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53 pages 1 hour read

Rebecca Yarros

The Things We Leave Unfinished

Fiction | Novel | Adult | Published in 2021

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Chapters 1-9Chapter Summaries & Analyses

Chapter 1 Summary: “Georgia”

Content Warning: This section of the guide discusses references to domestic violence that appear in The Things We Leave Unfinished.

In a letter to Jameson from the 1940s, Scarlett writes that she will wait for him “where the creek bends around the swaying aspen trees” (1). She will wait for the rest of her life, and she will love him for eternity.

In the present day, Georgia leaves the Department of Motor Vehicles (DMV) in the small town of Poplar Grove, Colorado, with a new driver’s license replacing her ex-husband’s last name, Ellsworth, with her birth name, Stanton. The women at the DMV mention seeing news of her husband’s affair in the tabloids.

Georgia visits the bookstore and notices the shop next door is for sale. Georgia browses the romance section, looking at her great-grandmother’s books when a handsome out-of-towner enters. He expresses indignation over the covers of two Noah Harrison books, which are nearly identical. Georgia tells him the books all have the same plots, with tragedy and unsatisfying sex. The man says that romance books are full of nothing but “sex and unrealistic expectations” (8). He points to the Scarlett Stanton blurb on the cover of the Harrison books, and Georgia shares the full quote, which was less flattering and edited by the publisher. She finds the man attractive but arrogant.

Georgia drives to her great-grandmother’s house to find her mother, Ava, meeting with two men. Ava is pretending to be Georgia—who is Gran’s literary executor—in an attempt to sell Gran’s unfinished manuscript. Ava pleads that she needs money; her latest husband left her, and she was left out of Gran’s will. Georgia damages the estate, distributing the money to charity. Gran’s publisher has arranged for another author, Noah Harrison, to finish the book. Noah enters, turning out to be the man from the bookstore.

Chapter 2 Summary: “Noah”

In another letter from the past, Jameson writes Scarlett that he will love her always and cannot wait to see her in Colorado. He asks her to kiss William for him.

Noah is speechless when meeting Georgia. He had a moment of knowing when he saw her in the bookstore. Then, she told him what Scarlett Stanton had really said about his books, and he was stung. His agent, Adam, tells Noah he has to convince Georgia to sign the contract for him to finish Scarlett’s book. Noah calls his sister, Adrienne, for advice. Adrienne informs him that Georgia’s ex-husband, Damian Ellsworth, directed movies made of several Scarlett Stanton books. Noah thinks the man is a terrible director. Damian cheated on Georgia with his lead actor, who is now pregnant.

Noah admits to Georgia that he’s read every one of Scarlett’s books, and he read them to his mother when she was recovering from a car accident. He feels an electric current between himself and Georgia. If he gets the contract, he asks to see the manuscript and letters. Georgia didn’t know about the letters.

Chapter 3 Summary: “July 1940”

In Middle Wallop, England, Scarlett and her sister, Constance, have returned from visiting their parents, Baron and Lady Wright. Scarlett and Constance have joined the Women’s Auxiliary Air Force. Their parents want Scarlett to marry Henry Wadsworth, a rich and abusive young man whom Scarlett despises.

As the girls walk toward the base, a man pulls up a car and offers to give them a lift. Scarlett is struck by the handsome American pilot, Jameson Stanton. She tells herself not to be drawn in. When he asks her to dinner, Scarlett says she doesn’t date pilots. Jameson teases that he will turn in his wings, and she agrees to a date. The chapter switches between the third-person point of view of Scarlett and Jameson, depicting an immediate and intense attraction.

Chapter 4 Summary: “July 1940”

Scarlett and Constance sit outside, enjoying the afternoon. Scarlett is reading Emma. Jameson appears and invites Scarlett on a date that night. He is delighted when she accepts. Scarlett is surprised and moved when Jameson flies them to a field where he has prepared an outdoor picnic and brought a phonograph, gifted to him by his mother. He plays the Glenn Miller Orchestra as they dine. Jameson reveals that his family did not approve of his decision to volunteer for the RAF, and Scarlett admits she doesn’t want her family’s title. They dance and begin falling in love.

Chapter 5 Summary: “Georgia”

In a letter from the 1940s, Scarlett writes Constance that she is sorry to leave her, and her heart screams over the injustice of all they have lost, but she promised that their father would never get his hands on William.

In the present-day timeline, Georgia tells her best friend, Hazel, that she read her great-grandmother’s manuscript. It ends with the characters at their darkest moment, and Georgia can understand why Gran could never write the ending. Georgia has also read Scarlett’s correspondence with Jameson. She now understands why Gran didn’t want Georgia to marry Damian; their relationship was nowhere near as devoted. Georgia launched Damian’s career, but his affairs chipped away at her love for him, and she knew he wanted kids. Hazel teases that Noah is hot and Georgia should jump his bones. She also thinks Georgia should go back to glass blowing, mentioning the piece she sold that stands in an office building in Manhattan.

Ava hovers when Noah arrives to sign the contract. She has promised Georgia she will stay through Christmas, and Georgia hopes she will—Ava abandoned Georgia on Gran’s doorstep when Georgia was a child. They discuss the typewriter on Gran’s desk, which she used to write all but one of her novels. Noah promises he will do this right. Ava mentions that Georgia went to art school and ran a charity. They sign the contract. Noah says he will give the couple the happily-ever-after they deserve, and Georgia says that’s the one thing he can’t do.

Chapter 6 Summary: “August 1940”

Scarlett dances with Jameson on a short break from their duties. She asks why he hasn’t kissed her yet, and he says he wants to be alone for their first kiss. As they drive the men to the airfield, another pilot, Howard, reads the gossip columns where Scarlett’s parents announce her impending engagement to Henry Wadsworth. Jameson is hurt and angry. They stand on the airfield, arguing, while she tries to convince him she does not intend to marry Henry. Planes approach and begin dropping bombs.

Chapter 7 Summary: “Noah”

In another letter from the past, Jameson expresses how much he misses Scarlett. He says he thinks he has found a house for them.

Back in present-day New York, Noah is frustrated over the story’s intended ending. Noah feels Scarlett Stanton’s brand was happily-ever-after, and Georgia is wrong to insist Noah write the real-life, unhappy ending. Adam, his editor, suggests Noah doesn’t understand women or relationships. Adam explains Georgia’s recent past: Film rights to her grandmother’s books made Damian Ellsworth’s career. Georgia helped him start a production company but signed over her ownership in the divorce. Most of the proceeds from Scarlett’s literary estate go to charity work, put in a trust that Georgia oversees. She transferred the entire book advance to her mother. Adam shows Noah the glass sculpture Georgia made, the image of a tree growing out of water.

Noah calls Georgia and attempts to connect with her, telling her about his background. They discuss her grandmother’s books and Scarlett’s use of a character’s flaw to humble them. Georgia reminds Noah that she chose him to write a true story and hangs up. Noah worries he is going to miss a deadline for the first time in his career.

Chapter 8 Summary: “August 1940”

Jameson protects Scarlett as the bombs explode around them. When the planes pass, he and his fellow pilots run for their aircraft. The women return to command. Scarlett works all night as a plotter, taking extra shifts. The plotters move flags, indicating their aircraft, around a board at the report of the control officers, who are communicating with the pilots. Scarlett fears for Jameson. She is commended for her dedication, and Jameson is waiting for her when she steps outside after her shift. They kiss and promise to face all their troubles together.

Chapter 9 Summary: “Georgia”

In an extract from a past letter, Scarlett writes Jameson that she longs to touch him, but the other Mr. Stanton brightens her every day. This “other” Stanton is later revealed to be the couple’s son, William.

In the present day, Georgia argues with Noah as he suggests bizarre endings for the book. As he steals ideas from tragic films, including Titanic and My Girl, Georgia hangs up on him again. Ava, who keeps calling her Gigi, even though Georgia hates the nickname, asks when the advance will be delivered. Georgia admits to Hazel that she feels restless, like she needs to figure out where she fits. She looks at a store to rent and imagines it housing her glass-blowing equipment.

Georgia returns to the house to find her mother packing. The advance came, and Ava hopes to reunite with her last husband. Georgia is crushed, feeling that her mother has abandoned her. Ava accuses Georgia of being naïve for not realizing Damian used her to get film rights to Scarlett’s books. When Noah shows up, Georgia slams the door in his face.

Chapters 1-9 Analysis

Plot-wise, these chapters lay the foundation for the romantic relationship to follow. In romance, the inciting incident is the “meet-cute,” the moment the characters who will fall in love meet one another. Very often, there is an element of immediate attraction if not sexual chemistry.

For Georgia and Noah, their meet-cute in the bookstore establishes Georgia’s sexual awareness of him—and her assessment that he is full of himself—but also establishes a difference that will provide thematic weight—the difference between Romance in Fiction and in Life. Noah’s books, love stories that end in tragedy and despair, are shelved in the general fiction area, because romance books insist, above all, on a happy ending, like the books Scarlett Stanton wrote. Noah presents himself as an atypical romance author, suggesting this his view of love might be negative. This is furthered in Noah’s conversation with his editor, Adam, who says he does not understand relationships or women. Meanwhile, Georgia is nursing a broken heart, and these combined circumstances set the stage for tension and an obstacle—hesitance toward real-life romance—to overcome.

The romance narrative pattern provides tension and propels the story because, while the characters need love to heal them, they are also wary of love. Noah’s short-term relationships show his wariness, and Georgia’s ex-husband’s infidelity wounded her. Additionally, she is grieving the loss of her great-grandmother, Scarlett, who served as a parent and emotional support for Georgia while she was growing up, thus highlighting the theme of Family Loyalties. Further, Georgia’s sense of loyalty to her mother, even when Ava feels no loyalty to her, compels Georgia to agree to the contract giving Noah the right to complete the book. Georgia retains the right of final approval, since she feels that it is left to her to control Gran’s legacy. The stakes are high for both Georgia and Noah, as she seeks to protect her great-grandmother’s memory, and he seeks to both honor Scarlett’s legacy and continue his successful career. By entering a business transaction, Noah and Georgia are able to temporarily set aside their feelings for one another, which only furthers the tension between them.

Scarlett and Jameson’s romance gains momentum in these sections, furnishing the second storyline, which interweaves with the present-day story. Their obstacles are more external; the war creates precarious circumstances that make Scarlett wary of trusting her heart. She too feels the claim of Family Loyalties; she is protective of her younger sister, and her parents make demands that Scarlett feels she cannot meet. Jameson identifies with her in this, as he defied his parents to join the Royal Air Force—a move that the US government considered criminal. In keeping with romance convention, the attraction between Jameson and Scarlett is more powerful than their reservations.

Yarros further plays on the romance tropes by making Noah a conventional romance hero with regard to his general qualities and overall amiability. Indeed, he would be called an alpha in the vernacular of the genre. He is extremely handsome and confident, sexually charismatic, ambitious, and accomplished. His books are bestsellers, and his reputation is firmly established, despite his being relatively young. He has a dangerous hobby: rock climbing, which adds to his allure. Yarros presents Georgia as a good match for Noah: She is equally attractive, although she appears not to realize it, with her pale skin, black hair, and Stanton blue eyes. Georgia also has an artistic side, demonstrated by her art degree and the sculpture that stands in the office building in Manhattan, which complements his writing career.

The device of two characters coming together in a small town is a popular trope in the romance genre, where the smaller population and slower lifestyle allow famous and accomplished characters to rethink their lifestyles and rediscover values that are the opposite of ambition and success. In this case, both Georgia and Noah are from the big city, brought to Poplar Grove for a relationship that will change their lives.

In the past timeline, Yarros puts a slight twist on the “two characters coming together in a different-world trope” by making Scarlett the daughter of a British aristocrat and Jameson an American pilot. Scarlett wants to step away from the archaic lifestyle her parents cling to, rejecting the suitor they have chosen for her and the future they have mapped out. Jameson is aligned with modernity and modern values, with his home country of the United States of America being considered relatively “young” compared to some of its European counterparts. Jameson, whose goal is simply to make Scarlett happy, stands a contrast to Scarlett’s family, who care more about heritage and familial duty than their daughter’s wellbeing.

Structurally, while the two romances in this section cover different beats, with Georgia and Noah showing more resistance to falling in love, while Scarlett and Jameson fall headlong, this section ends on an important plot twist: the commitment to a relationship. The air raid and her fear for Jameson encourage Scarlett to confess her feelings, and the two declare their feelings, a key plot point in the romance. Additionally, the commitment between Scarlett and Jameson offers a contrast to Georgia and Noah while also foreshadowing their romantic relationship. Both couples experience instant attraction, but the business nature of Georgia and Noah’s relationship is ultimately what creates an initial barrier of mistrust and disagreement. Meanwhile, Scarlett and Jameson’s parallel narrative has already seen conflict resolution because of the life-or-death stakes that forced them to acknowledge their feelings, signaling to future resolution for the present-day couple, who are brought together by this past love story.

In the contemporary story, Noah’s return to Poplar Grove demonstrates the commitment step for his relationship with Georgia. Now that they are in proximity, their relationship can grow. While their disagreement over how to end Scarlett’s story establishes the tension and conflict that will drive the next act for Georgia and Noah, Scarlett and Jameson’s story acquires tension through the hints the letters offer for the future: a child, one or several separations, and family drama. Like the plotters moving the aircraft flags across the board, Yarros moves her dual timelines forward by clicking the romance plot and character conventions for each.

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