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46 pages 1 hour read

Susan Crandall

Whistling Past the Graveyard

Fiction | Novel | YA | Published in 2013

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Chapters 7-13 Chapter Summaries & Analyses

Chapter 7 Summary

At night, Starla commits to escaping and bringing James. She thinks of complex lies to tell whoever picks up her and James. When Starla hears Wallace snoring, she pushes the stuck window until it falls to the ground. The sound doesn’t wake Wallace, so, using a blanket and a basket, Starla lowers James to the ground before she slides out. Outside in the woods, a storm arrives.

Chapter 8 Summary

To take her mind off the growing storm and James’s sobs, Starla tries “[w]histling past the graveyard” (91), imagining Christmas in Nashville with her mother and father. The storm resides, but a truck driven by Wallace almost hits Starla and James. Wallace tries to drown Starla in a pool of water. Eula begs him to stop, and Starla promises not to tell. Wallace desists but says that if Starla tries to escape again, he’ll kill her and James.

Chapter 9 Summary

Eula rocks Starla in a chair. Eula is bloody and bruised, and Starla says that Eula kidnapped her and James. Eula claims that no one wanted James and that if she didn’t pick up Starla, something bad would have happened to her. Eula doesn’t think Wallace will hurt her or Starla and thinks that she will be able to keep Starla safe.

Starla remembers living with her mother and father in an apartment on the second floor of Mrs. White’s house. Mrs. White teaches piano, and Starla likes hearing the musical sounds. She also remembers the sound of her parents’ voices—“soft” and “happy.”

Starla wakes up when Wallace attacks her. To protect Starla, Eula hits her husband on the head, killing him. Over four uneaten pies, Eula wonders if she should tell the police. She might not get into trouble for killing Wallace (it was self-defense), but she’ll likely face consequences for taking James, so Eula agrees to take Starla to Lulu in Nashville.

Chapter 10 Summary

After moving Wallace to the springhouse to keep his body from rotting, Eula puts clothes and a Bible in a suitcase. They only have $4.75, and Eula drives the truck down roads with little traffic. A racist driver crashes into them, but Eula isn’t mad. She laughs—she says that if she didn’t maintain a sense of humor, she’d “lose” her “mind.”

Chapter 11 Summary

Eula has faith that God will send someone to help them. Starla wishes that they could tell on the racist driver, but Eula says the police wouldn’t punish the driver. Starla wonders about the identity of James’s mother, and Eula says that they shouldn’t know. Starla thinks about the LeCounts, who aren’t rich but eat food that smells delicious. Patti Lynn’s family has money, but the Pykes hardly have any money, and the 10 Pyke kids don’t look healthy. Eula has a brother, but he’s as toxic as her father.

A man who’s either “light-skinned” or “suntan-skinned” stops, and Starla lies to him. The man determines that the truck is fine and warns them about the “touchy” environment, causing Starla to think about the anti-racist activism and news stories on TV.

Chapter 12 Summary

The truck works, but it drifts to one side. They spot a rundown service station, and a skinny teen with a “crop of pimples” says that the truck suffers from a bent tie rod and a bad clutch. Starla wonders if they can give $4.75 now and the rest later, but the teen refuses to “give credit” to a Black person. Eula says that she can find a job and get the money, but Starla thinks that’ll take too long—Shorty might stop by and discover Wallace. Eula cries, and Starla comforts her.

Chapter 13 Summary

Eula lies down and stares at the sun before they get back in the truck. Starla lies to Eula, claiming that Mamie died last week and that she’s returning to Nashville to be with her mother, but Eula senses her lie. The truck stops working altogether, and Starla suggests walking to a house and asking for help. Her father did that once, but Starla’s father is white, and Eula is Black.

Eula thinks it’s best to sleep outside on the truck bed because bears and wildcats won’t bother them—they don’t have enough food. Besides, Eula and her mother used to sleep outside on the property of a judge who employed Eula’s mother.

Chapters 7-13 Analysis

The theme of Wishful Thinking Versus Confronting Adversity continues when Starla provides her particular definition of “whistling past the graveyard,” explaining, “That’s what Daddy called it when you did something to keep your mind off your most worstest fear.” Starla adds, “But I couldn’t whistle” (109). Whether it’s the storm in Chapter 8 or the racist driver in Chapter 10, Starla can’t ignore wrongs and hardships. Her characterization centers on facing the wrongs and hardships in her world. Her refusal to remain silent and passive about racism and personal slights continues to drive the narrative. Sometimes this character trait is shown in a positive light, while other times it manifests as risk-taking behavior without acknowledgement of consequences.

Eula still alternates between habits of wishful thinking and confrontation. At the start of Chapter 9, she maintains the illusion that Wallace isn’t an abuser but a protector, informing Starla, “He only tryin’ to keep me safe” (127). By the end of Chapter 9, Eula confronts Wallace’s brutality. She kills her husband to save Starla. Eula also subverts the theme’s binary. After the racist driver crashes into their truck, Starla wonders why Eula isn’t overtly mad, and Eula replies, “Sometimes laughin’ is all a body can do, child. It’s laugh or lose your mind” (149). Eula isn’t obligated to respond to racist behavior with a requisite amount of rage, nor does she make excuses for the driver’s actions. She occupies a middle space, conscious of the wrongdoings of the driver and openly facing the issue of racism in this way while still choosing to not act for her own safety and emotional well-being.

Similarly, the quote about Eula not “losing her mind” relates to the theme of The Impact of Racism on Individuals and Communities. In Eula’s environment, racism is prevalent and part of her daily life. Unlike Starla, she is familiar with the bigoted status quo, and laughter is how she counters its impact. If she became as angry as Starla, the implication is that racism would win. By not letting every racist incident bother her, Eula reveals strength and dignity—she won’t let racist individuals pull her down to their level. The issue of race also gives Starla further chances to show off her sense of humor. About the driver who stops to help them, Starla notes, “I couldn’t tell right off if he was light-skinned colored or suntan-skinned white” (157). Starla parodies race, turning “suntan-skinned white” into another kind of race. Starla’s emphasis on skin color reflects her environment. She focuses on race because her community continually harps on the color of a person’s skin.

In this section, Starla continues romanticizing a conventional family, remembering living upstairs in Mrs. White’s house with her mother and father. On the other hand, Eula still possesses an intricate understanding of The Complexity of Familial Relationships. Legal, biological family members are not automatically loving or deserving of a relationship. Concerning her brother, Eula says, “Charles. He is just like Pap. No-account. Ain’t seen him in years” (156).

Additionally, near the end of Chapter 11, Crandall alludes to the civil rights movement. Starla remembers watching TV and seeing Alabama police use a firehose on activists. She might have seen a clip like the video uploaded to the Library of Congress’s website. She also remembers the Ole Miss riot of 1962, when racists violently reacted to the admission of a Black student, James Meredith. The references to real-life events build out Starla and Eula’s context and reveal how the civil rights movement impacts people not directly involved with the activism.

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