42 pages • 1 hour read
Roald DahlA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Dahl opens this story with a brief note about its history. After encountering the story of the found treasure in the newspaper in 1946, Dahl drove to Mildenhall to interview Gordon Buther, one of the finders of a trove of Roman silver. The account of “The Mildenhall Treasure” comes directly from this interview. When the story was published in the Saturday Evening Post, Dahl sent half the money to Butcher.
Gordon Butcher arises around seven in the morning. He lives a happy life with his wife and three children and works as a farm laborer through contracts with local farms. This morning, Gordon rides his bike in the early winter light to see Sydney Ford, an agricultural engineer who hires Gordon to assist with plowing a field.
Butcher works in the field until three o’clock in the afternoon when the wooden peg that he used to hitch his plow breaks. As he checks his blades, he notices a glint of something lodged to one of the blades. He feels a rush of unexplained anxiety, abandons his equipment, and rushes home.
Gordon reprimands himself for being a coward and returns to Ford. The two men visit the field, and Ford instructs Gordon to dig. Ford is clearly excited, but when Gordon pulls an enormous plate from the earth, Ford insists that it is junk. Still, he tells Gordon to keep digging. Gordon pulls piece after piece from the ground, and Ford says he will keep it. Because Gordon is the original finder, Ford knows that he has no claim over the treasure which he estimates to be worth millions of pounds. Gordon rides his bike home and does not think of the treasure again, but Ford carefully cleans and stores each piece. He knows he cannot report it, and he is unsure how to sell it.
When Ford’s old friend, Dr. Hugh Alderson Fawcett, pays a visit, he notices two Roman spoons that Ford forgot to put away. Ford admits that he has many other pieces and tries to convince Fawcett that they are merely pewter. Fawcett is not fooled, and he insists that Ford turn the pieces over to the authorities. Because Ford hid the discovery of Roman silver, the government names Ford and Gordon as co-finders, offering them only 1000 pounds each. Gordon is happy to receive the sum. Had Ford allowed Gordon to claim the discovery, Gordon would have been awarded the full value of the collection.
Many of Dahl’s stories center moral themes of morality, as previous demonstrated in “The Hitchhiker” which challenges perceptions of authority, greed and social class, and in “The Boy Who Talked with Animals” which emphasizes the theme of Kindness and Cruelty. Like Dahl’s stories for younger readers which feature the trope of simple moral themes, the stories in this collection include straightforward moral comparisons bolstered by hope amid the presence of darker, more mature subject matter. “The Mildenhall Treasure,” a direct retelling of the true story of British farmers in the 1940s, returns thematically to Dahl’s signature wellspring of virtue and vice. Dahl positions Gordon Butcher and Sydney Ford as moral opposites, inviting the reader to draw lessons from their juxtaposition.
Each character is a foil to the other, exemplifying Greed and Generosity respectively—a characterization most overtly emphasized by the reactions of the two men to the discovery of the treasure. Gordon lives a small life. He enjoys time with his family and his position as a skilled worker. He is happy with what he has and considers himself to be a fortunate man. In response to the treasure, Gordon feels an immediate sense of danger and literally runs away from it. He reacts instinctually against something that may compromise the contentment he feels with his life. He does not feel compelled to keep digging or even to claim the treasure once it has been unearthed. He only wants to return home to the comfortable life he has made for himself.
In contrast, greed makes Ford oblivious to anything other the potential increase of his personal wealth emphasizing the story’s position that greed is a corrupting force. Ford has more wealth than Butcher: “He was a fairly prosperous smalltime agricultural engineer who had a nice house and a large yard full of sheds filled with farm implements and machinery. Gordon Butcher had only his one tractor” (49). Despite Ford’s financial success, he is less satisfied with what he has and consumed with greed. Ford denies Butcher, a deserving man who could use the money, access to the life-changing benefits the treasure affords even though Ford has plenty of money without the treasure, suggesting that greed is never satisfied.
The irony of Ford’s greed is that he is trapped by it, living in service to it without reaping any of its rewards. He carefully cleans and cares for the silver, but he is unable to sell it because he knows it is illegal for him to own it. The law requires that all found treasure be turned over to the government. Meanwhile, Gordon quickly forgets about the treasure and lives contentedly, suggesting that the joy found in non-material things supersedes the pleasure of wealth. Although Ford possesses the treasure, he is tortured by its presence. It provides him with no joy or benefit. When the two men are given 1000 pounds each in reward, Gordon is happy to receive such a hefty sum, while Ford lives with the reality of its meager comparison to the value of the collection. Dahl’s story subverts the expectation that wealth leads to happiness; instead, Gordon and Ford represent how wealth often leads only to misery while generosity creates a framework for contentment.
By Roald Dahl