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80 pages 2 hours read

Hugh Howey

Wool

Fiction | Novel | Adult | Published in 2011

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Part 4, Chapters 0-5Chapter Summaries & Analyses

Part 4: "The Unraveling"

Part 4, Chapter 0 Summary

In a flashback, Juliette takes a trip to the 100th floor bazaar with her parents, where they stop into see a performance of “The Tragic Historye of Romeus and Juliette.” Her parents saw the play when they were dating and named Juliette after it. Juliette is more amazed by the opening act of jugglers than by the play, during which she falls asleep. Afterwards, her parents take her to meet the main actress and ask her for an autograph. She gives Juliette an autographed copy of the script, a precious gift as paper is valuable in the silo. “Remembering her manners” (214), Juliette thanks the actress and apologizes for falling asleep during the play. 

Part 4, Chapter 1 Summary

Lukas sits at the foot of the bed in his room, grieving for Juliette. He decides to go to work to distract himself. Lukas works for Bernard in IT maintaining the servers. He feels unmotivated and can barely get dressed.

On the silo stairs, he contemplates committing suicide by throwing himself off a landing. Lukas sees a porter running past and can tell from the expression on his face that something newsworthy regarding the cleaning has happened. He feels hopeful. Lukas remembers the petition he circulated for Juliette’s release and his “appeals to Bernard, begging him as a friend, as his boss, to intervene on her behalf” (218). Bernard told Lukas there was nothing he could do, but Lukas wonders if Bernard did manage to save Juliette.

Lukas starts to ascend the stairs and sees Deputy Marsh, who has been ordered to carry Juliette’s things to IT on the 34th floor. Marsh tells Lukas that Juliette refused to clean and disappeared over the hills. Lukas convinces Marsh to let him take Juliette’s belongings to IT.

Part 4, Chapter 2 Summary

In his workshop, Walker focuses on removing a chip from an electronics board to distract himself from the cleaning. A porter runs past, and Walker asks him for news. The porter demands chits. Walker lets out “a sigh for disgust for what had become of his generation” (222). The porter excitedly tells him that Juliette not only refused to clean but that she has walked out of sight of the cameras, neither of which has ever happened before. Walker is stunned. For the first time in 40 years, he feels the desire to leave his workshop and discuss the news with the others in the “down deep.” Taking “a deep breath,” he crosses his threshold and feels himself to be “like some intrepid explorer himself” (223).

Part 4, Chapter 3 Summary

Juliette emerges from the silo, having figured out that the lush views she sees through her headset are “a spectacular fabrication” (224) designed by IT. Juliette fights against the temptation to believe the illusion. Remembering Walker’s message—“They’re good in Supply” (226)—she rubs a wool pad against the heat tape of her suit and realizes that Supply, at Walker’s behest, has secretly replaced IT’s materials, which are designed to fail, with the more sturdy ones from Mechanical. IT has “unwittingly[…]built a suit designed to last, not disintegrate” (226).

Juliette starts to walk over the hill, aiming to die out of the sight of the cameras. From experience, she knows she can conserve the air in her suit by staying calm. She sees Holston and Allison, disguised as boulders by her visor’s program. Beyond the hill, Juliette “witnessed the first rips in IT’s deceitful veil” (227). The program of the visor is not designed for the view beyond the hill and she sees the actual desolation of the landscape. At the top of the hill, she turns back to look at the silo “[w]ith a heavy heart” (228) and sees that it is nestled between hills. In front of her, she sees that the landscape has more such hills, “one circular bowl after another, the earth rising up between them” (228). Further up ahead, she sees another silo, with a dead cleaner in front of it. At first, she thinks she is seeing her own silo or that she is “succumbing to noxious fumes,” until she realizes that this is another silo, and that the hills are not meant to block out the wind but to “shield curious eyes” (229).

Part 4, Chapter 4 Summary

Lukas goes to floor 38, a “mixed-use level of offices shops, a plastics factory, and one of the small water treatment plants”(230), and enters the main pump control room. Hiding behind the server rack, he looks into the box containing Juliette’s things and immediately feels guilty. He finds dozens of vacation vouchers and studies her ID photo, remembering the first time he saw her working in the sheriff’s office. He also finds a mysterious wedding ring and the watch Juliette has repaired. He finds a manual she has written for the main generator control room, on the backside of the script for “The Tragic Historye of Romeus and Juliette.”Wondering “what the hell he was thinking” (233), he keeps the ID, ring, and watch, and switches out his own multi-tool for hers.

Part 4, Chapter 5 Summary

Juliette finds herself stumbling over thousands of bodies of dead cleaners as she walks toward the other silo. She is startled to think that these people are not from her silo—“that they were dead did nothing to diminish the soul-shattering reality that people had lived so close and she had never known” (234). Seeing that the bodies are piled thickly by the door of the silo, she realizes that they were trying to get back into it. She senses her own impending death “keenly in every pore” (235).

The doors of the silo are cracked. She pulls out a body that is stuck in them and pushes her way through the doors but becomes stuck until she uses all her strength to jerk free. She enters a room similar to the one she has left in her silo. She wonders if she is already dead and these are her “mad dreams” (236). She bangs on the door, but no one answers. Running low on air, she knows she does not have enough energy left to squeeze through the outer door again. Remembering her mechanical training, she wrenches a pipe off the wall to use as leverage for the wheel on the door and manages to open it.

Part 4, Chapters 0-5 Analysis

Walker’s temerity to leave his workshop for the first time in forty years shows the profound disturbance that Juliette’s departure from the norm for cleaning causes. As Jahns and Bernard know and fear, order in the silo is delicate. The thousands of dead bodies over which Juliette is forced to walk hint at the consequences of disturbing this order. This creates a tension at the center of the novel—though the reader roots for Juliette to survive and successfully rebel against the silo’s oppressive regime, the cost may be the survival of the whole silo. In the horrific scene of mass death outside the other silo, the conflict between the individual and the whole is evident, which Howey renders symbolically as Juliette steps over the piles of dead bodies. The scene implies that mass casualties may very well be the result of her failure to follow cleaning regulations.

The quotes from William Shakespeare’s Romeo and Juliet—or “The Tragic Historye of Romeus and Juliette,” as it is known in the silo—at the head of each chapter of this section reinforce the idea of people heading toward their own doom. Just as the actions of Romeo and Juliet tragically and inevitably lead to their demise, so too the behavior of the people in the silo following Juliette’s failed cleaning seem to be heading toward death for all. Juliette’s name further underscores this tragic trajectory. The presence and resonance of this “ancient” play in the silo represents humanity’s reenactment of timeless tragic patterns as well as the power of literature to endure.

Juliette, however, has written a manual for the generator on the back of the script. This juxtaposes her obstinate focus on practicalities with romantic notions of fate and doom and hints that it may allow her to escape what seems inevitable. Juliette’s knowledge of mechanics and her determination to survive in the face of ostensibly insurmountable odds has so far allowed her to survive and wrench her way into the shelter of the other silo.

Romeo and Juliet is further relevant in that Juliette and Lukas are star-crossed lovers. Rather than coming from warring families, Juliette is from Mechanical while Lukas works in IT for Bernard, Juliette’s enemy. Ironically, Lukas appeals to Bernard to help Juliette. As Juliette struggles to overcome the temptation to fall for the illusion on her helmet’s visor, Lukas, in contrast, is still deluded. Even though his acquisition of Juliette’s things deepens the bond between them, the plotlines of the characters are increasingly diverging.

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