly strained as she becomes aware of its toxicity. After enduring the media’s cruelty, receiving no critical recognition, and having to hide essential components of her identity, Evelyn is demoralized and dehumanized. Only when she has “more money than [she] could ever use” and her “name cemented in Hollywood history” does Evelyn learn how pointless they both are (192). The novel uses the symbol of Hollywood to illustrate that the veneer of success does not indicate emotional fulfillment. In fact, it is with great irony that the text presents Evelyn at the end of her life: alone, with only the money and fame she so desired, and tortured by the emptiness of her life.

Newspapers / Gossip Columns

The motif of articles throughout the narrative serves as a representation of false perceptions and demonstrates the media’s impact on the lives of celebrities. This is first shown early in the text when an online forum remembers the “legacy” of Evelyn Hugo as “the most beautiful blonde” (11), ignoring her talent and decades of charitable work. Immediately, this emphasizes the media’s primary focus on Evelyn’s appearance. The newspapers also work to perpetuate the misogyny that slows Evelyn’s success, evinced by one outlet’s description of Evelyn as “cold,” implying that she’s selfish for not having children. However, it is through this experience that Evelyn learns to manipulate the media in her favor. First, she sells the story of her “miscarriage,” later using the same talent to falsify relationships and bolster her image.

The newspaper and gossip columns continue to appear throughout the text, but their reports become progressively more uninformed; they work to contrast Evelyn’s reality with the public perception of her. This is demonstrated by the media’s reporting on her various relationships, most notably misinterpreting her grief over Celia’s death to be lingering grief over Harry’s. This realization that the media “never did care about getting it right” is indicative of society’s indifference to who Evelyn is the face of who they want to perceive her to be (354); pretense sells more papers. This motif serves the narrative by reinforcing its consideration of truth, identity, and the true cost of fame. Evelyn’s life is often destabilized by the media, and she is complicit in this by actively hiding the truth. By ensuring that she controls the narrative through a biography, Evelyn reclaims the power she lost throughout her career and publicly recovers her sense of self.

The Coffee Table

When David moved out, he took the coffee table despite it being a wedding gift to both him and Monique. Monique feels its absence only because of how unnecessary it was for David to take it. His new apartment is furnished, so he put the coffee table into storage—he only took it to spite her. Angry that she wouldn’t move with him to San Francisco, he lashes out in the only way he can. However, after Monique officially ends their marriage, he acknowledges his decision as “petty”. The absence of the table symbolizes resentment; Dave takes it out of resentment for Monique, and she resents its absence. When it is returned, it serves as a symbol of forgiveness and acceptance. Overall, it represents the end of their marriage; though their separation brought out malicious feelings toward one another, in realizing that they both deserve better, they heal and move on.

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