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50 pages 1 hour read

Alan Moore, Illustr. Dave Gibbons

Watchmen

Fiction | Graphic Novel/Book | YA | Published in 1986

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 11-12Chapter Summaries & Analyses

Chapter 11 Summary: “Look On My Works, Ye Mighty…”

Adrian muses about his ability to absorb lessons on collective psychology by viewing a host of images at once. He is hoping to uncover “the blueprint for an era of new sensations and possibilities. An era of the conceivable made concrete…and of the casually miraculous” (349). Approaching Adrian’s base, Rorschach and Nite Owl contemplate his motives, as he seems to be plotting both mass destruction and a brighter future. Adrian assembles his assistants for a celebratory drink in his vivarium and tells them about his precocious childhood, the death of his parents when he was only 17, and his profound admiration for Alexander the Great. It is true that under his reign “people died…perhaps unnecessarily” (356), but he nearly achieved the dream of a united world, and Adrian pledged at a young age to follow his example. Following the path of Alexander’s army, he resolved on a path of conquest, “not of men, but of the evils that beset them” (359). When he has finished speaking, his assistants have all died of poisoning, and the vivarium is consumed in snow.

Nite Owl and Rorschach make it into the fortress. They approach Adrian as he is eating, and he quickly disarms both of them. As Rorschach struggles in vain to fight him, Adrian explains how he came to realize the absurdity of costumed crimefighting and realized that the danger of nuclear war was a far more fundamental concern. His ultimate plan to avert war began with infecting Dr. Manhattan’s associates with cancer so that they would take the blame. With Manhattan out of the picture, Adrian would unite the world by “trick[ing] it; frighten[ing] it towards salvation with history’s greatest practical joke” (372), revealing that he killed Eddie Blake after Blake discovered his plans. Adrian’s plan is to simulate the appearance of an extraterrestrial threat—the creation of the writers and artists who “disappeared”—which would appear in New York City and unleash a psychic shockwave, killing millions. Disbelieving, Nite Owl asks when Adrian plans to unleash this monster, to which he responds that he already did. Just before midnight, New York City is enveloped in a blinding white flash.

The final section is an interview with Adrian Veidt after he revealed his identity in 1975. He jokes about calling Nixon’s advisors “humanoids” based on a malapropism by Gerald Ford, who said “nobody’s human” instead of “nobody’s perfect” in response to a minor accident. The reporter is initially put off by Adrian’s autocratic ways, but then finds that he is actually doing a great service for his workers and for the world at large, in addition to being witty and charming. Adrian discusses being a self-made man and that with the right thinking and habits, “it is possible to accomplish almost anything” (379). He talks about leaving crimefighting behind when he wondered “whether all the grandstanding and fighting individual evils does much good for the world as a whole” (379). He also discusses his fear that some people want the world to end because they are tired of having to take care of it and fends off the reporter’s attempts to explore tensions with his fellow costumed adventurers. He closes by stating “I don’t mind being the smartest man in the world. I just wish it wasn’t this one” (380).

Chapter 12 Summary: “A Stronger Loving World”

The chapter begins with a series of gruesome images of bodies across New York, as a gigantic squid-like creature (resembling Hira Manish’s earlier drawing) sprawls its massive tentacles through the city. Dr. Manhattan and Laurie arrive, and while Dr. Manhattan did not predict this occurrence, he thinks he can discover the source.

Back in Antarctica, Adrian is further explaining how he pulled it off, when he discovers Manhattan and Laurie outside his compound. Electronic disturbances throw Dr. Manhattan off, and Adrian lures him into another chamber that disintegrates him in the same way as his original accident. Laurie shoots Adrian, but he catches the bullet, and while gloating in his triumph, an enormous Dr. Manhattan crashes in, mocking Adrian for thinking he could destroy him so easily. Adrian’s bank of screens shows the full horror of what has happened in New York, and that the US and Soviet Union have stood down. Exultant, Adrian proclaims that “all the countries are unified and pacified” (402), and Dr. Manhattan agrees that there is no point in revealing the plot. Rorschach refuses this compromise and storms out, intending to take the Owl ship back to the United States and share Adrian’s plot. Dr. Manhattan stops Rorschach, who screams, “DO IT!” (406), and Manhattan disintegrates him.

With privacy near Adrian’s pool, Laurie asks Dan “to love me because we’re not dead” (404), and they share a passionate kiss. Manhattan sees Laurie and Dan in a postcoital embrace, and with a kind look, he walks away. He tells Adrian, “I’m leaving this galaxy for one less complicated,” and after Adrian seeks affirmation that “it all worked out in the end,” Manhattan warns him that “nothing ends, Adrian. Nothing ever ends” (409).

Laurie and Dan visit Sally’s retirement home in disguise. Laurie tells her mother that she knows about The Comedian being her father and forgives Sally for never having told her. Sally offers Dan a Silk Spectre comic he had read in his childhood. As they leave, Sally closes the curtains and kisses a picture of The Comedian. In New York, the streets are less crowded, but the mood seems cautiously optimistic, with a new accord between the US and the Soviets.

Needing to fill out the next issue and refusing to entertain the story of actor Robert Redford running for president, the New Frontiersman editor tells his assistant to fill up the remaining pages however he sees fit, and the assistant’s fingers hover over Rorschach’s journal.

Chapters 11-12 Analysis

In story after story concerning superheroes and other costumed adventurers, the villain concocts an elaborate plan to control or destroy the world, often explaining it in great detail to the hero before he is foiled at the last minute by some stroke of skill or luck. Watchmen utterly shreds that trope. The antivillain, Adrian Veidt, carries out his master plan, killing millions with an absurd plot involving an artificially designed extraterrestrial squid monster, designed from an augmented brain clone. The plot not only succeeds but achieves its intended result of scaring the world’s superpowers out of an impending nuclear confrontation, implying that while Ozymandias may be a costumed, ego-driven villain with a remote fortress and animal companion, the real supervillains are the politicians risking the lives of billions for a modicum of strategic advantage. Readers have mostly followed the story from Nite Owl and Rorschach’s points of view, so they find themselves in the classic role of the protagonist confronting an adversary. However, in moral terms, Adrian emerges favorably despite his attempts at playing god. Like his fellow costumed heroes, he is Discovering a Purpose for Existence—namely, to save the world from itself. Moore is sure to note that Adrian is the child of immigrants and that his youth drew him to travels throughout Africa and Asia to retrace the steps of Alexander the Great. He is therefore less susceptible to the limitations of The American Psyche, although as an outsider (and genius) he is able to manipulate the moods of capitalism with the same ease that Dr. Manhattan shapes physical matter.

Within a short time, Chapter 12 shifts from images of bloodied corpses and Adrian in peak supervillain mode (catching bullets in his hand and seemingly defeating Dr. Manhattan). Once Dr. Manhattan reemerges and accepts Adrian’s plan, the tone changes instantly. Manhattan no longer wishes to interfere in the affairs of human beings, but to him, Laurie “demonstrated life’s value. If we would preserve life here, we must remain silent” (402). Rorschach’s act of protest and adherence to his principles amounts to suicide, while Dan and Laurie immediately take the chance to find comfort in one another and joy in still being alive, with the chance of a life to follow. The only potential spoiler of Adrian’s plan is a racist and antisemitic tabloid consisting of a bullying editor and hapless assistant. For all Adrian’s flaws, Moore and Gibbons suggest that in comparison, he is a more reliable safeguard of humanity’s future.

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