54 pages • 1 hour read
Shaun David HutchinsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Henry tries to keep his head down as tension between him and Adrian escalates at school. Henry focuses on spending time with Diego and waiting out the days until the world’s destruction.
Nana talks to Henry about her fear of losing all her memories since memories are all she has left. Henry vows to ensure that Charlie’s baby will never know the pain of growing old and losing oneself like Nana.
Henry asks Zooey if she would save the world from destruction if given the opportunity. She says she would save the world and finds it interesting that Henry even has to ask. Henry leaves her alone with Charlie but feels Zooey observing him closely.
Henry wonders if the sluggers planted Diego in his life to test his resolve. He notes that he hasn’t been abducted since he started a friendship with Diego. Ms. Faraci encourages Henry to continue raising his grade through extra credit. Diego tells her that Henry likes to write, and she tries to instill confidence by saying that he knows everything he needs to and should write.
In the showers after gym class, Henry realizes that he’s developed a crush on Diego. He thinks Diego is straight because he’s mentioned an ex-girlfriend. Henry doesn’t allow himself to fantasize about Diego as a boyfriend. Henry blames himself for Jesse’s suicide and doesn’t trust himself to develop another relationship. Plus, he knows the world will end.
Henry is attacked in the shower by a group of boys in alien masks. They tie him up, kick him while he’s naked, and pour a green liquid onto him. As he lays there after the attack, Henry thinks of Jesse and hears Jesse’s reaching out to him, blaming him for what’s happened in his life.
Coach Raskin finds Henry at the end of the day. He unties Henry and calls in the principal, who peppers Henry with questions about what happened and why. Henry doesn’t reveal that he had smelled Marcus’s cologne during the attack. They call the paramedics and the police. Henry’s mom arrives to bring him home. The boys who attacked him had taken a picture of him tied up and naked and green, then uploaded it online. The picture goes viral.
Henry is abducted while in the bath, washing the paint off his body. He shouts at the sluggers that he won’t push the button and asks them why they chose him. A slugger appears, but Henry is unsure whether he can communicate with him. Henry begs the slugger not to bring Henry back to Earth if he presses the button. The slugger beckons Henry to follow him. Henry follows into darkness, then is stopped by a blinding light. Suddenly, Henry is surrounded by the stars of the galaxy, though he is neither indoors nor outdoors. He is stunned by the beauty of the stars.
In a thousand years, Dr. Hatori discovers time travel. At first, wealthy people use the new technology to become history tourists. But soon, national organizations use time travel to change history. An anti-time travel organization protests by destroying symbols of history. If there is no history to return to, no one will go back to change the thread of humanity. Emmanuel Roth travels back to January 29, 2016, to destroy the sight of what would one day become the setting for Dr. Hatori’s discovery. He accidentally sets off a series of reactions that lead to a black hole that consumes the Earth.
Henry’s mother insists that he return to school. Charlie offers Henry a ride. Charlie has started working for Zooey’s father, fixing computers. His new job gives him a new sense of pride and purpose. Charlie tells Henry that to keep people away from him, he has to start acting normal and stop with all his alien stuff. Henry insists that he only wants to be left alone.
In Ms. Faraci’s class, someone has slipped an alien mask onto Henry’s chair. Audrey tells Ms. Faraci hat she had seen Adrian do it. As Henry vomits in the bathroom, Marcus approaches him. Marcus insists it was just a joke. Diego finds Henry outside at lunch. Diego had been texting Henry, but Henry ignored his messages. Diego finally shares some stories about his family, how he and his sister took beatings from their father in defense of one another. Diego wants to know who hurt Henry so he can defend him. Henry tells Diego about the sluggers’ red button. Diego admits that he wants Henry to press the button. Diego invites Henry to Thanksgiving dinner with his sister, giving Henry something to look forward to.
In the early morning, Henry and his family are awakened by Nana playing the piano. They all gather around Nana, who soon forgets how to play or who these people around her are. Charlie sits with Nana and starts to play, helping revive Nana’s memory. Henry is impressed by the beauty of the gesture. Before they all go to bed, his mom declares she can’t do this anymore. Henry assures her she won’t have to for much longer.
At lunch, after Adrian returns from his suspension, a soda gets poured over Audrey. Diego proposes again that he and Henry ditch school. They decide to go to the beach. Diego’s car won’t start, but they’re saved by Audrey, who warns them the principal is on his way and offers to drive them all away. The three of them agree to go to the fair together that night, as Audrey’s friends have been avoiding her.
At the fair, Diego shares that his family grew up so poor they couldn’t afford the internet. Diego’s difficult past doesn’t get in the way of his having fun at the fair. Henry thinks of Jesse as he experiences the rides he used to go on with Jesse. The last time Henry and Audrey had been at the fair, they had been with Jesse, loving life and one another.
Henry and Audrey find themselves alone while Diego goes to the bathroom and runs into other people. Audrey and Henry confront their post-Jesse’s-death resentments. Audrey accuses Henry of not being there for her after everything they have gone through. Audrey was friends with Jesse for a long time and had helped him through several self-destructive tendencies before his suicide. Henry accused Audrey of going on vacation to Switzerland after Jesse’s death. Audrey confesses that she had been checked into a psychiatric hospital; her guilt over Jesse’s death deeply affected her.
A computer code for Earth simulation on January 29, 2016, deletes Earth.
Missing Jesse, Henry goes onto social media to revisit photographs and memories of Jesse. He discovers that someone has photoshopped Henry’s viral photo, tied up with an alien mask on, onto all of Jesse’s pictures. Henry is shaken to his core and wants to find his mother’s sleeping pills so he can end his life. On his way to the pills, he runs into Zooey. He helps Zooey find Charlie’s toolbox, and Henry feels his desire to die wane. She offers him a ride anywhere he wants, and he asks her to take him to the bookstore.
Henry claims that Charlie will be a terrible father and will one day walk out on Zooey and their child. Zooey doesn’t get angry with Henry. Instead, she tells him about how she finally started liking Charlie despite how he can often be insensitive. She reveals that she had thought about getting an abortion, but when Charlie gave up his dream of becoming a firefighter, she knew he was serious about becoming a father. Henry hadn’t known that Charlie had been enrolled in the firefighter academy. In the bookstore, Henry wants to feel close to Jesse again, who had loved the bookstore. Henry runs into Audrey, who invites him to get cookies with her at the nearby mall.
Audrey and Henry have another heart-to-heart about what happened with Jesse. Audrey confesses that she had been in love with Jesse and had harbored his secret depressive behavior, such as his cutting. Audrey didn’t tell anyone about what Jesse was going through, so she blames herself for his death. Audrey tells Henry that her stay in the mental hospital had been good for her because it gave her the space to curl up inside herself and deal with finding peace away from external pressures and people. Henry assures Audrey that he doesn’t hate her and doesn’t blame her for Jesse’s death.
Henry, Audrey, and Diego sit together for lunch at school when they see Marcus hit another student named Zac. Audrey tells them that rumors are Marcus hooked up with Zac’s girlfriend, so Zac broke the windows in Marcus’s expensive car. Diego avoids talking about the gossip. Henry is taken aback by Diego’s sudden sullenness and wonders what he’s done.
Audrey and Henry go to the beach. She asks after his grandmother, and Henry wonders aloud if, given Nana’s condition, it would just be better for her to die. Henry has told Audrey about the sluggers and the button, but he can tell she doesn’t believe him. He mentions that he’s worried about Diego, sensing an inner rage that Diego tries to hide through exclamations that the world is a beautiful place. Henry wonders aloud if Diego had been the one to break Marcus’s car windows. Audrey tells Henry that Marcus was suspended for the punch, and since then, he’s been self-destructing with pills and meaningless sex. Henry tries not to care, but Audrey knows Henry did like and care about Marcus, even though Marcus didn’t deserve Henry.
Henry walks in on his mom smoking weed. They smoke together, and Henry encourages her to try cooking again, that the best parts of her aren’t gone now that his father isn’t around.
Diego texts Henry about Thanksgiving plans, but Henry ignores him because his mother is fixated on getting family pictures. Their unusually family-oriented Thanksgiving goes wrong when Nana burns the turkey and nearly starts a fire. Henry’s mother blames Charlie for not looking out for Nana. Charlie storms out with Zooey, and Nana cries. Henry calls Diego, and he picks Henry up to bring him to his sister’s anti-Thanksgiving barbecue.
Diego’s house is brightly colored. His sister Viviana calls Diego by his first name, Valentín. Henry looks around the house and finds a room where Diego displays and works on his paintings. Henry is moved by the paintings, which feature messages of escape and transformation. Diego offers to paint a portrait of Henry, making Henry feel exposed. Viviana’s friends come over for the barbecue, and Henry enjoys the peaceful conversation free of tension.
When Henry points out to Diego that he has not shared anything about his past, Diego agrees to tell him more if Henry tells him more about the sluggers. Henry confesses that he asks the sluggers to keep him instead of sending him back to Earth. Henry asks Diego if he was the one who broke Marcus’s car windows, but the look on Diego’s face at this accusation makes Henry feel bad, and he flees into the house. Henry realizes that he’s developed feelings for Diego and has been wondering if Diego’s protectiveness over him means that Diego has feelings for him.
Diego finds Henry in the house and kisses him. After kissing, Henry confesses that he still thinks about Jesse. Diego goes to get Henry something to drink, leaving Henry alone with his concerns that anything with Diego would end up ruined like all his other relationships. Just as Henry starts thinking he’s glad he has a choice in keeping the world going, the sluggers abduct him.
A new technology named Mind’s Eye is developed, allowing people to experience the world, their friends, and even video games through an implanted chip. People stop leaving the house, and though some industries like airlines fail, pollution is rapidly minimized. On January 29, 2016, South Korea is the first country to offer incentives to keep its citizens inhabited in Mind’s Eye. People on Earth become citizens of a fantasy world.
On the sluggers’ spaceship, Henry thinks deeply about the worth and value of human existence. He thinks that no one will have a memory of Jesse one day. Like stars, eventually, the light of a memory fades. Henry wonders if the sluggers want Earth to be saved; the sluggers like human literature, but Henry figures that they can simply take a few humans before the Earth’s destruction and repopulate them on another planet.
When Henry awakes on Earth, he discovers he’s been missing for four days. Charlie hugs him and tells him they had called the police. Diego has also been looking for him. Charlie pushes him around, demanding an answer about where he’s been. Henry doesn’t tell him, knowing it would only bring more problems and ridicule. After so many days, Henry’s family had imagined the worst-case scenarios for Henry.
At school, Audrey asks Henry where he’s been; Marcus overhears and makes fun of Henry’s abductions. Henry spends the afternoon at the beach, where Diego finally finds him. Henry doesn’t regret kissing Diego but doesn’t feel it’s right to start a relationship with him because he’s still thinking of Jesse and because Henry still doesn’t want to push the button and save Earth.
At home, Henry is surprised that his mother isn’t angry with him. Instead, she looks defeated. She tells him that she’s put Nana into a nursing home. She admits that, with all of life’s other stressors, she needs Henry to be okay. Not wanting to ruin her last 60 days on Earth, Henry assures her that he’s okay.
Chapters 13 through 24 explore the symbolism of the cosmos and the complex layers that inform human identity and perception.
Hutchinson uses stars as a symbol of impermanence. Due to the distance between stars and the human eye, the stars a human being sees are already dead. Henry parallels this with Jesse’s death: Though the memory of Jesse still burns brightly for Henry, Jesse’s memory will eventually fade away, just like the light of dying stars. This impermanence is both awe-inspiring and sad, both beautiful and terrifying. The impermanence of human life and starlight is a relief because there is some freedom in death and forgetting. If nothing lasts forever, the pain will eventually be gone, as will other emotions such as shame or fear. This impermanence also implies that people should appreciate starlight (and human life) while they still have the chance. Impermanence can breed resentment, but it can also build gratitude. Gratitude is the emotion that Henry still lacks; rather than look back on his relationship with Jesse and be thankful for the love they shared, Henry can’t get past his resentment not only of the death itself and all the death represents but also of a future without Jesse in it. Just as Henry is awe-struck by his relative smallness compared to the vast beauty of the stars, so too can the value of human life strike awe. If Henry viewed human life with the same inspiring awe as he views the stars, he might find a reason to save Earth. Humans are numerous, endlessly complicated, and have the potential to achieve both joy and pain, yet Henry doesn’t see this as impressive as the awe-inspiring beauty of the numerous and powerfully poignant stars.
There is also symbolism in the action of star gazing. The term “gaze” implies a type of voyeurism. One who gazes usually does so in admiration, though not in participation with the object upon which their gaze falls. Henry’s gazing at the stars, both when he’s on the spaceship and the beach with Diego, implies a removal of self from the beauty he’s observing. This gap between beauty and self highlights Henry’s lack of self-appreciation and awareness of the positive potential of human life. Though stargazing can also be peaceful and therapeutic, in Henry’s case, the action is yet another reminder of how far away he is from happiness.
There is hope for Henry and plenty of reasons to keep him invested in Earth’s success. Though Henry and his brother Charlie have a fraught relationship, Charlie’s impending fatherhood changes Charlie for the better. With Zooey’s help, Henry discovers that he doesn’t know Charlie as well as he assumed he did. Like Henry and any other person, Charlie is full of paradoxes and built with complex layers of personality and behavior. Charlie is not one thing, nor is Henry. In not giving Charlie the benefit of the doubt that he can grow and progress, Henry repeats the internalized bullying he has learned about himself: that he will always and forever only be Space Boy.
Henry learns this about his mother as well. In these chapters, she reacts in unexpected ways that highlight her loneliness and remind Henry that he is not the only one suffering through a difficult period in life. There is also hope in the form of Diego, with whom Henry’s friendship is so enjoyable that Henry jokingly wonders if the sluggers have sent Diego to challenge his resolve over the button. Diego has secrets he doesn’t share but demonstrates his care and concern for Henry through his consistent friendship and his protectiveness over Henry after the gym locker shower attack. The problem with Diego is precisely this promise of hope. Henry’s life experiences have made him believe that all his relationships end in death or desertion. He doesn’t want to believe in a future with Diego because it’s easier for Henry to expect an unhappy ending.
This belief is also built by his abusive relationship with Marcus. Though Marcus is emotionally and physically abusive toward Henry, Henry spent months hooking up with Marcus, liking him and defending him despite his obvious streaks of cruelty. Even after Henry ends things with Marcus, he advocates for Marcus’s other layers. This is common in relationships built on humiliation, shame, secrets, and abuse. Marcus has free reign over Henry’s body because Henry doesn’t believe that he deserves better than this treatment.
Henry’s low self-esteem was developed by his alien abductions, the subsequent destruction of his family, and Jesse’s death by suicide and then confirmed by Marcus’s behavior toward Henry. Marcus is also a teenager, so Hutchinson doesn’t want Marcus to be perceived as simply evil or deserving of criticism. In Hutchinson’s novel, all characters—especially the teenagers—are enduring difficult journeys in finding themselves. Though it is not stated explicitly, there are implications that Marcus’s violence towards Henry is borne from Marcus’s homophobic shame. Marcus’s friends don’t know about Henry, and the only people Marcus is romantically linked to are girls. By using violence on Henry’s body, Marcus successfully intimidates Henry into not speaking about their relationship. But the violence is also Marcus’s way of punishing the body for the body’s natural desires, in this case, the sexual desire between boys. Marcus’s violence could be seen as indicative of how Marcus feels about himself. That Henry bears the brunt of this self-conscious shame is unfair, unjustified, and destructive to his already fragile psyche.
Henry has a hard time accepting positivity from others. Ms. Faraci, his science teacher, is also his champion. She defends him against bullies, supports his downward spiraling attitude toward school, and encourages him to trust his intelligence and himself more. However, Henry doesn’t see Ms. Faraci as an ally, highlighting how fixated he is on ending the world and giving into his depression. Audrey and Diego are also allies to Henry, and though he does appreciate their company, they are not enough to convince him that human life is valuable and worth saving. Henry’s inability to see his friends and family as reason enough to save the world is indicative of Henry’s internal conflicts. Henry is so guilty over Jesse’s death by suicide that he projects all bad things onto himself. He internalizes his guilt over Jesse and his resentment that Jesse loved him one day and then disappeared the next. Jesse did not confide in Henry the way he had with Audrey, making Henry feel, in post-Jesse life, that Henry and Jesse’s love was good but not good enough.
Henry is also sorting through resentments he feels toward Audrey, whom he believed disappeared after Jesse’s death, just when Henry needed her the most. Audrey had been institutionalized, highlighting the difficult nature of the ripple effect of suicide, as well as the importance of getting help when needed. Additionally, Diego keeps secrets of his past from Henry. Therefore, in all of Henry’s burgeoning relationships, he holds on to the thimble of doubt and insecurity that makes him believe that other people are only consistent in their betrayal of his trust and emotional stability.
Hutchinson carefully examines the ripple effects of death by suicide. Jesse’s death by suicide leaves many unanswered questions for his loved ones to answer on their own. Henry and Audrey are overwhelmed by these unanswered questions. Unanswered questions can lead to self-doubt, resentment, and a fraught connection to the past. Hutchinson doesn’t advocate for forgetting the past, but he demonstrates how terrifyingly easy it is for people to get caught up in the questions of their past rather than setting their sights on their futures. Henry and Audrey are both so young that the potential for happiness and new love is almost a promise. But the trauma of Jesse’s death, the fracturing of that friendship, and the inevitable questioning of what and why overtakes their sense of self. Hutchinson teaches his young adult readers that sometimes there are no suitable answers to explain our traumas and painful pasts, but that doesn’t mean there aren’t ways of looking forward to new and more positive layers of life. Audrey, for example, still struggles with her guilt over Jesse’s death, but she is positive about human life. She advocates for Henry to push the button and save Earth. She tackles her guilt, seeks the necessary help for it, and begins the difficult but ultimately rewarding work of psychologically working through her feelings and guilt. While Jesse’s death makes Henry weary of making friends, lest they also disappear from his life suddenly, Audrey is open to new people, reestablishing a friendship with Henry and hoping for better relationships in her future.
In these chapters, Hutchinson gives the reader more glimpses into Diego’s characterization. Now a major secondary character, Diego’s past is still mysterious. It is clear that he and his sister have moved to Florida to escape domestic abuse, but Diego’s secretiveness over the details and his art’s metaphorical messages about escape and transformation imply that Diego is keeping dark secrets from Henry. Diego’s silent rage juxtaposes his outward expressions of joy and peace. In a way, Diego is a puzzle for Henry to solve. In another way, Diego demonstrates Hutchinson’s point that everyone goes through struggles and needs empathy and company.
Henry is surprised to discover that Diego has feelings for him too. Henry is scared of his feelings and doesn’t trust Diego’s feelings for him. Because of Henry’s low self-esteem, he can’t understand why someone would want to be friends with him, much less be a boyfriend. Henry underestimates his charisma and likability, and he also underestimates Diego’s kindness and openness. Notably, Henry worries about their feelings for one another because their blossoming romantic relationship doesn’t make Henry want to save the world. If the chance at another loving relationship doesn’t inspire Henry to save the world, what can?
As the chapters and plot develop, it becomes clear that Henry’s desire not to save the world is representative of his suicidal ideation and desire to die. Henry convinces himself that the world itself is not to be saved and that he would be saving his loved ones from pain by not saving humankind. But the only person in these pages troubled about the value of existence is Henry. Henry has many internal and external conflicts, but it becomes clear that his internalization of Jesse’s death by suicide has turned into Henry’s own ideation.
In a way, Henry is living through the nightmare of the Mind’s Eye from chapter 23, but without the fantasy. Rather than live in fantasy, Henry lives in memories of pain. In chapter 23, Hutchinson uses the hypothetical technology of the Mind’s Eye to show that people can be destroyed even though they’re still alive, calling into question what exactly destruction is. Henry is alive, but, like the people entrapped by the Mind’s Eye, he is not truly existing and experiencing life, which is a form of self-destruction.
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